My theory about British popular music in the early 70's is that everybody thought the giant classic/heavy rock bands (Stones/Who/Zepppelin/Purple/Heep) were where it was at but really it was the folk scene. (Ironically the two heavy bands who were dismissed at the time - Sabbath and Hawkwind - were the two who have really lasted well.) I like
Custard Pie much as anyone, but really the rock scene was pretty tame. Certainly in comparison to the
Germans. But also contrast with the folk scene from the austere beauty of
Anne Briggs or
Shirley and Dolly Collins to the sophistication of
Bert Jansch or
Davey Graham to the truly freaky like
Comus or
Jan Duke de Grey or the raw unbridled genius of the
Incredible String Band. At certain points (mainly on the third album) Zeppelin looked like they were going to straddle these two worlds and revitalise the stale British rock scene.
So this is how I would like to remember Led Zeppelin. As one the Great British classic dinosaur
folk bands.
It's not a great song but you can hear these elements coming together in 1969's
Babe I'm Going to Leave You. The finger picking folk guitar the bluesy vocals and the explosions of rock bombast. However overblown and over long this song is, it's pretty fresh for its time. And the cover of
Black Mountain Side [sic] demonstrate that they were trying to untap an esoteric connection between European folk and eastern traditions.
Ramble On is closer to a fusion between the rock and folk elements. I don't think either side of this coin is particularly interesting but we're beginning to see a more country side to the band.
If there's one song that summarises the brilliance of the band it's
Friends. You think you understand the band and then they drop this and it fits with nothing else. OK it's got these fairly typical folky acoustic guitar chops but then it has a chord progression that sounds positively Arabic and Plant's still doing his bluesy throat tearing vocals and yet it all works. What genre is this song? Where does it come from? It's short and sweet, it's weird and trippy. Also it doesn't outstay its welcome - you could almost call it restrained.
The second side of the third album is solid gold. First up you have a reworking of the Fred Gerlach/Leadbelly song
Gallows Pole. It's an amazing song really and if anything Zeppelin's version is less exciting and busy than either of the two older versions, but they bring a sombre and subdued arrangement to the first verse which is something quite special and completely fitting with the song. (Of course they didn't give proper credits).
Tangerine gets the acoustic/electric switcheroo that they tried on
Ramble On right. Starting with a little 12 string acoustic riff and adding some oldy worldy licks they then up it to an easy going electric country rock and then back to the folk and then just a little taste of guitar rock drama that threatens to break the spell but none of them are straining at the bit to thump out their typical rock bombast, it's just a sweet little tune that's happy for what it is. The different strands all come comfortably together without any fuss or fanfare.
That's the Way continues with the 12 string folky riffs with dreamy electric country slide guitar. And all of sudden Led Zeppelin seem to be part of the singer/songwriter boom with the focus on the vocals and a great little lyric. If
Tangerine was subdued, we now have a country/folk song without any rock pretenses at all.
After all that seriousness you've got one of most fun songs ever made in
Bron Y Aur Stomp. I'm even happy to hear Bonham thumping that bass drum again. We're now 100% acoustic with the guitars bouncy out a tune and Plant bluesing it up. I like to pretend that
Friends is my favourite Led Zeppelin song, but really it's
Bron Y Aur Stomp. There's not much to it, but it's just so good.
I regret looking up the lyrics to
Hats off to Roy Harper. That's what he's saying - really? Oh dear. But now we're into country blues guitar territory with nods perhaps to Bukka White and maybe Son House (?). Messy, messy slide guitar with accidental dissonances. It's not particularly original but it gave me a taste for that sort of thing that I absolutely still have today. Bloody brilliant really.
It didn't make the album but appears on Physical Graffiti but there's also
Bron Y Aur a solo folk guitar piece that I'm less excited by.
I only sniff at Led Zeppelin because they could have been so good. It's the frustration of it.