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What DVD / Video did you watch last night? (pt3)

I think it was just that they thought the original ending of BR was too down-beat, so stuck in leftover footage from the Kubrick flick.
I'm not sure you understand what I said. There is a Blade Runner sequence in the novel of Ready Player One. In the movie Spielberg replaced that with a sequence which references The Shining instead.

I just looked it up, they did it because the Blade Runner sequel was being shot at the same time, so they didn't want Ready Player One connected to that.

The Best Scene in 'Ready Player One' Wasn't Even in the Original Script
 
I'm not sure you understand what I said. There is a Blade Runner sequence in the novel of Ready Player One. In the movie Spielberg replaced that with a sequence which references The Shining instead.

I just looked it up, they did it because the Blade Runner sequel was being shot at the same time, so the didn't want ready Player One connected to that.

The Best Scene in 'Ready Player One' Wasn't Even in the Original Script
You're right, I didn't understand what you said!
 
I Origins - dire - faux-intelligent semi-sci-fi with barely two logical steps to rub together, knitting together some sort of farrago of nonsense about retina scanning and a global database of scans revealing "unique" patterns which reveal that the same individual might get reincarnated ... or something ... meaning that the whole of scientific thought might need rethinking... clumsily and elliptically told through the tale of an unfeeling, uber-atheist 'scientific genius' and his batshit lab partner/substitute girlfriend who think they've cracked it and made the biggest discovery in science ever. Plagued with hippy-bollocks woolly thinking about "souls" etc and unlikeable characters played by unlikeable actors mouthing creaky dialogue throughout. Also dodgy in how it handles its scenes and characters set in India. Like the characters, this is a film that thinks it's so fucking clever but hasn't grasped the basics. Definitely original (no big budget, lowkey stile, no FX at all) but in an annoyingly worthy, fake-deep way. Don't bother unless this sort of science vs belief bobbins rings your bell.
 
After watching The Greasy Strangler on Wednesday which is fucking hilarious (though the ending was a let down)...I watched An Evening with Beverley Luff Linn. It was funny enough though not as bad taste/crude as TGS.
 
Bad Times at The El Royale. One from last year that I'd missed but my mate recommended.

Enjoyable and entertaining plot with a few unexpected twists, a good cast and some surprise early exits. Particularly good performances from Jeff Bridges and Cynthis Erivo. A great Saturday night film.
 
Love, Simon - coming-of-age coming-out comedy. The characters are all believable and sympathetic - even when they behave badly, as all teens do. The script has some moments of cheesy clunkiness, but it's too charming for this to be a problem.
 
Still been catching up with some of the more talked about movies from last year, but not much strikes me as interesting enough to write much about. A Star is Born is an improvement on the Streisand version from the 70s (the worst of the four film versions) which was the first to move the story from Hollywood to the music business. It's well directed and performed but I wasn't entirely convinced. It doesn't come anywhere near the Judy Garland version, one of the most emotionally raw films of the 50s. As a modern film it struggles to incorporate the melodramatic beats of the story and I hated the music. It's fine but I couldn't see what the fuss is about.

Widows is more proof that after a promising debut feature, Steve McQueen has become a rather overrated director. It passes the time well enough but is instantly forgettable. Viola Davis is great but the doggie steals the show (and solves the film's main mystery). Never seen the 80s TV show it was based on, so don't know how it compares.

Still need to see Can You Ever Forgive Me and The Favourite.
 
Still been catching up with some of the more talked about movies from last year, but not much strikes me as interesting enough to write much about. A Star is Born is an improvement on the Streisand version from the 70s (the worst of the four film versions) which was the first to move the story from Hollywood to the music business. It's well directed and performed but I wasn't entirely convinced. It doesn't come anywhere near the Judy Garland version, one of the most emotionally raw films of the 50s. As a modern film it struggles to incorporate the melodramatic beats of the story and I hated the music. It's fine but I couldn't see what the fuss is about.

Widows is more proof that after a promising debut feature, Steve McQueen has become a rather overrated director. It passes the time well enough but is instantly forgettable. Viola Davis is great but the doggie steals the show (and solves the film's main mystery). Never seen the 80s TV show it was based on, so don't know how it compares.

Still need to see Can You Ever Forgive Me and The Favourite.

I've been telling friends who've raved about ASIB to go and watch the Garland-Mason version which I love. (Saying that, I haven't seen the new version -- as a fan of classic musicals, I've found more modern ones generally very pedestrian. Like La La Land which I thought was pretty rubbish as a musical and would've IMO been better as a straight film.)
 
I've been telling friends who've raved about ASIB to go and watch the Garland-Mason version which I love. (Saying that, I haven't seen the new version -- as a fan of classic musicals, I've found more modern ones generally very pedestrian. Like La La Land which I thought was pretty rubbish as a musical and would've IMO have been better as a straight film.)
A potentially deeply embarrassing admission but my guilty movie pleasure of last year was Mamma Mia ! Here We go Again and I thought the first Mamma Mia! film was just horrible. I was intrigued by the good reviews, so as a fan of movie musicals I checked it out. It's cheesy as fuck but it's probably the only recent live action musical I can think of which works. Of course if you hate Abba, nothing will convince you.
 
A potentially deeply embarrassing admission but my guilty movie pleasure of last year was Mamma Mia ! Here We go Again and I thought the first Mamma Mia! film was just horrible. I was intrigued by the good reviews, so as a fan of movie musicals I checked it out. It's cheesy as fuck but it's probably the only recent live action musical I can think of which works. Of course if you hate Abba, nothing will convince you.

I didn't see the first but a friend dragged me to see the second. (For some reason, we decided to each choose a film and go and see both. I'd forgotten our film tastes were...different. She chose this -- which she loved and I hated -- I chose Mildred Pierce. 'It was quite...long..', was all she had to say of Mildred Pierce. :D)
 
Cal - 1984, quite famous in its time but I'd never seen it - surprisingly rough-edged and experimental in style, but pretty "bad bastards on both sides"-ish in its politics. I vaguely remember it being thought controversial once, but can't think why. A miserable romance between a Catholic N Irish lad whose family's menaced on all sides, by the British state, the Protestant/UVF thugs roaming his estate and the IRA / borderline hoodlums he's kind-of-obliged to. Falls in love with Helen Mirren (!) who's supposedly the Catholic widow of a policeman shot dead by the IRA. Predictable narrative but strikes a good mood of grimy, aggressive, very 80s misery, some fine performances and a number of faces you'll recognise.
 
I didn't see the first but a friend dragged me to see the second. (For some reason, we decided to each choose a film and go and see both. I'd forgotten our film tastes were...different. She chose this -- which she loved and I hated -- I chose Mildred Pierce. 'It was quite...long..', was all she had to say of Mildred Pierce. :D)
I like the Todd Haines mini-series of Mildred Pierce even better than the Crawford movie. Unlike the movie, that really is long...
 
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Cal - 1984, quite famous in its time but I'd never seen it - surprisingly rough-edged and experimental in style, but pretty "bad bastards on both sides"-ish in its politics. I vaguely remember it being thought controversial once, but can't think why. A miserable romance between a Catholic N Irish lad whose family's menaced on all sides, by the British state, the Protestant/UVF thugs roaming his estate and the IRA / borderline hoodlums he's kind-of-obliged to. Falls in love with Helen Mirren (!) who's supposedly the Catholic widow of a policeman shot dead by the IRA. Predictable narrative but strikes a good mood of grimy, aggressive, very 80s misery, some fine performances and a number of faces you'll recognise.

The novel it's based is also worth checking out.
 
A private war
Based on the life of Sunday times journalist Marie Colvin. A story worth telling but like many recent ‘based on true story’ films the main character is actually somewhat boring when she’s not doing her job and doesn’t really go deep enough into the dangers of doing her job.
6/10

Suspiria
Remake of the 77 horror film that for some reason needs to go for over an hour longer than the original. It’s an hour too long and really feels to drag by the end. It’s quite frankly a load of twaddle. Expected more from something Tilda Swinton is in but not even she can save this. 2h30m of my life wasted and a top contender for worst film out of 2018 I’ve seen so far.
4/10
 
Oh. Also grabbed ghostbusters in 4K from currys for £8 (check website to see if local store has stock as for some reason they keep all the films in a cupboard behind the counter and not on display) so actually watched 3 films and a lot of telly yesterday (OH is ill)

Because it’s an 80s 35mm film for the most part the transfer to 4K and on these new dangle huge TVs you can’t help but notice how grainy the picture is especially early on. But it adds to the beauty of watching it in this format. Most 80s films I suspect will have the same problem, labrinth defiantly does as I have that also and read stuff the original Jurassic park is as well. But as I said. To me it just adds to its original glory.

That said, close up faces, colours, uniforms and especially the special effects have never looked better. No idea how many times I’ve now watched this film. Probably my 2nd most watched film after alien (4K of that is on pre order) and I was glued to it and still laugh out loud at stuff I know is coming.

10/10
 
Went to the local Toho cinema to watch The Favourite. Very dark with some comic moments. Couldn't gauge the reactions of the audience as everyone was so damn quiet but really enjoyed it. Will it hoover up the Oscars, though? Still reckon Roma is peerless.
 
The Matrix - it's a dystopian sci-fi film. I don't want to give too much away for people who haven't seen it yet but you'll never look at the world the same way. If it's real, man, like, wow :cool:

Watched it with my 12 year old who thought it had a slow start but loved it by the end.
 
The Matrix - it's a dystopian sci-fi film. I don't want to give too much away for people who haven't seen it yet but you'll never look at the world the same way. If it's real, man, like, wow :cool:

Watched it with my 12 year old who thought it had a slow start but loved it by the end.

Don’t tell them sequels exist. Just leave it there and die happy.
 
Decided to fill a gap in my movie knowledge and I’m currently watching all the Rocky/Creed films. The reason I’ve never watched them is because I don’t like sports movies much and I’m not a Stallone fan. But I’m intrigued by the rave reviews for the Creed movies, so I thought I’d catch up. So far I’ve watched the first three.

Rocky is difficult to evaluate now. It’s become the template for so many films, so what was fresh then, now looks very cliched (I doubt it ever was that fresh). So much of it has seeped into popular culture that it feels like I’ve already seen it. Stallone overdoes the dim blue collar shtick to the point where he appears mentally challenged. Talia Shire received the least deserved Best Actress Oscar nomination of all time, it’s a thankless role and it's a supporting part. (Looking at the films from 1976, there really weren’t many great roles for women around, though Genevieve Bujold in Obsession would have been far more deserving. At least the right actress won that year, Faye Dunaway in Network) The film bounces along well enough, even if it’s cheesy as fuck and all the other movies nominated for Best Picture that year were more deserving (Taxi Driver lost to this !!!). One thing which is surprising is how little actual boxing is in the film. The climactic fight only takes up the last ten minutes and then the movie abruptly ends. The scene I liked the best is there Rocky gives advice to a tough little street kid, who is a girl. I read she comes back in a later film.

Rocky II is the type of sequel which is a carbon copy of the first film, it just advances the (not terribly interesting) love story between Rocky and Adrian. After his moment of fame is over and he's burned through the money, Rocky is back at square one and by the end, back in the ring with Creed. Unlike the later films, in terms of style it connects to Rocky almost seamlessly. One thing it has over the first film is that the climactic fight sequence is far better staged (and it is twice as long).

Rock III is the one I’ve enjoyed the most so far, I actually thought it was good fun. Rocky almost seems like a completely different character and has received an upgrade in terms of body and brain power. At least it gets Stallone to drop his poor Marlon Brando impersonation. The style of the movie is far more hyper in an 80s way but also more dynamic and the relationships are a little more interesting. They even wrote Adrian one decent scene (and it becomes clear that Talia Shire really isn’t much of an actress). The training sequence with Rocky and Creed is shot in a hilariously homoerotic way. What was it with midriff baring sweatshirts in the 80s ? I’m glad Burgess Meredith snuffs it, he’s always been an unbearable ham. The fight scenes in this are great (Hulk Hogan ! :eek:) and Mr. T is a hissable opponent.

Rocky IV
tonight...
 
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This was on at my local on Valentine's day, didn't fancy watching it on that date on my own, so I sacked it off and watched it on Prime instead.
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Glad I watched it. It's very good if rather rude. A touching and believable love story, set in The Dales, between a young local Yorkshire boy, who's frustrated by family obligations (helping run a farm after his dad has had a stroke), and an older Romanian farm labourer, brought in by the boy's dad, to help out over lambing season. There's a great scene in which the more worldly Romanian saves a runty lamb that's been rejected by its mother, by wrapping it in the skin of a stillborn lamb, tricking the grieving ewe into caring for it. Not much dialogue passes between the two of them so we're invited to infer meaning from scenes such as this. It would feel rather obvious in a worse film, but this film is all the better for it.
 
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