gsv
liminally queer
Straw Dogs
Interesting.
** Spoiler alert **
I don't know if it confirms Peckinpah's reputation for misogyny, but it does nothing to contradict it. The rape is never addressed - it's almost incidental, and at times Amy barely seems to care (she embraces the first rapist and turns to him in a crisis later). The violence at the end doesn't arises from a separate incident, and Hoffman's character (her husband) never even finds out.
Towards the end of the seige I thought it had been a critique of machismo. Then Amy blows away (not shoots - really blows away) the last assailant, and shreds that interpretation. And in the final line, when Hoffman embraces what he's become, it's clear that Peckinpah is a little too in love with testosterone and violence truly to criticise it.
GS(v)
Interesting.
** Spoiler alert **
I don't know if it confirms Peckinpah's reputation for misogyny, but it does nothing to contradict it. The rape is never addressed - it's almost incidental, and at times Amy barely seems to care (she embraces the first rapist and turns to him in a crisis later). The violence at the end doesn't arises from a separate incident, and Hoffman's character (her husband) never even finds out.
Towards the end of the seige I thought it had been a critique of machismo. Then Amy blows away (not shoots - really blows away) the last assailant, and shreds that interpretation. And in the final line, when Hoffman embraces what he's become, it's clear that Peckinpah is a little too in love with testosterone and violence truly to criticise it.
GS(v)