shakespearegirl
just worked out taglines
During the last round of strikes I cancelled my membership and they refunded me for the remaining proportion of time.
Did you mention the strike when you asked for a refund?During the last round of strikes I cancelled my membership and they refunded me for the remaining proportion of time.
Did you mention the strike when you asked for a refund?
So looks like sparkybird could have another goYep. I explained that was why I was cancelling my membership. I called and discussed with them and then had to send an email explaining why I was cancelling.
Thanks for that. I did mention the strike, but of course the person on the end of the phone has no power to authorize that. I'll definitely be pursuing this then based on your outcome shakespearegirlDuring the last round of strikes I cancelled my membership and they refunded me for the remaining proportion of time.
It is a saga that tells us much about a country rigged in favour of unscrupulous employers, and a society riddled with injustice. The Ritzy cinema in Brixton, south London, is a hub for the young, the trendy, the progressively minded. Here you can watch rousing films with storylines about confronting oppression and injustice, while you are served by workers on poverty wages being persecuted by their own employers. Picturehouse – the owner of the Ritzy – should be shamed, but it tells a broader story of a wealthy nation in which the majority of those below the poverty line are in work, of a law that allows bosses to behave with impunity while denying workers a wage on which they can live, and of a lack of security and rights. It seemed reasonable to hope that this week’s long-awaited Taylor review into modern employment practices might have begun to address this crisis. Some hope.
But then the Ritzy cinema workers have long ceased relying on hope. They have been fighting for years now for a living wage, despite entrenched opposition from their employers. One day it will be a source of bewilderment, perhaps disgust, that any worker could earn their poverty wages. Those who fought such a scandal will be regarded as pioneers; Picturehouse owners should realise that history will be less kind to them, that they will be remembered as case studies of exploitation and nothing else.
This is not some plucky struggling arthouse firm: Picturehouse is owned by the corporate titan Cineworld. After a protracted campaign by workers that won broad local support, in 2014 Picturehouse appeared to buckle, offering workers the London living wage, which at that time was £8.80 an hour. But it turned out the increase in wages would be paid for by sacking up to a third of the workforce. The outrage – including calls for a boycott – forced Picturehouse into retreat.
Other cinema chains – the Curzon among them – have committed to increasing their workers’ pay in line with the increased London living wage, now at £9.75 an hour. Britain’s capital, after all, is one of the world’s most expensive cities and the centre of the country’s housing crisis, and low pay here is particularly incompatible with a decent standard of living. But Picturehouse has refused, despite its multimillion profits, forcing its workers to resume industrial action. A ballot for strike action earlier this year received almost unanimous support on a 75% turnout, with workers walking out of multiple cinemas. The response from bosses was to threaten legal action over claims of intimidation and illegal pickets.
Certainly, workers have felt intimidated. “They’ve been incredibly belligerent from the beginning, refused to negotiate, brought in lots of lawyers, issued legal threats,” one tells me. In solidarity with the Ritzy workers, supportive members of the public block-booked cinema tickets. They didn’t pay for them: they were merely in their online baskets, preventing others from booking tickets. Here was an effective, ingenious even, means of solidarity.
For Agata – who is from Poland – there is another bitter side to the dispute. It has become all too common for migrants like her to be scapegoated for social ills caused by others. Here she is, a Polish worker fighting for a decent wage for her and her fellow workers, in a country where it has become fashionable to blame migrants for suppressing wages. “Why don’t you blame the employer?” she implores. “It’s got especially worse in the Brexit climate: all this trying to find blame in the wrong places.”
Got any more info on this? IS there a FB page? I want to do a Buzz feature to spread the word.I heard there is going to be a community picket this evening of the Ritzy.
Between 5.30 and 7.30
I don't think their position has changed since this was posted: Boycott called for all Picturehouse and Cineworld Cinemas including the Brixton RitzyI'm going to ask a totally stupid question, so please be gentle. I agree with, and support what's happening with the workers at the Rizty (as in, I support the workers), and haven't been there for ages. What's the situation with Clapham Picture House and East Dulwich regarding pay rates? Should I also not visit those cinemas, as well as not going to Cineworld?
I'm going to ask a totally stupid question, so please be gentle. I agree with, and support what's happening with the workers at the Rizty (as in, I support the workers), and haven't been there for ages. What's the situation with Clapham Picture House and East Dulwich regarding pay rates? Should I also not visit those cinemas, as well as not going to Cineworld?
they are employees (the ones in red t-shirt). the last time I recognised a few of them was when eric cantona turned up.