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Doctor Who Series 8

Vintage Paw

Moffat hate aside, did you not think silurian ladies conversation with Clara about clara being a big judge judy was quite good in a 'check your youth priv' kind of way? Sort of 'judge not a book by its cover'?
 
Robot, though, is fucking dire!

That robot costume is...not good.

Don't get me wrong, the old sets and the rubber monsters; that's part of the charm. In all seriousness there's a genuine 'buy in' that you as a viewer have to make, just as with rubber Yoda from ESB. You have to use your imagination, and when you do you are rwarded. Just not in Robot! :D

New Who, while it certainly has its moments and is on balance a Good Thing, is just more cartoony. Instead of using your imagination ou get the overbearing soundtrack and the throwaway exposition in place of an actual plot. So you get 40 mins of companion/dovtor interplay and then minuites of the Dr suddenly recognising that Billy isn't possessed by the devil, but that it's actually a lost alien soul from Migraxulatulence trying to get home. Break out the sonic.

Give us more like Cold War!
 
http://www.doctorwhotv.co.uk/introducing-the-gatekeeper-who-is-she-65885.htm

A few theories as to who Missy is.

The author's theory about her being Clara is exactly something I could imagine Moffat doing and I would gladly see him pushed into a vat of his own excrement for it. It has exactly the kind of 'it all ties back up neatly together if you don't think too hard about it' thing he loves as it reinforces his own self-satisfied and inflated ego. (Did I mention I don't like him?) It also gives him an opportunity to ensure Clara isn't allowed to be anything other than a fucking problem to solve, yet again.

However, lots and lots of people in the comments making convincing arguments about her being the valeyard.
You've said it now! Of course it's going to be fucking Clara! Arg!

Or tjhe Black Guardian!
 
Robot, though, is fucking dire!

That robot costume is...not good.

Don't get me wrong, the old sets and the rubber monsters; that's part of the charm. In all seriousness there's a genuine 'buy in' that you as a viewer have to make, just as with rubber Yoda from ESB. You have to use your imagination, and when you do you are rwarded. Just not in Robot! :D

Have you seen the Ark in Space? rofl.
 
You've said it now! Of course it's going to be fucking Clara! Arg!

Or tjhe Black Guardian!

Always assumed the Trickster and the Black Guardian were the same being...
I'm not ruling out Lady Olenna in Space
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That was a scary episode! But nothing beats Kinda (yabo shakey!)/Snakedance for freakout weird horro! Those two creeped me the fuck out as a kid; Teegan thinks she's over it and then they reprise it with Snakedance! Boom! Terrified!

OMG this makes me feel old. Pertwee was the Doctor when I was a kid, followed by Tom Baker. I was pretty much grown up by the time Davison took over the TARDIS. I do think he is underrated though, he had some great stories. Loved Black Orchid for example.
 
Always assumed the Trickster and the Black Guardian were the same being...

It is a pity they didn't carry Sarah Jane on with just the kids. They had been carrying it throughout her illness anyway and could of worked just as well as a kids show.
 
At the time I hoped they would but now I doubt any of the others would have wanted to hang around even if were on offer.
 
Robot, though, is fucking dire!

That robot costume is...not good.

Don't get me wrong, the old sets and the rubber monsters; that's part of the charm. In all seriousness there's a genuine 'buy in' that you as a viewer have to make, just as with rubber Yoda from ESB. You have to use your imagination, and when you do you are rwarded. Just not in Robot! :D

New Who, while it certainly has its moments and is on balance a Good Thing, is just more cartoony. Instead of using your imagination ou get the overbearing soundtrack and the throwaway exposition in place of an actual plot. So you get 40 mins of companion/dovtor interplay and then minuites of the Dr suddenly recognising that Billy isn't possessed by the devil, but that it's actually a lost alien soul from Migraxulatulence trying to get home. Break out the sonic.

Give us more like Cold War!

That's easy to say, but as a 3 year old watching Robot in an age before the proliferation of technology (both in the home and as an artistic medium) it was utterly captivating, I didn't need to make any kind of 'buy in' at all.
 
Robot, though, is fucking dire!

That robot costume is...not good.

Don't get me wrong, the old sets and the rubber monsters; that's part of the charm. In all seriousness there's a genuine 'buy in' that you as a viewer have to make, just as with rubber Yoda from ESB. You have to use your imagination, and when you do you are rwarded. Just not in Robot! :D

New Who, while it certainly has its moments and is on balance a Good Thing, is just more cartoony. Instead of using your imagination ou get the overbearing soundtrack and the throwaway exposition in place of an actual plot. So you get 40 mins of companion/dovtor interplay and then minuites of the Dr suddenly recognising that Billy isn't possessed by the devil, but that it's actually a lost alien soul from Migraxulatulence trying to get home. Break out the sonic.

Give us more like Cold War!

Ps totally agree with your point about new who.

And I do agree that Robot ain't the best example, but look at Planet of Evil as an example of a story from the early 70s that really was quite scary and beautifully realised in terms of set and monster design.
 
I'd have to agree that if they somehow write Missy into being Clara, I will stop watching the bloody thing until Moffat quits. I think he can do a fantastic individual episode, but it always cocks up when he has bigger ideas. In fact, RTD was the opposite. The ultimate showrunner for Who is some unholy bastard child of the two.
 
I'd have to agree that if they somehow write Missy into being Clara, I will stop watching the bloody thing until Moffat quits. I think he can do a fantastic individual episode, but it always cocks up when he has bigger ideas. In fact, RTD was the opposite. The ultimate showrunner for Who is some unholy bastard child of the two.

I agree. Moffat is capable of writing some stellar individual episodes, but when you give him a whole show to play with it becomes some grandiose monstrosity that feels more like an exercise in "I'm fucking amazing, I bet you wish you had my brain" rather than anything else. RTD's series arcs felt more subtle (even if they weren't they felt it without Moffat's bombast and Hollywood shiny) and he didn't hit you over the head with the little things that hinted at what was to come (like Saxon posters or Bad Wolf graffiti). Moffat though - that fucking crack had to be zoomed in on, it might as well have had flashing lights around it with a neon arrow pointing at it and a mariachi band off to the side singing about how it's an Important Thing. RTD's stuff tended to hang together a lot more comfortably, whereas Moffat's feels like a big chaotic fractured mess that somehow all comes together at the end through the power of something Moffat didn't tell you at the beginning and it probably doesn't matter anyway because 50% of the time we just reset time and it never happened because space magic. I know RTD had his fair share of head scratching moments, but to me at least it felt less contrived.

I wish I hadn't found that article that speculated Missy is Clara, because now I can't imagine him doing anything other than that. It's exactly the kind of thing he'd do, thinking he's being really clever, tying it all up in its own hermetically sealed loop as he is wont to do, and in the process will end up undermining everything good about Clara (that he hasn't already undermined).

GAH!
 
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