But nothing is resolved, it just becomes yet another vehicle for this impossible girl stuff. Do we need to have anymore of this?
Why was the doctor going mental about invisble monsters in the first place - aboard a Tardis that, when it works, can change into anything to suit its surroundings, and after encountering beings that can make you forget they are there when you aren't looking at them. It's the same tired Moffat tropes.
Why is he now being written to be, not dark, but just obnoxious; he constantly belittles Clara. It's like an abusive relationship. hey, I break into kids homes now - kids homes that are deliberately protrayed to be scary and foreboding - and in the middle the night on a windswpt moor.
Why was there no explanation of that entity on the bed? Do we get an explanation in the end? Will I give a shit?
Speaking of Clara, why is she such a cow? She bullies Danny, another MOffat Milquetoast male character, into a date and then proceeds to take the piss out of his being a soldier. We've already been treated to see him cry in front of the class, obviously his past bothers him, yet when he objects to her attitude she gets stroppy and storms out - twice! Why are all the new female companions (I would exempt Martha from this) such mardy mares?
Is Danny going to be Rory mark 2? Henpecked male who turns out to be a hero?
What was all that shit in the time travel machine? What was outside? Why should we care when Moffat doesn't?
How does the Tardis get to Gallifrey?
All so we can have a little scene with Clara under the bed grabbing the doctor's ankles which, 2000 yeras later, prompts him to go mental and start worrying about creatures that have qualities he has already encountered in creatures before?