Urban75 Home About Offline BrixtonBuzz Contact

Do you consider yourself an audiophile?

Are you an audiophile?

  • Yes

    Votes: 31 13.5%
  • No

    Votes: 83 36.1%
  • Audiophiles are deluded bullshitters

    Votes: 116 50.4%

  • Total voters
    230
Ah, the "a sampled signal is just an approximation of the original" argument eh?

nope, not a techical argument, just the opinion of someone who used to have the run of a shop and played all day long at system building.
and when i wanted to sell speakers i made sure the source was vinyl
 
I'm coming late to this thread but why are people still compressing to mp3s or whatever when we're talking hi fi at home.
A 1TB disc will hold 1200 CDs easy in glorious uncompressed wav or AIFF.

Oh as to cables I did enjoy a few years back debunking an audiophile going on about radio 3 quality sound and his very (stupidly) expensive cables when i pointed out that the studios (all analogue then) of R3 were joined together by single strand telephone quality cable. Its how you use cable mostly not the type of cable. For speakers use some chunky 13A mains flex and if you can link your systems together with balanced wiring or at very least decently shielded cables. Spend the money on your speakers and amp. The amp should have a power rating a bit bigger than the speaker rating because if you turn the amp up you do not want it to distort which at high power levels can be the thing that blows your speakers due to horrible overtones.

That all said I use my old valve radio for an amp some of the time as its 7 inch speaker and single stage valve amp sound great for normal pottering about listening at home. It is mono.
 
basically, i want to show him up as a fool. would i be best doing the blind test with bell wire just to be on the safe side?

do it with all three. i won't tell you what the usual findings are because i don't want to prejudice you. but i'm eager to hear your results :)
 
i bet speech sounds lovely on it?

Music is good as well. Valve driven by solid state is good because the the curves of the amplification are inverse in nature and tend to cancel out making the amp overall very linear.

The valve amp is very soon to have a apple express attached to it meaning its becomes a set of remote speakers for my iTunes.
 
Vinyl sounds 'nicer' because of the filtering imposed on the original sound by the limitations of the technology. A recording of vinyl made on digital equipment should sound identical. Indeed (and correct me if I'm wrong, bees) it should be posible to apply a vinyl FX filter to a digital source and replicate that "warm" sound.
 
Vinyl sounds 'nicer' because of the filtering imposed on the original sound by the limitations of the technology. A recording of vinyl made on digital equipment should sound identical. Indeed (and correct me if I'm wrong, bees) it should be posible to apply a vinyl FX filter to a digital source and replicate that "warm" sound.

Correct.

I think a lot of the misunderstanding of digital sound comes from the myth that "it's just an approximation" or that "the smooth analogue waveform is reduced to a series of steps". Anyone saying stuff like this (and to be fair an awful lot of magazines/articles/"experts" have helped push this myth) simply doesn't understand what they're talking about. Sampling theory is solid, the maths works. Providing the sampling frequency is more than twice that of the highest frequency you wish to capture, what goes in comes out again exactly the same.
 
Sampling theory is solid, the maths works. Providing the sampling frequency is more than twice that of the highest frequency you wish to capture, what goes in comes out again exactly the same.

How does this work? How do you get back from the result of the sampling to the original signal?

Digital.signal.png
 
How does this work? How do you get back from the result of the sampling to the original signal?

Digital.signal.png

That diagram is wrong for starters, pics like that are why people don't understand it. Read the .pdf article I liked to (if you're feeling up to a lot of maths and techie geekery :D)
 
you don't get the same signal, but given that the human ear has a maximum frequency that it can sense, it will sound the same.
 
Oh yes you do, providing the sample frequency is more than twice that of the highest frequency in the original waveform.

I understand that bit, it's the whole "well, if we sample it at 192khz, we retain more of the original wave" that I meant. Doesn't matter if you're encoding 96khz sounds, the ear just can't hear them, and a CD can't encode them, so although the sound coming out of the speakers has a missing component, it's not one you'd notice anyway.
 
Anyhoo, lets have some more bonkers audiofool products:

BEDINI - QUADRI-BEAM ULTRA CLARIFIER

Claims to "lower the noise floor" of a CD or DVD, thus "allowing more information to be retrieved from the disk". It also "significantly reduces high frequency glare and increases the overall retrieval of information, enhancing dynamic range. Detail and resolution are improved dramatically. When used on video, the Quadri-Beam creates a picture that is brighter, sharper, crisper and cleaner"

Hmmmmmm :D
 
I understand that bit, it's the whole "well, if we sample it at 192khz, we retain more of the original wave" that I meant. Doesn't matter if you're encoding 96khz sounds, the ear just can't hear them, and a CD can't encode them, so although the sound coming out of the speakers has a missing component, it's not one you'd notice anyway.

The interesting thing is that recording at higher sample rate can actually make things worse, not better...
 
That diagram is wrong for starters, pics like that are why people don't understand it. Read the .pdf article I liked to (if you're feeling up to a lot of maths and techie geekery :D)

But that diagram does show what the digital signal is before it goes into a digital-analogue converter, no?

I started reading that pdf but it assumes knowledge that I don't have.
 
Anyhoo, lets have some more bonkers audiofool products:

BEDINI - QUADRI-BEAM ULTRA CLARIFIER

Claims to "lower the noise floor" of a CD or DVD, thus "allowing more information to be retrieved from the disk". It also "significantly reduces high frequency glare and increases the overall retrieval of information, enhancing dynamic range. Detail and resolution are improved dramatically. When used on video, the Quadri-Beam creates a picture that is brighter, sharper, crisper and cleaner"

Hmmmmmm :D

What the fuck :D:D

digital is digital you morons! do you see the image and hear the audio? then your disc is working as well as it possibly can :facepalm:
 
But that diagram does show what the digital signal is before it goes into a digital-analogue converter, no?

I started reading that pdf but it assumes knowledge that I don't have.

The short answer is that Digital->Analogue reconstruction is not a matter of "joining the dots" between sample values.
 
My all time favourite audiophile product:

The Hallograph
Soundfield Optimizer


"the result of over 10 years of research that studied the effects of the speaker/room interface. We learned how to reduce the audibility of the chaotic reflections from the walls of the listening room so they won’t overpower and interfere with the direct sound from the speakers. The Hallograph contours the frequency, amplitude and time coefficients of the first reflections you hear, which produces a stunning increase in realism"

Sounds great, until you see it's just a bit of wiggly shaped wood :D

Hallograph_web72_Pix.jpg


Utterly bonkers.
 
teuchter said:
Yes, I got that much from that PDF but I still didn't really know what it was on about.

In short - you don't join the dots and what you actually do recreates the original signal perfectly. All hail the power of mathematics :D
 
In short - you don't join the dots and what you actually do recreates the original signal perfectly. All hail the power of mathematics :D

This can't be true, because you've already said that the sampling frequency needs to be twice the highest frequency you need to capture. Therefore frequencies higher than that aren't properly captured so there is something missing from the signal.
 
This can't be true, because you've already said that the sampling frequency needs to be twice the highest frequency you need to capture. Therefore frequencies higher than that aren't properly captured so there is something missing from the signal.

Except almost all the kit involved in the recording process will have captured bugger all above 20K. Even most microphones have long since given up by 25K.
 
Back
Top Bottom