Virtual Blue
ready
Was going to watch Train To Busan last night but I'm kinda zombied out atm (Walking Dead/ Ash vs Evil Dead).
I like Fincher, but I didn't like this. It's a trashy airport novel, contrived and with the pretense that it has something valuable to say about male/female relationships, which it doesn't.Gone Girl - David Fincher's recent thriller. If you like Fincher, you'll like this.
bailed on walking dead seasons ago. Its to po-faced and thecharacters are all incredibly shallowly drawn imo.Was going to watch Train To Busan last night but I'm kinda zombied out atm (Walking Dead/ Ash vs Evil Dead).
I like Fincher, but I didn't like this. It's a trashy airport novel, contrived and with the pretense that it has something valuable to say about male/female relationships, which it doesn't.
bailed on walking dead seasons ago. Its to po-faced and thecharacters are all incredibly shallowly drawn imo.
Nothing until trashy pretends its classy !I just took it at face value; an entertaining thriller. What's wrong with trashy, anyway?
Nothing until trashy pretends its classy !
erm. I disagree.I like Fincher, but I didn't like this. It's a trashy airport novel, contrived and with the pretense that it has something valuable to say about male/female relationships, which it doesn't.
I just don't have the time for all these itty-bitty youtube clips, especially, when it's on a film I don't care for. :shakes walking stick at the heavens:It's a multi-media world, Reno. Tony's screenplay analyses are very interesting to me.
You don't like it, fine. I'll link to what I want though...the links are certainly more informative than you on the many occasions you don't like a filmI just don't have the time for all these itty-bitty youtube clips, especially, when it's on a film I don't care for. :shakes walking stick at the heavens:
Maybe starting a post with a condescending "erm" as if you are presenting some irrefutable truth by linking to some video doesn't help. The examples presented in the video could be applied to lots of other films, it's all so non-specific, basically its waffle. I like film theory and read a lt of it, but not in 5 minute YouTube clips for the ADHD crowd. In the end, Gone Girl is no Chinatown and this certainly didn't convice me that we are dealing with a great screenplay here.You don't like it, fine. I'll link to what I want though...the links are certainly more informative than you on the many occasions you don't like a film
I don't have a problem when you don't like a film but you have a tendency to a form of snobbery about it.
I've been watching Spooks at bedtime. I am on series 3. Do any of these characters ever develop?
Sort of. Harry's probably the most defined by the end. Worth sticking around for the most fabulous character; Ros.
I've been watching Spooks at bedtime. I am on series 3. Do any of these characters ever develop?
I don't know much about you as a poster but, from what I have seen from your posts in film and TV, your endorsement is not a positive thing.
Sorry. No insult intended.
I've been watching Spooks at bedtime. I am on series 3. Do any of these characters ever develop?
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The Greasy Strangler. Words fail me when it comes to this one. People will either love or hate the film, I loved it. It's disgusting and extremely weird but the expression of a fully worked out vision. The closest it comes to reminding me of something is John Waters 70s films via an adults only Pee-Wee's Big Adventure, it's the gross out comedy to end them all. OMG the "disco outfit" !
Trailer NSFW:
They were alright, I thought the second film was the best. Agree with you on the ending.I recently watched all of the Hunger Games films. I really enjoyed them while not expecting to, and having never read the novels they are based on, didn't think they would be as bleak as they were. I particularly liked the final one, which apart from the moral wrangling over what is deemed to be acceptable or necessary behaviour in war, was helped by the look and feel of the evacuated parts of the Capitol as the rebel army closed in on the government, with its Soviet-style buildings that could belong on 1930s architectural plans or in the realised central parts of 1950s Moscow, although as seen in earlier films even the Victors' Village that's seen better days in the monochromatic coal mining district was like a pavilioned exhibition centre in the old USSR. The only thing that didn't quite fit was the ending, that final few minutes (I guess on how to deal with the mental trauma of war haunting you in the present, which isn't as 'happy' an ending as it might appear). Mockingjay parts one and two could also have just been one film, but I guess more money could be rinsed from the making of two.
Reno will be along soon to contradict me on something (and I do enjoy reading your posts).