Johnny Canuck3
Well-Known Member
Those all pertain to appearance, though; being Jewish does not.
Yes; and how much importance should incidentals be given, when determining which actor should get which role?
Those all pertain to appearance, though; being Jewish does not.
The DVD commentary on that film is hilarious. Neeley is such an old hippy, it's just him remembering all the people he used to know and calling them "man", man...That's Ted Neely, btw.
Quite a lot, IMO. If a role is written for a short bald fat man, then actors fitting that description should have a better chance of landing it. If the role is Winston Churchill, then the actor who plays him should be somewhat close in appearance, notwithstanding makeup and suspension of disbelief.Yes; and how much importance should incidentals be given, when determining which actor should get which role?
What about Chris Liley? He makes very funny programmes but a few of his characters are non-white stereotypes - Jonah and S.Mouse specifically. Is this acceptable?
That was "blacking up" really, and was knowingly post-ironic or something. And they got shit for it even then. I think Fisher Stevens did too, with his comedy Apu-style Indian, but I don't remember anyone criticising Ben Kingsley for doing Ghandi.
A friend of mine played a mute warrior in Prince Of Persia, while Jake Gyllenhall played the lead. He could easily have played him and he wouldn't have needed any fake tan.
Quite a lot, IMO. If a role is written for a short bald fat man, then actors fitting that description should have a better chance of landing it. If the role is Winston Churchill, then the actor who plays him should be somewhat close in appearance, notwithstanding makeup and suspension of disbelief.
That means that if a role is for a person of colour, then the actor playing the role should more than likely match that colour. Luckily though, most screenwriters now know better than to specify race/ethnicity in their scripts. Producers and casting agents, though, have different priorities, mostly revolving around money, but also sadly sometimes affected by a misguided belief that audiences want to see white heroes and non-white villains.
What about Chris Liley? He makes very funny programmes but a few of his characters are non-white stereotypes - Jonah and S.Mouse specifically. Is this acceptable?
Without the perspective of a modern context? No. It's neither desirable nor possible.
So, "The Taming of the Shrew" is a Shakespearean comedy in which a woman is forced into the ownership of a man she hates, who then systemically abuses and breaks her down until she has a psychological breakdown and capitualtes to his whims. It's fucking horrific. Could you stage it now? Yes - it would be fascinating. Could you stage it *as a comedy*...? of course fucking not.
What about Chris Liley? He makes very funny programmes but a few of his characters are non-white stereotypes - Jonah and S.Mouse specifically. Is this acceptable?
Omar Sharif has played Russian, Spanish, French, Indian and Mongolian characters as well as Arabs. Has any other actor covered so many different races I wonder?
He is half Pakistani and he is always being cast as a terrorist. He has even Anglicised his name to get more work.So is this friend of yours actually Persian/Iranian, or does he just happen to have what you/he consider a more appropriate skintone than JG?
"Races".Omar Sharif has played Russian, Spanish, French, Indian and Mongolian characters as well as Arabs. Has any other actor covered so many different races I wonder?
Omar Sharif has played Russian, Spanish, French, Indian and Mongolian characters as well as Arabs. Has any other actor covered so many different races I wonder?
"Races".
He is half Pakistani and he is always being cast as a terrorist. He has even Anglicised his name to get more work.
Omar Sharif has played Russian, Spanish, French, Indian and Mongolian characters as well as Arabs. Has any other actor covered so many different races I wonder?
Obviously what he is saying is that a subset of people are broadly similar enough in their overall appearance to get away with playing them in a film. You could probably finesse that statement by adding "...in the eyes of the US cinema-going public".Or are you/he suggesting that all "brown" people are somehow the same? TBC, I don't think that's what you're meaning to say, but that's how it's in danger of coming across.
Aren't we talking about phenotypes?
Yul Brynner: King of Siam; Ramses in The Ten Commandments; a Russian in a number of films; King Solomon; a Native American in Kings of the Sun; a robot in Westworld; an American in Magnificent Seven; a half-Japanese person in Flight from Ashiya; a German in Triple Cross; he tried out for Spartacus, but didn't make it.
Don't be daft - most roles are open. You think that most roles are closed. How then did YB get roles?Yul Brynner is an interesting case, actually. He was apparently half Swiss, half Tatar.
Going by all these new film rules - he wouldn't be able to get a role to play anybody!
I'm not expert on the finer points of these matters, but I don't think robots are a recognised ethnic group.
I use it here to mean the way that someone looks...for example my phenotype means I could be believed to be a number of different nationalities.I've not heard that word in this context before. Phenotype to me means the biolgical expression of genetic characteristics.
andysays Aren't we talking about phenotypes and being consistent with the ethnic backround of the character being portrayed?
Don't be daft - most roles are open. You think that most roles are closed. How then did YB get roles?