That is lazy as fuck illustration and definitely produced by a tory donor's mediocre nephew.Sexist stay at home advert withdrawn:
Coronavirus: Government withdraws 'sexist' Stay Home advert
An "infographic" urging people to remain indoors during lockdown showed only women doing chores.www.bbc.co.uk
That is lazy as fuck illustration and definitely produced by a tory donor's mediocre nephew.
We really need a reaction emoji.Sexist stay at home advert withdrawn:
Coronavirus: Government withdraws 'sexist' Stay Home advert
An "infographic" urging people to remain indoors during lockdown showed only women doing chores.www.bbc.co.uk
It does really open our eyes to how the world works doesn't it. Until now I'd assumed that the exec who pitches to the client is the one who does the illustration! But I bet they can't even use photoshop!Does show how it all works though. Ad agency exec goes in and pitches for the work stressing their expertise, gets the work based on their expertise, comes back gives the illustration to office junior guaranteeing huge markup.
while we have higher casualty numbers than they did in ww2. boris johnson has killed nearly twice as many people in the uk as adolf hitler managed. (official stats; other measures indicate bj killed more than twice as many as ah managed, and ah had more than five years)they've still got the same ad writers from WWII
It does really open our eyes to how the world works doesn't it. Until now I'd assumed that the exec who pitches to the client is the one who does the illustration! But I bet they can't even use photoshop!
You might actually be bang on here, based on how the gov have been acting there is a big possibility they might have accepted a pitch from an illustrator direct or some small agency. I just don't think a large ad or design agency would let work like this through for a project of this importance. Not cuz it's sexist but because it's just not the callibre of work you'd expect. A design for a government in a pandemic is a really big deal, no reputable agency is letting anything but the best through. This doesn't look like "it was good but the clients watered it down" either. I'm not even saying it's shit, it's good, but not good enough for something like this.It does really open our eyes to how the world works doesn't it. Until now I'd assumed that the exec who pitches to the client is the one who does the illustration! But I bet they can't even use photoshop!
Yes... I did actually have a bit of a look on twitter etc to see if anyone had found who in fact produced the illustration. I agree with what you say. It would be interesting to know what the process was. It looks a bit like it was a facebook-specific advert. I wouldn't be totally surprised to find out it had been done by someone on the internet in India for £50.You might actually be bang on here, based on how the gov have been acting there is a big possibility they might have accepted a pitch from an illustrator direct or some small agency. I just don't think a large ad or design agency would let work like this through for a project of this importance. Not cuz it's sexist but because it's just not the callibre of work you'd expect. A design for a government in a pandemic is a really big deal, no reputable agency is letting anything but the best through. This doesn't look like "it was good but the clients watered it down" either. I'm not even saying it's shit, it's good, but not good enough for something like this.
The point is that is doesn't "show" us anything without knowing the process that produced the illustration, because there are many different routes that might have been taken.Doesn't it just. And I'd assumed that the account exec who pitches to the client and makes all the promises is the one who makes sure there's somebody competent doing the illustration!! But you've enlightened me that they don't even check that the illustrator can use photoshop!!
Total approved expenditure on marketing for the year to March 2019 was £300m. Government departments are required to select agencies from two specific rosters of agencies who are approved for assignments. The latest rosters, published in 2017 and valid until 2021, include around 27 separate agencies for major "campaign solutions" worth £100k or more and a further 66 for smaller campaigns.
Or recent gradsI often spot these kinds of blunders in illustrations or graphics that have been done by people who mostly do, say, technical drawings or produce diagrams for scientific stuff or whatever.
while we have higher casualty numbers than they did in ww2. boris johnson has killed nearly twice as many people in the uk as adolf hitler managed. (official stats; other measures indicate bj killed more than twice as many as ah managed, and ah had more than five years)
I understand many German officers enjoyed a sojourn on the channel islandsMight have been different if we'd kept out borders open to any member of the SS who fancied a holiday though.
I did wonder this, a lot of artists and designers who landed in general marketing jobs seem to have found an outlet in producing questionable coronavirus graphics.It looks to me like a generic set of illustrated components (man, woman, child, house, furniture, etc.) that can then be combined in multiple different ways to create different narratives. (We have the same sort of illustration library at work.) So it could have been an agency, but equally it could have been some civil servant office tasked with doing it.
Correspondence with Government has revealed they expect to spend a staggering £1 million defending our judicial review of their decisions to award contracts criticised by the NAO. This is a sum unprecedented in our lawyers’ experience of judicial review proceedings. We can’t but wonder whether they are trying to scare us off – using the bottomless public purse to avoid accountability to the public.
Government also says, remarkably, that finding out whether they acted lawfully in channelling hundreds of millions or billions to their VIP associates, is not in the public interest.
We had until recently been working on the understanding that we had raised enough money for our challenges to Government’s awards of hundreds of millions of pounds of PPE contracts to Pestfix, Ayanda, and Clandeboye.
We were shocked to learn that – having failed to provide the evidence we’ve been asking for since July – Government is threatening a vast disclosure exercise going well beyond what would normally be undertaken in a judicial review. And not just that they have hired an expensive international commercial law firm. They expect to have a team of 30-40 working for up to 3 months on an exercise that has not been requested by us, or by the Court.
In the experience of our legal team, costs incurred by Government in judicial review proceedings rarely exceed £100,000. Here Government says it has already spent over £325,000, and estimates their total costs will amount to £1 million – a staggering sum for a judicial review.
Government knows full well that we cannot take existential risk on bringing a single case. So we wrote to Government asking it to agree and order ‘capping’ both our costs and the taxpayers’ costs in these public interest proceedings.
We were shocked this week to receive their response contending that the litigation is not in the public interest, and refusing our proposed reciprocal cap: “In particular our client does not agree that the proceedings are ‘public interest proceedings'”. These are cases involving on Government’s own admission hundreds of millions of pounds being spent on unusable facemasks on companies that went through the VIP lane.
Not in the public interest? What are they on!
The point is all the more remarkable given that a barrister employed by the Government Legal Department in her witness statement of 30 November stated that: “We acknowledge that there is considerable public interest in Covid related procurement, particularly of PPE.”
We have now applied to the court for a Cost Cap. In line with our transparency principles I am publishing my Witness Statement. But if we don’t get one, unless a white knight or white knights emerge, the simple fact is we will have to abandon the litigation. We are not in a position to bear a £1 million risk.
Thank you,
Jolyon Maugham QC
Director of Good Law Project