Belle (2013) - I absolutely loved it, 18th-century period drama with added feminism and black history, so what's not to like. A little too genteel in the style, but full of good actors voicing a clever script in lovely surroundings. Tom Wilkinson's brilliant, Gugu Mbatha-Raw is brave and convincing in a tough role to find the right voice/body language for (mixed-race illegitimate daughter of a slave and a toff, brought up among the aristocracy in one of Britain's most stately homes) and the supporting lot all do their bit. The plot doesn't race along, it's more of a series of thoughts (why are things so messed up in Georgian London? how can a woman be happy in a viciously sexist age? is money or beauty a bigger liberator? etc) than a story where this happens, then this happens, then that happens.
The only bum note is that they have to shoehorn in a reconstruction of the real historical painting (school of Zoffany) with a detail of Belle which is one of the best-known depictions a of Black Georgian person, and very well known in its own right - it's this one:
But in the movie - as in so so many historical romps - the prop picture is HORRIBLE, fake and tacky-looking, worse than a bit of velvet art you'd find in a trailer or that Spanish granny's Ecce Monkey fresco repair. Why does this always happen? (Other really crap reconstructions of known paintings appear in
Girl with a Pearl Earring, The Tudors tv series etc etc etc. Why? can't they just scan and print the original onto a canvas, or is it some obscure copyright battle? anyway, paintings in historical movies are nearly always terrible.)
Then
A Most Violent Year (2014) - chilly, not all that engaging "trials of a gangster" flick set in early 1980s New York following threats and tactics of a dealer in heating oil taking a lot of heat (heh) from the Mob. Critics loved it. I can see why they liked it (leads Oscar Issac and Jessica Chastain are both great - she in particular better than I've seen her in anything - there's some great retro clothing + cars - and it's overall a miserable but intelligent treatment, not a bang-bang entertainment.) But overall it felt a bit pointless to me. Crucial things which would make you care a bit more - where does the hero spring from? What really drives him? Why bother with all these shenanigans? - are just never explained or even touched on.