You're no fundifficult to say how this particular one would work without measuring the room, but diffusers def have their place in a studio.
I like the German physicist bit. And it "preserves artistic integrity"
You're no fundifficult to say how this particular one would work without measuring the room, but diffusers def have their place in a studio.
They mean "buy our amplifier please"
they used to use MOSFET transistors instead of err normal transistors (I guess) in guitar amps where they wanted to simulate valve sound. dunno the technical differences. They definitely never sounded/behaved like valve amps tho (not that you'd want a hifi amp to behave or sound like a guitar amp).
my mission bookshelf speaker started rattling when i turn it up full, can i open it up and do the screws up tighter or have I blown it?
Diffusion panels are an important part of any well designed acoustic space. So while they look like a rather expensive version of one I think we can let that pass.Audiophile piece of wood, anyone?
View attachment 59090
The most important component of any media room is the room itself. Many audiophiles spend thousands of dollars on components, while acoustic treatment is often overlooked. The AD 2 v.4 is a 13 root QRD diffusor (Quadratic Residue Diffusor), based on the mathematical calculation developed by German Physicist, Manfred Schroder. The AD 2 v.4 does not reflect or absorb sound, but rather it scatters sound in a predetermined 180-degree pattern diffusing direct reflections while maintaining dynamics. The AD 2 v.4 divides the sound waves into 13 parts. The AD 2 v.4 has an effective range between 950hz - 5khz. Core Audio Designs Acoustic Diffusor Collection is an elegant approach to treating a room while preserving artistic integrity. The AD 2 v.4 is designed to integrate within traditional and modern décor.
Coreaudiodesigns.com
You're no fun
I like the German physicist bit. And it "preserves artistic integrity"
Yes that sounds like it! (except mine were £10 on ebay sorry). if it's just glue I'll glue it.I had the same issue with my Mission's which I got ripped off for on Ebay (shill bidder ).
As soon as they arrived any amount of bass would make the front baffle rattle against the cabinet. had to send them off to mission to get re-glued. One of them is starting to do it again when lots of bass is being put through it I'm thinking of filling the tiny crack between baffle and the cabinet with epoxy resin - should sort the fucker out.
Yes that sounds like it! (except mine were £10 on ebay sorry). if it's just glue I'll glue it.
my mixes never used to translate well on home stereos and it was an endless fluffing about and back- and forth until I had my studio measured and panels / diffusers installed. I built most of them myself. now there's no need to check mixes at home anymore.I've been rehearsing with these guys who built the (10 room) studio we rehearse in so I've been hearing about these important bits of wood/stuff they stick on the walls and in the corners.
for rehearsing it might just smooth off the sound a bit. the real difference is audible when recording and mixing.the band is rehearsing with 4 drummers playing bits of sheet metal, 3 twin reverbs and an ampeg bass stack so i dunno how much difference it makes for us... but they say it's important.
It's more often the bottom end that catches people out. Getting proper bass traps made can work wonders.my mixes never used to translate well on home stereos and it was an endless fluffing about and back- and forth until I had my studio measured and panels / diffusers installed. I built most of them myself. now there's no need to check mixes at home anymore.
best 300 quid I ever spent.
exactly! the bass would always fuck me up, usually it was just way too much.It's more often the bottom end that catches people out. .
I think the difference is that overdriven MOSFETS don't clip the signal the way traditional transistors do. But that's a hell of a long way from saying that they perform like valves. And anyway, assuming this is just a CD player, why would you be wanting an overdriven sound anyway?they used to use MOSFET transistors instead of err normal transistors (I guess) in guitar amps where they wanted to simulate valve sound. dunno the technical differences. They definitely never sounded/behaved like valve amps tho (not that you'd want a hifi amp to behave or sound like a guitar amp).
think it was describing the amp wasn't it? anyway like i said i don't think they make anything sound like valves so i was just saying what they meant, rather than saying i agreed.I think the difference is that overdriven MOSFETS don't clip the signal the way traditional transistors do. But that's a hell of a long way from saying that they perform like valves. And anyway, assuming this is just a CD player, why would you be wanting an overdriven sound anyway?
Ah, I may have conflated two posts - I thought someone was talking about a CD player. And yes, when I said "you", I wasn't referring to you, personally. More "anyone"think it was describing the amp wasn't it? anyway like i said i don't think they make anything sound like valves so i was just saying what they meant, rather than saying i agreed.
Surely not an actual real scientific fact??!! 111 It must be a firstAll good music rooms need a large wooden thing which no-one really knows what it does
I was told that Schroeder realised the design for acoustic diffusers after being inspired by the observation that light splits into a rainbow type effect on the eyes of flys.
Diffusion panels are an important part of any well designed acoustic space. So while they look like a rather expensive version of one I think we can let that pass.
http://downloads.bbc.co.uk/rd/pubs/reports/1995-01.pdf
Audiophile wood is a lot simpler
http://www.mother-of-tone.com/acoustic_panel.htm
Ah the Audiophile wood company?! This is the same company/guy that sells a portable music player for wait for it....1680 Euros. http://www.tera-player.com/
The amusing part is that it doesn't even have a screen, you can't see what tracks you are playing?! It only plays wav format too.
The sad part is people actually buy the thing.....
less than a fraction of a second.
I think they're referring to the separate power supplies for the analogue and digital circuits.
This bit has me stumped, and sounds only a lot contradictory.
WTF do they mean by that?
Ah the Audiophile wood company?! This is the same company/guy that sells a portable music player for wait for it....1680 Euros. http://www.tera-player.com/
The amusing part is that it doesn't even have a screen, you can't see what tracks you are playing?! It only plays wav format too.
The sad part is people actually buy the thing.....
Audiophile trolling ^^From what I recall from long-ago arguments with friends on valve versus solid state, MOSFETs cs.
Audiophile trolling ^^
ETA oh I meant rutabowa too
Oh, yeah, thatI think it was the late Bob Penfold, from Practical Electronics magazine (and author of dozens of books on audio electronics), who went to the trouble of using a 'scope to analyse the waveforms, and found that while MOSFETS clip the signal flatly, valves don't just chop the peak off of a waveform, they do it in a sort of linear progression, progressively attenuating the signal so that what you hear isn't abrupt/harsh, it's a more rounded over-driven sound.