The wind was a torrent of darkness among the gusty trees
The moon was a ghostly galleon tossed upon the cloudy seas
The road was a ribbon of moonlight over the purple moor
And the highwayman came riding,
Riding, riding,
The highwayman came riding, up to the old inn-door
He'd a French-cocked hat on his forehead, a bunch of lace at his chin
A coat of claret velvet, and breeches of brown doe-skin
They fitted with never a wrinkle; his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky
Over the cobbles he clattered and clashed in the dark inn-yard
And he tapped with his whip on the shutters, but all was locked and
barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter
Plaiting a dark red love-knot into her long black hair
"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before the morning light;
Yet if they press me sharply, and harry me through the day,
Then look for me by the moonlight,
Watch for me by the moonlight,
I'll come to thee by the moonlight, though hell should bar the way"
He rose upright in the stirrups; he scarce could reach her hand
But she loosened her hair I' the casement!
His face burnt like a brand
As the black cascade of perfume came tumbling over his breast; and he
kissed its
Waves in the moonlight, (oh, sweet black waves in the moonlight!)
The he tugged at his rein in the moonlight,
And galloped away to the west
He did not come at the dawning; he did not come at noon,
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching,
Marching, marching
King George's men came marching, up to the old inn-door
The said no word to the landlord, the drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow
bed;
Two of them knelt at the casement, with muskets at their side!
There was death at every window,
And hell at one dark window;
For Bess could see, through the casement, the road that he would ride
They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with
the barrel beneath her breast!
"Now keep good watch!" And they kissed her
She heard the dead man say
Look for me by the moonlight
Watch for me by the moonlight
I'll come to thee by the moonlight, though hell should bar the way!
She twisted her hands behind her, but all the knots held good!
She writhed her hands till her fingers were wet with sweat of blood!
They stretched and strained in the darkness and the hours crawled by
like years!
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it!
The trigger at least was hers!
Tlot-tlot! Had they heard it? The horse-hoofs were ringing clear
Tlot-tlot, in the distance!
Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming! She
stood up straight and still!
Tlot, in the frosty silence! Tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment!
She drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him with her death!
He turned; he spurred to the west; he did not know she stood
Bowed, with her head o'er the musket,
drenched with her own red blood!
Not till the dawn he heard it; his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness
there
Back he spurred, like a madman, shrieking a curse to the sky
With the white road smoking behind him and
his rapier brandished high!
Blood-red were the spurs I' the golden noon;
Wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his
throat.
Still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon, tossed upon the cloudy seas,
When the road is a ribbon of moonlight over the purple moor
A highwayman comes riding,
Riding, riding,
A highwayman comes riding, up to the old inn-door.
(Poem by Alfred Noyes, set to music by Loreena McKennitt)
In the streets of New York City
When the hour was getting late,
There were young men armed with knives and guns,
Young men armed with hate.
And Lou Marsh stepped between them
And died there in his tracks,
For one man is no army, when a city turns its back
And now the streets are empty
And now the streets are dark,
So keep an eye on shadows,
And never pass the park.
For the city is a jungle
When the law is out of sight,
And death lurks in El-Bareo
With the orphans of the night.
There were two gangs approaching
In Spanish Harlem town,
The smell of blood was in the air
The challenge was laid down.
He felt their blinding hatred
As he tried to save their lives,
But they broke his peaceful body
With their fists and staves and knives.
And now the streets are empty
And now the streets are dark,
So keep an eye on shadows,
And never pass the park.
For the city is a jungle
When the law is out of sight,
And death lurks in El-Bareo
With the orphans of the night.
Shall Lou Marsh lie forgotten
In a cold and silent grave?
Or will his memory linger on
In those he tried to save.
And those of us who knew him
Will now and then recall,
And shed a tear on poverty
The tombstone of us all.
And now the streets are empty
And now the streets are dark,
So keep an eye on shadows,
And never pass the park.
For the city is a jungle
When the law is out of sight,
And death lurks in El-Bareo
With the orphans of the night.
(Phil Ochs)