Yes I agree that blacking up wouldn't be offensive if we lived in happy clappy land.So, are you flip-flopping again? Do you agree with me, or not?
But in the context of this thread I think it is.
Yes I agree that blacking up wouldn't be offensive if we lived in happy clappy land.So, are you flip-flopping again? Do you agree with me, or not?
Holy crap, there's a 3?
I know, and nor does mine require you to concede that point.As I've said, the point I was making doesn't require history to be erased.
Yes I agree that blacking up wouldn't be offensive if we lived in happy clappy land.
But in the context of this thread I think it is.
I know, and nor does mine require you to concede that point.
Let's flip this question around: can you really conceive of an acting role where the skin of the character has to be non-white, yet there is not an actor with the 'correct' skin tone to play the part well enough? This acting role takes place in your racism-free universe, btw.
Let's flip this question around: can you really conceive of an acting role where the skin of the character has to be non-white, yet there is not an actor with the 'correct' skin tone to play the part well enough? This acting role takes place in your racism-free universe, btw.
That was exactly my thought.
Of course Mick was never a racist, as the second and first films pointed out heavily he was tight with the abororiginal aussies.
If the skin colour wasn't important, why bother doing blackface? It's just a character then, not a black character.In this racism-free universe, why does the character *have* to be non-white?
I deny it, yes. If the skin colour is such an important part of the character, then the actor who matches that tone is more likely to have experience of whatever that factor is.Whilst unlikely, it's not a logical impossibility that there could be a situation in which a particular, especially talented white actor is more able to portray a black character than any of the black applicants for the role. That's been my position from the outset. And that's what poptyping was denying. Do you?
some narratives become confusing, if not meaningless if "colourblind casting" is employed. Stories about, say, how much biologically related people look like each other would be one example.In this racism-free universe, why does the character *have* to be non-white?
well - in both cases, you might cast against the biology of the character because in this production you wanted to make a point. It happens relatively frequently in theatre. Gender-swapped productions of 'Hamlet', and an all-black production of 'Sus' ( a three-person play where two characters are racist coppers) leap to mind.I deny it, yes. If the skin colour is such an important part of the character, then the actor who matches that tone is more likely to have experience of whatever that factor is.
Would you use a woman for a man's part because she was better able to portray the totality of the part?
I deny it, yes. If the skin colour is such an important part of the character, then the actor who matches that tone is more likely to have experience of whatever that factor is.
Would you use a woman for a man's part because she was better able to portray the totality of the part?
In the context of contemporary Hollywood, I would agree with you. And have throughout.
What I disagreed with was poptyping's absolutist position that it could never be acceptable, even when the decision to cast a white actor in a black role wasn't racist. A position you now seem to agree with.
Do we really need to put footnotes at the bottom of our posts to head off philosophical arguments at the pass on a thread that is context driven?
When poptyping said 'under any circumstance' I really don't think they expected us to be discussing life on the moons of Jupiter.
The gender swapping is different as it's equal. We're talking about white people pretending to be black, which doesn't happen the other way around. You don't get black actors putting on whitening cream to play the parts of European Kings, for example. David Oyelowo didn't white-up when he played Henry.well - in both cases, you might cast against the biology of the character because in this production you wanted to make a point. It happens relatively frequently in theatre. Gender-swapped productions of 'Hamlet', and an all-black production of 'Sus' ( a three-person play where two characters are racist coppers) leap to mind.
I'm the racist now?That's an implicitly racist line of thinking. It relies on skin colour as the be-all-and-end-all of a person's humanity. Suppose the character was a working-class, poor, gay, disabled, black, Spanish man with a love of opera. Would he be better portrayed by a working-class, poor, gay, disabled, white, Spanish man with a love of opera, or by any other actor who happened to be black?
Indeed - acting is specifically exempt from many employment discrimination laws.The majority of films and TV embrace a degree of verisimilitude with regard to casting, hence typically not casting women as men, 60-year olds as children or people as cats (except in specific, usually comedic, contexts).
There is no general expectation that actors are cast without any reference to their appearance.
Sorry - yeah, I know you know all that. I just wanted to get in there and sew up the potential loophole before some twattock leapt in and said "what about the all-female version of [xyz] I saw?"The gender swapping is different as it's equal. We're talking about white people pretending to be black, which doesn't happen the other way around. You don't get black actors putting on whitening cream to play the parts of European Kings, for example. David Oyelowo didn't white-up when he played Henry.
The play about racist coppers is also different as it's there to make a point about racism, not re-enforce it.
Whilst unlikely, it's not a logical impossibility that there could be a situation in which a particular, especially talented white actor is more able to portray a black character than any of the black applicants for the role. That's been my position from the outset. And that's what poptyping was denying. Do you?
And anyway, acting itself was an entirely different concept, really, prior to stanislavski. Audiences and writers alike were in no way aiming for verisimilitude. Not even close.of course in Shakespeare time you had men playing womens roles on stage because of how actoring was already seen as a shoddy way to make ones p's and the social constraints on women at the time.
I'm the racist now?
Especially if the role involved a really good black swimmer.
I'm the racist now?
It was in a hypothetical context.
spanglechick said:Clearly in our own universe, even in the utopian future being hypothesised, people may want to tell stories about the racist past.
Especially if the role involved a really good black swimmer.
You're having to come up with rather extreme examples to make your point, though.That's an implicitly racist line of thinking. It relies on skin colour as the be-all-and-end-all of a person's humanity. Suppose the character was a working-class, poor, gay, disabled, black, Spanish man with a love of opera. Would he be better portrayed by a working-class, poor, gay, disabled, white, Spanish man with a love of opera, or by any other actor who happened to be black?