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What DVD / Video did you watch last night? (pt3)

anyways I watched a brace of 'young justice' cartoons. More DC fayre, was initially a bit :hmm: cos these sort of things can be bad but it actually works here. They even manage to make Robin cool. Robin ffs!
 
Inception . ..



Possibly my 5th time watching this........ but ....
.....not
...........sure......

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'71

Belfast at the dawn of the conflict. A young British soldier is separated from his unit in West Belfast, and has to find his way back home. But the Provies, Loyalists, and the MRF are all looking for him. And not with good intentions. Very well done, so well done, in fact, that I would advise a friend of mine who lived that era to avoid it. It helps that most of Belfast still looks as rough as it did back then. Obviously recalls Odd Man Out, but has its own very distinct visual style. I'd recommend it - so long as you're not the sort of person for whom it would trigger some bad memories.

Money Monster

George Clooney is a TV financial journalist who specialises in tabloid-style hype. He ends getting taken hostage in his own studio. I don't want to give too much away, let's just say that is at least an 8 out of 10. One good scene where Clooney's character, in fear of his life, channels the restless spirit of Jimmy Stewart - only to get a very different result from that which he was hoping for. Julia Roberts, Dominic West, and a guy called Lenny who I recognised from Flight of the Conchords all play leading parts. A key role also goes to an Irish actress I hadn't heard of before, Catriona Balfe. Her accent was a bit odd - mainly south Dublin, but the occasional Belfast-y vowel.
 
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Rome 11:00 [Roma, ore 11] (1952) - Giuseppe De Santis's neorealist disaster movie based on a real incident in 1951 when more than a hundred women answered an advert for an office typist job interview and the resulting crowd on the buildings internal stairway caused it to collapse. Not quite as good as as his excellent Bitter Rice (1949) but still a brilliant film.
 
Kind Hearts and Coronets

I liked it, some actual lols at the sheer old school caddish vibe of the man. Reminded me of Alfie in a way, that surfing the wave. And his complete amorality cracked me up, plus that lovely sting in the tail. My memoirs :D The two ladies in his life put in a great performance but special mention for the lugubrious hangman. I hope it was all considered quite scandalous as a film back then cos it is pretty close to the bone for a film of that era. Best murder is where he bumps the vicar up the list for having bored him.
 
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Captain America: Civil War....

Which I enjoyed...loved the new Spiderman.
The action sequences were a a little lower key than the usual destroy another city stuff that bores the shit outta me.

Thought Black Panther was a good addition.
 
Masterminds.

There are moments that are funny - but they are too few to justify watching the film which is a shame as it could have been so much more interesting.
 
War dogs, great film , some fucked up shit right there! It's a movie about 2 twenty year olds who landed huge contracts with the pentagon.
 
Lincoln - DDL is, of course, magnificent but kudos to Sally Field, Tommy Lee Jones and James Spader.

Midnight's Children - I got this, it's an allegory, right? Must read the book now. Didn't expect the Sense8 vibe at all.
 
Grimy London past and near-present double bill:
Black Joy (1977) - Norman Beaton is the ridiculously flamboyant high point in an ancient-seeming creaky farce about an 'innocent young country boy' from Guyana cast adrift in the very strange country that was mid70s Britain. I'd heard about this as a cult film and a classic early representation of Black Britain. It's a very bawdy (read:sexist), rudey, sweary version of the eternal tale of the young ingénue abroad. Lots of vintage racism, terrible haircuts and clothes, an obnoxious chirpy urchin, etc etc. It has verve and rarity value but the production values are so poor and the script so ragged and stagey it comes off like a Black version of Confessions of a Window Cleaner or a Black Carry on, rather than a classic. But not a waste of time as long as you approach it as a historic document, rather than an artistic experience.
Ill Manors (2012) - Plan B's anthem to doomed urban yoot. It's a bit better than the average modern Britcrime flick but falls into the same trap as most of the rest (Kidulthood etc etc) of trying to ramp up the drama by shuffling too many screwed-up characters together and having too many implausible things happen within a short time frame to make it all exciting and gangster. Plenty of Serious Ishoos (drugs, sex trafficking, pimping, petty crime, gun crime, care system, prison system, racism, stabbing, shooting, more drugs, more sex trafficking...) and it's done with a sincere heart, but the overload of misery just sinks it in the end. Some refreshingly new faces and a standout performance from Riz Ahmed in the lead, though - he really is the best thing about this very miserable film, actual proper acting done there.
 
pierpoint

starts strong and then sort of goes nowhere. Or maybe it went somewhere, I fell asleep 40 mins in. Get the impression that other than his proffesion pierpoint wasn't that interesting
 
Friend Request - rather dry and too similar to the other social media horror, Unfriended (with the latter telling a better story in real time, cross-platform sort of way)
 
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Finished off s4 of ludicrous French hardnut cop drama Braquo - increasingly bleak, pompous, silly and full of itself, but still Frenchy enough to make it an interesting contrast to things like The Shield. It's not nearly as good as The Shield, though, of course.

Absolutely larded, like a prize poulet, with crazy heavy weaponry, fine dining, corrupt politicos, hardboiled clichés, and shagging. Everyone is contractually obliged to sneer "Putain!!!" a few times per ep, preferably through a screen of cigarette smoke. (They're seriously committed to this last one: I had to laugh when even a super-hard-boiled female 'tec was having an existential dilemma when she found out she was pregnant, and still carried on chaining it.) Plot is silly and maybe a tiny, tiny bit stereotypical (white cops, black thugs, Turkish kingpins, native French safecrackers etc). Visually nothing special. But grimly compelling, up to a point.

And I finally realised that lead actor Jean-Huges Anglade, now looking like six-cent-kilometres of rough road to Albania, was once the scrawny young male lead in Betty Blue!
 
Finished off s4 of ludicrous French hardnut cop drama Braquo - increasingly bleak, pompous, silly and full of itself, but still Frenchy enough to make it an interesting contrast to things like The Shield. It's not nearly as good as The Shield, though, of course.

Absolutely larded, like a prize poulet, with crazy heavy weaponry, fine dining, corrupt politicos, hardboiled clichés, and shagging. Everyone is contractually obliged to sneer "Putain!!!" a few times per ep, preferably through a screen of cigarette smoke. (They're seriously committed to this last one: I had to laugh when even a super-hard-boiled female 'tec was having an existential dilemma when she found out she was pregnant, and still carried on chaining it.) Plot is silly and maybe a tiny, tiny bit stereotypical (white cops, black thugs, Turkish kingpins, native French safecrackers etc). Visually nothing special. But grimly compelling, up to a point.

And I finally realised that lead actor Jean-Huges Anglade, now looking like six-cent-kilometres of rough road to Albania, was once the scrawny young male lead in Betty Blue!
In fairness, he was already pretty fucking rough in BB.
 
Mystery Road (2013) - really, really good (if spare and slow moving) thriller/westerny thing set in New South Wales. Basically a modern noir set in the Outback with Aaron Pederson excellent as the Aboriginal copper trying to do right in a vast empty landscape where the few people you do run across are embroiled in drugs, the sex trade, too many guns and a bit of murder. Oh and racism. Lots is said and done with the wide spaces in vision and long silences in the script. Liked it a lot.
 
If been watching Westworld the TV show. Got two more episodes to go. It's watchable enough but I'm not entirely sold on it. I find the whole concept far fetched and Westworld as a high end amusement park strikes me as unappealing. Westerns aren't particularelu popular, a Futureworld or Jurassic Park makes a lot more sense to me in this day and age. And for anybody wanting to indulge their basest instincts there should be Torturepornworld, no need for cowboys.
 
If been watching Westworld the TV show. Got two more episodes to go. It's watchable enough but I'm not entirely sold on it. I find the whole concept far fetched and Westworld as a high end amusement park strikes me as unappealing. Westerns aren't particularelu popular, a Futureworld or Jurassic Park makes a lot more sense to me in this day and age. And for anybody wanting to indulge their basest instincts there should be Torturepornworld, no need for cowboys.
Aren't westerns nearly as popular as they were when Crichton wrote the book? There seem to be a lot of Western style movies being made. It is aimed mainly at blokey/macho men though.

Torturepornworld wouldn't have mass appeal, we like our torture and porn dressed up with glossy advertising and an all American toothy grin.
 
The Assassin (2015) - this was meant to be an intelligent wuxia (martial arts) movie, directed by Taiwanese arthouse favourite Hou Hsiao Hsien. I've seen a couple of his historical films before and liked them - even though they're always really, really slow and often really, really silent. So I was interested to see what his take on a fight film with feelings might look like - was hoping for something visually lovely as well as wham-bam-choppy, ideally a bit like The Grandmaster (2013) which I still think is a towering masterpiece. But I was to be disappointed

The Assassin is supposedly set in 10th-century China - and given how little I know of this era, it's maybe not surprising that a lot of it went right over my head (like those 5-clawed sword strikes etc.). But it wasn't all my fault: the endless silences, the incredibly complicated plot, and the actors and characters all going under 5 layers of disguise and double cross just lost me completely. Also, the "emotional sensitivity" that got this film a lot of praise from critics doesn't work if you can't tell what the emotions actually are. Yes it does look wonderful - though more for the landscapes and framing than the bling or swish - there's no jawdropping costumery or setbuilding or set pieces. The fighting itself is largely obscured or done out of shot - there's no visible blood or wounding (despite several deaths). So overall it was just endlessly frustrating: a bunch of characters who don't make you care about them, scheming along lines you don't understand, to commit acts that you don't see. Maybe it's an elaborate joke or a dare ("go on Hou, I want you to make a fight film with no visible violence! get those suckers to the cinema!") but this really really did not work on any level imho. Felt it was far too sophisticated for me.

One thing I really did love about it: the enduring presence of nature - they must have gone a LONG way in China to find such unspoiled locations - and the beautiful, continuous use of natural sounds (wind in the trees, rain, birdsong etc) on the soundtrack.
 
Aren't westerns nearly as popular as they were when Crichton wrote the book? There seem to be a lot of Western style movies being made. It is aimed mainly at blokey/macho men though.

Torturepornworld wouldn't have mass appeal, we like our torture and porn dressed up with glossy advertising and an all American toothy grin.
There has been a resurgence of the Western recently but the genre isn't nearly as mainstream or popular as it was in the early 70s when John Wayne was still around, Clint Eastwood was in lots of them and there still were shows like Bonanza and Gunsmoke on network telly. With the exception of the (mid-budget) The Magnificent Seven remake, most recent Westers were art house or low budget independent films. I certainly wouldn't base a hugely expensive amusement park on the Western when popular culture is all about superheroes, sci-fi, giant robots, Harry Potter/LOTR and other fantastic genres. Everything which now aims to make a huge profit has to be aimed at a family audience. An X- or even an R-rated amusement park aimed at mainly one gender, for which they develop a technology so sophisticated it goes A.I., makes no sense to me.

I was flippant about Torturepornworld, but when it comes to man indulging his basest instincts the Western wouldn't be the first genre that comes to mind. The TV series feels like it has to make sense of the (then already slightly silly) Michael Crichton film in this day and age and to me it doesn't. Crichton himself revised the idea as Jurassic Park, which is a far more appealing and commercially viable idea than cowboy robots. Everybody loves dinosaurs !

I'm not hating the series. Considering I don't buy the premise it's very well made, but for me it doesn't live up to the hype. I certainly don't think it's anywhere near as good as Game of Thrones, for which Westworld is supposed to be the next big HBO thing/replacement.
 
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Jonathan Nolan is certainly overrated as a writer. Making your audiences have to resort to the internet to find out wtf is going on does not make you a good writer.
 
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