Epona
Sonic: 1 Nov 2006 - 8 Jan 2022
May I presume that you didn't click on the link?
I didn't realise there was a link, wish the damn things showed up in a different colour
May I presume that you didn't click on the link?
OK, managed both series in two days before my disney plus ran out.
It was ok. Some good bits for sure.
Hey don't get me wrong, it was far better than anything else I've seen in a while bar solar opposites. I also managed the lot in two days without the slightest bit of pain. Certainly an eye opener for this liberal whitey. I assume it is written from a place of experience.Tough audience
I watched Love and Monsters yesterday, which was entertaining silliness, I enjoyed it. Sometimes mindless nonsense is just what the doctor ordered.Dylan O'Brien does his Maze Runner/Teen Wolf goofy winning smile thing again even though he's 30 or something now.
Where can I get more Eric Andre?
If you can bear 2 Broke Girls, he's in season 3 (iirc)
Ugh I hate 2 broke girls. No sympathy for either of the characters, also I think they were keeping a horse on a balcony/roof terrace in 1 episode which is just massively irresponsible. (I can overlook the ridiculous if the rest of a thing that I am watching is engaging and funny, if i isn't then the ridiculous just becomes a massive negative).
Death Becomes Her. Never seen it before, what a classic.
Also a few Coen Brother's films on there at the moment -watched Oh Brother Where Art Thou which I'd seen before but is still enjoyable, also The Ballad of Buster Scruggs, which I hadn't seen before and was also enjoyable. Still in the queue to be watched is Burn After Reading, which I don't think I have seen before, but hope will be enjoyable.
I did this a long time back. A friend gave me a login so I still have it but guess I watch two/three hours a month.Going to give up and cancel my sub with Netflix finally. So many times I look and struggle to find anything that looks good, then eventually start something only to think it's shit and stop watching.
Oh I really hope you like Burn After Reading, I thought it was fucking brilliant.
I did this a long time back. A friend gave me a login so I still have it but guess I watch two/three hours a month.
I found Amazon worse than Netflix for quality of content. Also annoying to search for something then being told to pay for it. Not that things should not be paid for of course.Did you try any other streaming service? I got a free month of Amazon Prime recently and it looked much better.
Not knocking Netflix, guess I don't watch that much telly and have a lot of stuff online. Not enough hours in the day
Is that the one with the fabulous hats?Quite enjoying the Korean historical zombie series Kingdom at the moment. Is it common for Korean dramas to have exaggerated comic characters in dramas?
Is that the one with the fabulous hats?
I have this as part of my A level film studies wider screening programme. It’s a powerful, incisive, almost timeless film, but at the same time, has some really amateurish bits of filmmaking that you rarely see in a professionally-made feature (as an example - there’s one shot where characters who are supposed to have just left a building, start from a silent standstill on the step outside the closed door. It’s hard to explain but it looks like the unedited rushes - if one of the kids had done it in their coursework I’d tell them to re-edit it.)At the other end of the scale, I noticed that Spike Lee's Do The Right Thing is on Netflix now. Another film I saw at the cinema back in the day - this one definitely deserves awards and is not necessarily an easy watch - but it is a beautiful masterpiece of a film and if anyone hasn't seen it they should probably do so.
I know I'm a bad feminist (only sometimes) but retrospectively judging a film in comparison with societal mores seems to me unfair. Anyway might watch this tonight.I have this as part of my A level film studies wider screening programme. It’s a powerful, incisive, almost timeless film, but at the same time, has some really amateurish bits of filmmaking that you rarely see in a professionally-made feature (as an example - there’s one shot where characters who are supposed to have just left a building, start from a silent standstill on the step outside the closed door. It’s hard to explain but it looks like the unedited rushes - if one of the kids had done it in their coursework I’d tell them to re-edit it.)
The use of extreme cinematography (Dutch tilt, extreme low angle shots for Radio Rakeem, the repeated whip-pans during the argument...) is creative and cohesive... but it feels heavy-handed. I don’t think any of that matters, btw. It’s just unusual in an Oscar-nominated film by an auteur filmmaker.
What I do think is a problem, though, is the film’s attitude to women. There are only three female “named characters” - Mookie’s sister - who exists only to be a madonna-like symbol of in a pink, ultra feminine and flouncy outfit. Her attractiveness to Sal, and whether or not her brother approves of him being attracted to her is literally her only function. Mother-Sister is our crone. Denied even a name in favour of a title that describes her purely in terms of her family role. She’s painted as heartless for resisting the amorous advances of a chaotic, tenuously housed, chronic alcoholic. By the end she has inexplicably changed her mind, without once having been given the screen time to explore her own will in the matter.
Finally there’s Rosie Perez’s character. She also only exists in terms of her relationship to men: lover and mother. She’s a nag, and then she’s a literal sex object in one of the most gratuitous and unpleasant sex scenes I’ve seen. Her body is literally parcelled up and objectified into its constituent parts with no focus on the face, emotions, reactions of this woman. It’s revolting.
Btw, I read later that Perez, who was a local woman that Spike Lee picked up in a club, was really unprofessionally treated in the shooting of that scene. Dodgy stuff.
The totality of that, then, is a film that feels more disrespectful of women than anything Hitchcock ever made, and he was a blatant misogynist! At least Hitch’s women are involved in driving the narrative. They have their own detail, I suppose.
But that’s my point. Hitch makes Vertigo in 1958(?), and for all that the narrative deals unpleasantly with all its women (murder/psychological abuse/undesirable spinster career-woman), they all have agency, their own personalities and lives, just as the male characters do. Do the Right Thing is 1989, I think. Thirty years later and in the mean time there’s been the sexual revolution, equal rights legislation, “women’s Lib”, etc, etc - and this film is straight don’t the line 2D madonna/whore/crone.I know I'm a bad feminist (only sometimes) but retrospectively judging a film in comparison with societal mores seems to me unfair. Anyway might watch this tonight.
It's good.Also a few Coen Brother's films on there at the moment -watched Oh Brother Where Art Thou which I'd seen before but is still enjoyable, also The Ballad of Buster Scruggs, which I hadn't seen before and was also enjoyable. Still in the queue to be watched is Burn After Reading, which I don't think I have seen before, but hope will be enjoyable.