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List the films you've seen at the cinema: 2013

It's not like they had to extend the film by much. Lincoln did get assassinated only three months after the 13th amendment got passed by the House, so it fit well within the time frame the film covers. It would have been strange not to address it. And I liked that the way it was dealt with was remarkably non-exploitative.
I think that's part of the problem for me, all the stuff after the bills passage just felt tacked on to me. The film, rightly IMO, didn't show any of the build up to the debate so I don't know why the post-amendment was needed.
 
I'm toying with seeing Lincoln this evening but I'm feeling quite tired and this film appears to be both dialogue heavy and with a long running time. Is this film engaging enough to keep my intention (I am genuinely interested in the events depicted)? I've got to say I'm generally pissed off by this increased tendency to make films the best part of three hours, I can't remember the last time I saw a movie that I thought was too short.
 
I'm toying with seeing Lincoln this evening but I'm feeling quite tired and this film appears to be both dialogue heavy and with a long running time. Is this film engaging enough to keep my intention (I am genuinely interested in the events depicted)? I've got to say I'm generally pissed off by this increased tendency to make films the best part of three hours, I can't remember the last time I saw a movie that I thought was too short.

I liked it but maybe not one to see when you're tired.
 
I'm toying with seeing Lincoln this evening but I'm feeling quite tired and this film appears to be both dialogue heavy and with a long running time. Is this film engaging enough to keep my intention (I am genuinely interested in the events depicted)? I've got to say I'm generally pissed off by this increased tendency to make films the best part of three hours, I can't remember the last time I saw a movie that I thought was too short.
I don't think Lincoln is as bad as many others on the length issue, while I don't think the extending the time line worked it doesn't actually add much to the running time. For such a long movie I thought it passed quite quickly, I certainly wasn't looking at my watch.
 
Lincoln (Ok. Was a bit distracted by the obvious miming of old patriotic bio-pics from the 40s and 50s. Liked the period set dressing.).

Hansel and Gretel (Please, please don't waste your money).

Warm Bodies (Wasn't expecting much, was suprisingly entertained, but don't expect "art". It's hard to go wrong with zombies.)

Chasing Ice (Documentary on global warming. Couldn't decide if I was terrified beautifully or beautifully terrified.)

Dear Mandela (Documentary on "informal housing" in South Africa. Well worth seeing).
 
Caesar must Die, a documentary about prisoners in a top security Italian prison putting on a Shakespeare play.

Ballroom Dancer, documentary about a Russian ex Latin champion trying to make a comeback with a new partner.

Mai Mai Miracle, Japanese animation film.

I Wish, Japanese film about two brothers who want to get their separated parents together again.
 
Saw Django today, but whilst watching it, was trying to remember the name of previous film I'd seen. Couldn't remember Jack Reacher at all. Struggling to remember what it was even about
 
Caesar must Die, a documentary about prisoners in a top security Italian prison putting on a Shakespeare play.

Ballroom Dancer, documentary about a Russian ex Latin champion trying to make a comeback with a new partner.

Mai Mai Miracle, Japanese animation film.

I Wish, Japanese film about two brothers who want to get their separated parents together again.

Might be more useful if you told us what you though of them.
 
Hansel and Gretel (Please, please don't waste your money).

I won't. Film posters with characers in black leather, striking "cool" poses is the first thing to make me run screaming in the opposite direction. By now leassons should really have been learned from Van Helsing (or any film franchise starring Milla Jovovich or Kate Beckinsale)
 
seeing as yesterday was Valentines, there was only one film anyone in there right mind could want to go and see, so I did.

Harold and Maude.

It's been so long since I've seen it I was a little afraid that it might not have stood the test of time, but, boy oh boy, did it! Still hilariously good, superb performances from Cort and Gordon, so many little touches that I'd forgotten about - Maude letting us catch a glimpse of her tattoo brought an audible intake of breath from almost the whole cinema (a charming place, proper old fashioned theatre that holds 50 people).

The only minor drawback with it, is that I am now going around humming Cat Stevens tunes.
 
Lincoln -- enjoyed it, will probably win lots of Oscars.
Silver Linings PLaybook -- quite enjoyable.
Gangster Squad -- looked good but contained every cliche in the book.
 
Mea Maxima Culpa, a documentary which starts out as a case of a priest abusing hundreds of deaf children at a boarding school over decades, which then turns into an investigation into child abuse in the Catholic church that implicates everybody up to the highest ranks. Made me want to nuke the Vatican more than ever before.
 
The Life & Death of Colonel Blimp.

Such a damned awesome film, every time you see it there is something else brought out. I think I'd previously missed the line (during the Boer war part): 'the Germans are spreading such awful lies, they claim we have set up concentration camps in South Africa.' It's hardly the only bit where one is led to think 'the buggers have a point you know.'

Roger Livesey and Anton Walbrook particularly are superb, just astoundingly good. Anyone ever wanting to know what 'pathos' is only needs to go and watch the 'interview' scene with him 2 hours in, just beautiful.
 
Cloud Atlas

Hmm. Probably as good a job as could be done from an until able book, I was hooked for the first third, but got bored in the last third - the various stories endings all started an hour before the film actually finished, and it was just a bit...get on with it.

It was interesting how different stories grabbed me in this version than had done so in the book. The Adam Ewing story was gripping in the book but possibly the weakest element in the film (tho, no, the last story was definitely the weakest), and the Sonmi story really came alive. I can't remember any significance at all attached to bridges in the book, tho they were very obvious in the film.

All in all, glad I went to see it, Doona Bae's Sonmi is worth it by itself, but it's no masterpiece. I suspect that's down to the failings of the book - a stylistic work of wonder, and some stupendous writing, but not really about anything at all.
 
The Life & Death of Colonel Blimp.

Such a damned awesome film, every time you see it there is something else brought out. I think I'd previously missed the line (during the Boer war part): 'the Germans are spreading such awful lies, they claim we have set up concentration camps in South Africa.' It's hardly the only bit where one is led to think 'the buggers have a point you know.'

Roger Livesey and Anton Walbrook particularly are superb, just astoundingly good. Anyone ever wanting to know what 'pathos' is only needs to go and watch the 'interview' scene with him 2 hours in, just beautiful.


Never tire of this wonderful film. One scene I noticed last time that is so full of heart is when Kretschmar-Schuldorff nervously announces to Candy he is to marry the Deborah Kerr character.
Candy congratulates his friend with a hearty handshake and assures him she a great girl but not his type.
Behind the big stiff upper lip smile you can see his heart is breaking.
 
Elevator to the Gallows - Jeanne Moreau film (her first I think), French crime flick from the 50s. Not quite as good as Melville's stuff IMO but still great.

Amour - simply amazing, easily the best of any of the Oscar nominated films I've seen. Horrifying in some parts there are others bits which are very funny and/or beautiful. Both the stars are fantastic. For me it confirms Haneke as the best modern director there is.
 
Hitchcock - not something I'd normally have gone to see, but I needed something to do with my mum over the weekend, so i took her to see this. Very watchable, excellent central performances by Anthony Hopkins (particularly) and Helen Mirren as Mr and Mrs Hitch. Also great to see Danny Huston again at his smarmy best.
 
I saw the Spanish/Canadian horror film Mama, which was a very pleasant surprise. Didn't expect much from it, but it was great fun. Two little girls are left abandoned in the woods after their father goes mental. Thought dead, they are found alive five years later. They've gone feral and it appears they have been brought up by something scary which they call Mama. When they are taken in by their uncle and his girlfriend, Mama follows them.

It's a little too reliant on jump scares and a thunderous score, but the film is very stylish, genuinely creepy and often quite beautiful. It doesn't all make sense and the characters do dumb horror film things (when investigating a spooky cabin in the forrest you believe is the home of something scary, you should always do so in the middle of the night), but it has a fairy tale quality that gives it a feel that it doesn't quite take place in our world. The film is more intriguing in the first half than in the second when the conventional horror tropes kick in, but at least when Mama fully reveals herself towards the end, she doesn't disappoint. I thought it was all CGI, but the creature was mostly played by the skinny actor who played the horrible thing in the attic in [REC]. Jessica Chastain, who seems to be in every second film these days, plays the lead as the goth rocker girlfriend who finds herself saddled with the girls. She may not convince as a bad girl with her Joan Jett wig but she is fine when her maternal side kicks in.

It was expanded from a 3 minute short which caught Guillermo del Toro's eye:

 
How so? I was considering going to that this weekend
I questioned it's historical accuracy about what information Germans knew about the holocaust straight after the war. I guess I couldn't work out whether the 15yr old was a metaphor for the German nation or was her story just one singular experience.
 
I questioned it's historical accuracy about what information Germans knew about the holocaust straight after the war. I guess I couldn't work out whether the 15yr old was a metaphor for the German nation or was her story just one singular experience.

I think it would be extremely stupid and arrogant to have one character be a metaphor for the entire experience of the German population. I don't think the film is meant as an apology for the Germans and this is what you seem to imply by questioning its historical accuracy. One reason Lore deals with a 15 year old girl is because it is entirely plausible for a child not to have been aware of what really went on.

My dad who lived though the Dresden blitz was 13 by the time the war ended and he had no idea. A socialist for his entire adult life, he has always been very honest about who in the family were or weren't Nazis, so I don't think this is something he'd lie about. My stepfather, who is about the same age, is half-Jewish and survived by passing as Arian, growing up in the Bavarian country side where he was less conspicuous. His mother kept the truth about his father (an American Jew) from him and he had no idea how much he had been in danger till the war was over. I'm pretty sure he would admit to knowing about the Holocaust, but he didn't till after.

Check out the documentary Blind Spot - Hitler's Secretary, a feature length interview with Traudl Junge. She also wrote a book much of the film Downfall is based on and she makes a persuasive case for how ignorant Germans could be, even when they were in the eye of the storm. Then again there certainly were plenty of Germans who did know or sort of knew but there never is only one way of how a population experiences history.
 
I just joined my local cinema. Woo! I shall try and go there once a week from now on, starting with Stoker tomorrow
 
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