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Old fogey opinions on modern popular music amnesty

I'm off to see Self Esteem tonight. Modern pop music! So this thread's not for me.

Self Esteem seem very popular with the over-40s, so I should think you'll fit in very well here
Saw her/them a couple of weeks ago; a couple of 15-16 y.o's with parents (inc Lil'FA); 15-20 women aged c.18-25 and the rest (maybe another 100 or so people) all 30/40+ (er and a few 50+ :thumbs:)

Good gig tbf, she's got a few killer tunes and good chat.
 
For me it's not so much that I feel disappointed for not liking chart music of today. That's entirely understandable at age 40. It's more that there's nothing subversive or political going on and being reflected back through the charts. It's so generic and tame now like it's been run through some government approved committee. It's just such a let down.
 
I reckon that if you accept that all music is derivative then, the longer you live, the more you recognise the “original” inspiration behind current music and the more likely you are to regard this as an inferior knock-off. Add to this the notion that you “feel” music more in your teens (and how it relates to your intense emotions at that time) then modern music can rarely move you in a similar way in your 50s. I still hear the odd record that makes me go “Fuck - that’s great!” but, being a jaded old bugger, those moments are sadly few and far between. My overriding feeling as to today’s music is how bland, safe and self-absorbed it appears to be. Whatever’s wrong with writing about joyous drinking, dancing and fucking?
 
For me it's not so much that I feel disappointed for not liking chart music of today. That's entirely understandable at age 40. It's more that there's nothing subversive or political going on and being reflected back through the charts. It's so generic and tame now like it's been run through some government approved committee. It's just such a let down.
I don't think the charts have much relevance anymore tbh - the way they're recorded has changed radically, the way kids find out about and consume music has changed... it's a different thing altogether. You're judging the modern charts by standards that are out of date.
 
Off on a tangent but I recently saw this if anyone is interested. But I am an old, opinionated fogey.

Rick Beato has some serious musical chops. He was a music professor at university, top-notch band member and an award-winning producer.

His channel is a pretty authoritative, and he manages to score interviews with the likes of Sting, Brian May and Peter Frampton.

I can recommend the Beato book on music theory that he sells for sheer thoroughness.

#notoncommission

:thumbs:
 
Indeed he does!

He's certainly able to deconstruct music and explain why it's musically more or less interesting, which is a good foundation for critical analysis.

:thumbs:
But if he does this with input from Sting, Brian May and Peter Frampton, it suggests he has a very partial understanding of what makes music more or less interesting tbh
 
Rick Beato has some serious musical chops. He was a music professor at university, top-notch band member and an award-winning producer.

His channel is a pretty authoritative, and he manages to score interviews with the likes of Sting, Brian May and Peter Frampton.

I can recommend the Beato book on music theory that he sells for sheer thoroughness.

#notoncommission

:thumbs:
I stopped watching the second he pulled his guitar out. I think the reason he finds so much modern music boring is because he listens to boring music.
 
here's Brian May playing the national anthem on top of Buckingham Palace btw





(unfortunately footage of Sting singing on the roof of the Barbican seems to be unavailable)
 
I watch Rick Beato a lot, he certainly knows his stuff when it comes to music.

However he does like a lot of terrible American alt-rock from the early 2000s like Tool, and A Perfect Circle which always grates me when he's doing his top ten lists etc.
 
I'm not one of these people who hates all new hip hop and harks back to the 'good old days' of boom bap. I really like some of the trap stuff but I really despise all forms of 'mumble rap' and especially the really heavily autotuned stuff. I find the popularity of artists like 'Future' and 'Young Thug' utterly baffling.
 
there's a good music theory clip where a drummer breaks this all down, which is also pretty confusing tbh



Drummer guy: A long, complex and informative explanation for extremely a highly skilled piece of drumming.
My ears and brain: Well it's someone basically randomly hitting a drum.

I wish I was more musical.
 
Whenever I go and see a ‘young’ guitar band who I imagine are going to have a big live following with the yoot - Starcrawler, Shame etc - I’m always surprised that the majority of the crowd are old gits like myself - the grey hairs and bobbing bald heads - I think we just got into the habit of seeing live bands back in the day and it’s a habit we, well I, never broke. Just can’t imagine kids following a band round the country as my bro and I used to do with the Clash. Better things to do I guess.
 
I believe the kids are listening to polyrhythmic dubstep these days, very "interesting" not "boring" (makes me feel genuinely sick though)

Math-Step, just what the world really doesnt need.

(i haven't heard it yet, but as this is a cranky thread I think its safe to say its terrible and they're doing it wrong :thumbs:)
 
I'm really undecided, it is not exactly enjoyable to listen to but it is definitely out there and unique.

It is just a music school novelty experiment rather than any kind of new direction though, for sure.
 
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