beesonthewhatnow
going deaf for a living
Worth it though IMO...Yeah... the price!
D&B is gut wrenchingly expensive new....
.p.
Worth it though IMO...Yeah... the price!
D&B is gut wrenchingly expensive new....
.p.
may just be wooden cabs skinned with metalVery curious how this sounds - I thought the wooden nature of a cabinet is a big part of the sound, so wonder what difference metal casings make. I think someone should fly me out there to investigate this pressing issue
thanks to you lot I have spent most of today following links to more speaker porn I cannot affordWorth it though IMO...
I just work for people that can afford it, much easier...thanks to you lot I have spent most of today following links to more speaker porn I cannot afford
will have to give this a go some day, it will probably involve a learning curve thoughI just work for people that can afford it, much easier...
hmm. Dubious claim, IMO.Homeless man designs amazing speakers
Navy veteran Kevin Nelson never wanted to build just another speaker.
The rather unique Zealth speaker produces stereo sound from a single box.
http://news.cnet.com/8301-13645_3-10154055-47.html
Everything I know about acoustics says that won't work.Homeless man designs amazing speakers
Navy veteran Kevin Nelson never wanted to build just another speaker.
The rather unique Zealth speaker produces stereo sound from a single box.
http://news.cnet.com/8301-13645_3-10154055-47.html
Nelson never wanted to build just another speaker. No, his Zealth speaker produces stereo sound from a single box. Nelson devised special "Crossfire Imaging" crossover networks to produce stereo sound from a single speaker (the crossover is the part of the speaker that routes treble frequencies to the tweeter, bass to the woofer, etc.).
In other words, there's a right and left channel in each Zealth Audio speaker cabinet. He started working on the stereo from one speaker concept in 1989, then spent years of hard work refining the design.
Worth it though IMO...
I wouldn't quite say you can't fuck it up but yeah, there's a consistency to it all that I love. I find that I never really have to think about mixing on it iyswim, everything is just there.Well I`ll say it....it`s nothing special..it`s just good all round. Easy to setup, the amps and processing are all fixed so you can`t fuck it up, the boxes are well designed and stuff like flyware is simple ... etc etc.
I've rigged K1 loads but never mixed on it. I do love L'Acoustics stuff but absolutely hate Soundvision, using it makes me want to throw my laptop out the nearest window. I find ArrayCalc much quicker/easier. I also prefer the J-Subs/infras to SB28's.On a larger scale I`ve heard a lot of big J-Line systems ( including about an hour ago!) and it still is v.good but never great? It`s very easy to mix on , very forgiving and does the job but hear the same mix on a WELL SETUP K1 or V-Dosc system the difference is noticable.
Same here, I actually prefer doing monitors to FOH nowadays, if only becuase your're usually closer to cateringNormally I sit at the busy end of the multicore and I will admit that M2`s and M4`s are at the top of my wishlist for stage wedges as they are again...easy to setup, same amp & processing everywhere in the world etc etc.
Thats ultimately why I like them so much. They don't get in the way of anything, they just sound good and you can get on with your mix. If I walk into a venue and see a D&B rig you can usually assume (although there's always exceptions, no system is perfect, obviously) it will sound good from the off. You can't always assume that about other systems.D&B have been very clever in knowing their market and developing a product that works in ALL sitiuations
i reckon this is a clue:Where's that DJ Squelch?
theyve got the sound systems, just no sign of the culture in those vids!Didn't know they had such a sound system culture there. That's a lot of different sets to have in one place, I wonder what the point was. ETA: Ah, a battle of the sounds. Shame they're playing such awful music.
Nice to see a man with his priorities set rightSame here, I actually prefer doing monitors to FOH nowadays, if only becuase your're usually closer to catering
is there no end to the french takeover of dub culture? the eric cantona sound system...
SOLID MOJO SOUNDSYSTEM
Little modified mono setup with slightly tilted/expanded tops for better coverage.
"Lee Perry had already [by 1970 i think] established an Upsetter Sound System by this time, operated by his record salesman/bodyguard and general assistant Jubie. Sticky was an occasional toaster on the set in the early days, later replaced by local bad boy Jah Stitch; though the sound was small and operated sporadically, it retained popularity downtown for much of the decade [60s?].
This might be of interest or cause a laugh or two for a few people on this thread...
What happens when someone posts on a pro audio forum (containing some very good engineers and system techs) saying they have built a revolutionary speaker system that seemingly defies the laws of physics:
http://soundforums.net/junior-varsity/6387-listening-get-together.html