Urban75 Home About Offline BrixtonBuzz Contact

What DVD / Video did you watch last night ?

Status
Not open for further replies.
Reno said:
As I gay man I can unreservedly love Bound then. :D

I think it's great fun and the two girls are hot.
:D

Violet is hotter than a planet on fire!! Although, some of the back shots of Corky, whilst decorating, were a bit phew too :D
 
Watched The Boston Strangler last night for the first time ever.
Highly recommend it!
That late 60s split screen style is excellent and it's probably the best you'll see Tony Curtis act.

:)
 
I once listened to the commentary on the DVD which is almost as entertaining as the film. Jennifer Tilly is hilarious and it features Annie Sprinkle who, erm, choregraphed the sex scenes.
 
Reno said:
I once listened to the commentary on the DVD which is almost as entertaining as the film. Jennifer Tilly is hilarious and it features Annie Sprinkle who, erm, choregraphed the sex scenes.
Well, I didn't know that. The sex was very well choreographed, have to say :cool:
 
House Of Sand And Fog - tragic melodrama involving a dispute over ownership of a house. Very well acted, beautifully shot, horribly glum and depressing, but it doesn't quite work for me.
 
S1 E5 of The Soprano’s – this is the one where Tony and Meadow are in Maine looking at colleges and Carmela is at home entertaining Father Mike (?) Love, for example, the forbidden-loved pair alone with the storm and lightening outside contributing the ‘forces of nature’ cliché, the 2 ‘made’ gangsters oblivious in gangster world hunting each other, the contrasting drunks Father (religious ‘Father’) and (Soprano) daughter . . . suddenly, I’m seeing an awful lot of depth - probably me just waking up.

I’m new to The Soprano’s and, from what has been said, I suppose I’ve been waiting to be hooked. In this episode it feels like a level of quality has been hit, the shapes and symmetries, the various approaches to humour, the situational observations, the lies, deceptions, a playful script, subtle, clever direction – ooh, the hand-held shots circling/dancing around Carmela and Father Mike . . . Also, the way wife disarms husband with the crack about the Thorn Birds . . . I suppose we’re still scene-setting for everything that follows but it feels like something substantial is coming together now.

I know it can’t match The Wire but hopeful it’s going to take the edge off the downer from S4 0f The Wire ending.

To repeat, watching this level of entertainment on demand, in DVD quality, episode-by-episode right through from start to finish seriously enhances what is already outstanding. Loving it, all the way 'til Christmas.
 
Perfume.

Is alright, without pulling up any trees.
Alan Rickman always watchable. Hoffman fairly laughable.
Nicely shot.
Lead actor a shoe-in for the Ian Brown biopic.

Ladykiller:
whishaw1.jpg


Tunekiller:
playstation_ianbrown_300x30.jpg
 
purves grundy said:
OK OK, I didn't. It's nothing to be embarrassed about, then?

It always seemed perfectly obvious to me what was going on. The last 30 minutes made it fairly clear.
 
Napoleon Dynamite.

It appears I am the last person in the western world to see it. Not that no-one else will ever see again, just that everyone already has. If that makes sense.
 
My guess is the idea is to enjoy the ride and allow any ideas that chance your way to . . . oxidise, maybe.

Maybe it even distracts if you go in search of conventional conclusions. But hey, whatdoI know.
 
purves grundy said:
It was the last 30 minutes that threw me, actually.

In short (SPOILERAMA):

It's generally considered that the Naomi Watts character is a washed up failure of an actress who had her girlfriend killed by a hitman when she left her to marry a successful director. To repress that horrific reality, she then escaped into an imaginative world where she was a rising star who was involved in an adventurous romance with the women she still loved but in real life had had killed. The main bulk of the film consists of her fantasy life, which in the end is revealed to have been a sham.

Lynch did something similar in Lost Highway where Bill Pullman's character murdered his adulterous wife and then metamorphosed into a completely different person to escape that reality, until it also all comes crashing down on him at the end.

Lynch's films are perfectly enjoyable without an explanation as much of the pleasure comes from the many offbeat details and their often episodic nature, but in their own way most of them do tend to make sense on a narative level.
 
Simps the movie

Better than I thought it would be, but was lacking any mention of Sideshow Bob. Loved the Green Day thing, esp the American Idiot - Funeral Version :D And the whole itchy self-referential thing

Spiderpig
:D
 
Reno said:
In short (SPOILERAMA):

It's generally considered that the Naomi Watts character is a washed up failure of an actress who had her girlfriend killed by a hitman when she left her to marry a successful director. To repress that horrific reality, she then escaped into an imaginative world where she was a rising star who was involved in an adventurous romance with the women she still loved but in real life had had killed. The main bulk of the film consists of her fantasy life, which in the end is revealed to have been a sham.

Lynch did something similar in Lost Highway where Bill Pullman's character murdered his adulterous wife and then metamorphosed into a completely different person to escape that reality, until it also all comes crashing down on him at the end.

Lynch's films are perfectly enjoyable without an explanation as much of the pleasure comes from the many offbeat details and their often episodic nature, but in their own way most of them do tend to make sense on a narative level.
Thanks :)
 
sojourner said:
Simps the movie

Better than I thought it would be, but was lacking any mention of Sideshow Bob. Loved the Green Day thing, esp the American Idiot - Funeral Version :D And the whole itchy self-referential thing

Spiderpig
:D


I watched this last night too and was quite disappointed.

For all of you who have seen the "spiderpig" bit, this is the funniest part of the whole film.

It's not bad, but it's not great and when you have been watching the show for 15 years, it is hard to stomach the 48th Marge-leaving-Homer-Homer-Winning-her-back-scenario.

I expected a little more.
 
Dubversion said:
ie the book the series is based on?
Oops, sorry, I'm still asleep, the book I meant was Homicide: A Year On The Killing Streets by David Simon - the series Homicide: Life On The Streets was based on it, but it's so detailed, that there's still incidents and even characters in The Wire that come from the book
 
Orang Utan said:
Oops, sorry, I'm still asleep, the book I meant was Homicide: A Year On The Killing Streets by David Simon - the series Homicide: Life On The Streets was based on it, but it's so detailed, that there's still incidents and even characters in The Wire that come from the book


ah, I thought the Wire was based on its own book, if you see what I mean. Is it a good read then?
 
I think The Wire was also inspired in some part by The Corner, also written by David Simon - this was later adapted as a mini-series by HBO and has a lot of the cast of The Wire in it, as Homicide did. And Oz.
 
Status
Not open for further replies.
Back
Top Bottom