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What DVD / Video did you watch last night? (pt3)

The Long Goodbye . I like Altmans films and to me this runs McCabe and Mrs Miller as favourite. Chandlers book is brought forward to Los Angeles in the 70s, Marlowe hovers around the other characters engaging/disengaging in a perpetual blur of cigarette smoke .The film is like a dream , its coherent and incoherent and the nearest we get to a femme fatal is his cat.
 
Hard To Be a God directed by Aleksei German

Based on the sci fi novel by the Strugatsky brothers. ( Whose other novel Roadside Picnic was made into the film Stalker by Tarkovsky). The novel is a thinly veiled attack on Stalinism.

Another world appears to be stuck in the fuedal state of history. Scientists from an advanced Communist Earth observe this society but are not supposed to interfere.

I have read the novel before the seeing the film so knew the plot.

The film in black and white creates a surreal but complete world trapped in ignorance. The scientist is feared and resented. His cover is making them believe he is descended from a God.

The reign of fear unleashed by the Greys has parallels with Stalin's terror. The Strugatsky brothers meant readers to see this. Things get bad then they get even worse.

The film is another long watch at almost three hours.

There are great scenes including a lot of black humour amongst the terror. Its a great sci fi film. Creating a world that is human but weirdly different.
 
The Green Book - US Italian rough house takes a job driving a black musician in a tour in the southern states.He's racist short of money , the musician is rich, snobbish and gay. Not sure if the film could have avoided cliches but none the less its a lovely story about decent people with at the end of the day decent attitudes from building a bond. If thats cliched I'm fine with that because thats not just the world we'd like but in small and large doses thats the way the world is .Decent music too and a good film to watch .
 
Leave No Trace
Wonderful Debra Granik (Winter's Bone) film about a father and daughter living wild in a National Park in Oregan, who are discovered and made by the authorities to live in a proper house. He can't handle it, probably because he's a veteran with PTSD, which is triggered by things like helicopters and other trappings of 'civilization'. She has a strong bond with her dad, but she's growing up and yearning for the company of others.
Hardly any of this is explained and much of the exposition in the film is through what happens, rather than what we're told. This is very effective, with many non-verbal exchanges between father and daughter saying more than any dialogue could ever do. A particularly meaningful and moving scene is just of the daughter showing her dad a beehive. So much is said in this brief scene with very few words used. It's both uplifting and devastating.
Ben Foster and Thomasin Mackenzie deserve to he heaped with awards for their work on this - the threadbare script doesn't give them much to work with, but to Granik's credit, they don't need much to deliver such convincing and touching performances.
 
Bad Times at the El Royale, Drew Goddard‘s follow up to his meta-horror satire Cabin in the Woods, is a combination of pulpy neo noir and drawing room mystery, set in the late 60s.

Seven strangers arrive at the motel of the title, each is there for a particular purpose, most have sinister secrets. Like in Cabin in the Woods, two sided mirrors feature prominently. Similar to several Tarrantino films the non-chronological structure keeps resetting the plot to explain how and why each of the characters ended up there. I loved the first two thirds but then it introduces a new character in the third act to bring things to a head. It feels like Goddard couldn‘t keep all the plates spinning till the end. Like Cabin in the Woods the movie tries a little too hard to be clever and it has more style than substance but it’s very entertaining while it lasts.

 
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loved the first half of El Royale hated the second half. so many directions it could have gone in and it just turned to shit instead.
 
Halloween (2018) - newest one

Meh, some nice flourishes and mirroring the original's key scenes in clever ways sometimes, but the overall plot was wank and Jamie Lee Curtis was surprisingly poor. Walks a decent line between suggestion and gore (bar a couple of kills) and Carpenter's music is on point again.

Watchable. 6/10.
 
Halloween (2018) - newest one

Meh, some nice flourishes and mirroring the original's key scenes in clever ways sometimes, but the overall plot was wank and Jamie Lee Curtis was surprisingly poor. Walks a decent line between suggestion and gore (bar a couple of kills) and Carpenter's music is on point again.

Watchable. 6/10.
Considering the talent involved, this was disappointing. The thing I liked least about it (apart from that it wasn't scary and lacked Carpenter's gift for style and atmosphere) was how unimaginative it was in developing Curtis' Laurie Strode as a survivalist Sarah Connor clone, who was defined by nothing but her encounter with Michael Myers. Pure fan service. For all its flaws, the alternative sequel Halloween H20 which brought her back in 1998, gave her a far better written role.
 
Venom

Not as bad as the terrible reviews would suggest but still not very good. It's surprisingly similar to the far superior Upgrade, which stars Tom Hardy lookalike Logan Marshall-Green.

Alexander McQueen

Excellent but haunting documentary on the great British fashion designer.
 
Yardie

Felt there was a good film in there wanting to get out, but as it stands it was a bit clunky with strange character motivations. With a bit of script tightening it might have been half decent. As it stands, a mildly entertaining period piece. 3/5
 
Venom

Not as bad as the terrible reviews would suggest but still not very good. It's surprisingly similar to the far superior Upgrade, which stars Tom Hardy lookalike Logan Marshall-Green...
In some shots you really think it's Tom Hardy. Haven't seen Venom yet...the trailers actually really put me off.
 
Just watched Gravity, bit surprised it came out 4 years ago actually as I thought it was more recent. The special effects are still jaw dropping. It was thorough enjoyable.

Watched it on a massive projector screen too which added to the enjoyment.

Don't normally l either of the cast or kinda forgot it was them.
 
I'm working my way through the most critically acclaimed films of 2018. Last night it was The Rider by Chloé Zhao. This was a film I appreciated more than actually enjoyed. I suppose the most interesting thing about it is Zao's docu-drama approach. She finds real stories she wants to tell and then has the actual people they happened to play slightly fictionalised versions of themselves. In this case almost the entire cast play versions of themselves. This is about a young rodeo rider who has to re-evalue how to make a living after sustaining brain damage during a rodeo accident. The film-making is first-rate and everything feels authentic, I just felt so remote from the subject matter. What a fucking insane sport and why isn't everybody participating required to wear helmets ? Two of the characters who play themselves suffered disastrous disabilities due to sustaining brain damage. I suppose it's because cowboy hats look cooler.

There is another acclaimed "impoverished young man and horses" movie from 2018 I haven't caught up with yet, Andrew Haigh's Lean on Pete.

To up my trash-levels I chased this up with an Irish found footage horror films called The Devil's Doorway, about supernatural going-ons at one of the notorious Magdalene Laundries in the 1960s. It was alternately boring and scary. The two lead performances by the elderly actors playing the investigating priest and the evil Mother Superior were excellent. The possession plot is over-familiar but the scares are effective. It's not like the horrors of what really happened there needed exaggerating though
 
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Lean On Pete is on my watchlist. It's been recommended by a lot of people whose opinions i respect.
It's on mine to, I love Haigh's films and his TV series Looking. Lean on Pete came out to much acclaim but nobody went to see it. Then it got critically overshadowed by the thematically similar The Rider.
 
Museo
Mexican film with subtitles about a robbery and the difficulties of fencing treasures. Nicely shot film, not a bad watch. 7.5/10.
 
You Were Never Really Here. Lynne Ramsay gets a brilliant performance from Joachim Phoenix in a beautifully shot piece.

JP gets drawn into a conspiracy whilst trying to save a young girl from a paedo gang. Not a lot of dialogue. One scene when two wounded guys are lying on a floor singing...heartbreaking.

This is free on amazon if you have prime.
 
Escape Plan (random 'let's find a cheesy action film' choice)

Stallone and Schwarzenegger in a maximum security prison, trying to escape.

Like a longer episode of Prison Break with added machismo and barely intelligible dialogue (Stallone mumbles and Arnie does whatever that accent is nowadays)

Lightweight but not truly awful, just phoned in mainly.

Good supporting cast though (Vinnie Jones excepted) and the opening scene is clever, throwing you straight in.

5/10
 
You Were Never Really Here. Lynne Ramsay gets a brilliant performance from Joachim Phoenix in a beautifully shot piece.

JP gets drawn into a conspiracy whilst trying to save a young girl from a paedo gang. Not a lot of dialogue. One scene when two wounded guys are lying on a floor singing...heartbreaking.

This is free on amazon if you have prime.
One of my favourite films from last year
 
First Man. Wanted to like this more than I did. Does everything right and yet it feels a little lifeless. Makes a decent history lesson though.
 
Hell or High Water.

An excellent film about two bank robbers and two cops chasing them in Texas (although it's nothing like that). Nick Cave does the score (I think) and it works well, Taylor Sheridan is involved (Wind River and Sicario).

It's like a cross between No Country For Old Men and The Big Short.
 
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