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What DVD / Video did you watch last night? (pt3)

Call Me Lucky

A documentary about Barry Crimmins. A fascinating, funny, and very troubled man. It includes a rather grim account of him being raped as a child, and his campaign to stop child porn on the net.
 
Magic Mike XXL. I really like the first film, of his later films is one of Soderbergh's better ones. Many dismissed it as a piece of fluff aimed the hen party crowd, but it's comparable to something like Saturday Fever which was smilarely misunderstood as merely exploiting an entertaiment subculture to appeal to a particular demographic. Both are surprisingly downbeat films about working class men caught up in an economic recession. The stripping in Magic Mike was the least interesting thing about it (and it was as sexy as a toddlers tricycle)

The sequel wasn't directed by Soderbergh, but he was still heavily involved and it has its fervent supporters among some critics. It's watchable thanks to the easy going charm of Channing Tatum and it takes a different approach by being a road movie, but by the end when it turns into a male stripper version of Pitch Perfect, I was done with it. In this the antiseptic bump and grind does take centre stage. Matthew McConaughey as the stripper past-his-prime is also badly missed.
 
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Easy Money (2010) - Swedish thriller - a relatively straightforward crime story of upwardly-mobile Swedish lad falling in with coke-smuggling gangsters and chaos ensuing. It's not very arty but much more psychologically subtle and downbeat than the average US or UK crime caper. In true Scandi fashion most of the characters are miserable and bear hidden emotional burdens. It reaches for the complex plotting of say Amores Perros but doesn't quite get there. But interesting for its portrayal of a multi-ethnic Swedish underworld (various other characters are Latin Americans, Serbs, Arabs, Turks) and the vile Swedish elite, who are like UK red-trousered hoorays inbred with themselves over several generations.

21 and Over (2013) basically an updating of the stoner/campus/animal house sort of film, but with millennial bad attitude, snark, scads of swearing and irony. Basically the tale of one night's epic bender through a college town with a few life lessons about friendship, freedom and standing up for yourself thrown in. It's nicely written in places - though as with Juno sometimes verging on overdone, because these lines are too smart for the characters, who are really not that likeable (but are well played even when they're abrasive). As you would expect a lot of the humour is crass, sexist, and revolves around vomit. It toys with racism but sends it up at the same time. All very bro-ey but entertaining enough.
 
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I watched a docu on the beeb about Ray Harryhausen and his stop motion stuff. He's done loads more than I knew and I shall deffo look up the 6 limbed giant squid one.

After I was tempted by Jason and The Argonauts so I downloaded that and marvelled. Its aged well. First tine I've seen it since I was knee high to a grasshopper. the stop motion effect may be yesterdays tech but it still cuts the mustard imo.
 
Psycho 2. Hadn't seen it for years and not as bad as I thought it might be. Must read the book which is apparently completely different to the movie. Bob Bloch sends up Hollywood slasher flicks...
 
I'm really struggling to see why Mad Max: Fury Road got so many good reviews. There's nothing there. Perhaps the last hour redeems it, but I guess I'll never know.
 
Bone Tomahawk. Rare hybrid of western and horror film. Starts out as The Searchers with four men setting out to search for an abducted woman (the wife of one of the men) and in the last third it turns into a 19th century The Hills Have Eyes when it turns out that who snatched her weren't just a regular Native American tribe. Pretty good, with a great cast including Kurt Russell and Patrick Wilson (and a small role for a post-career implosion Sean Young). It may be too slow for some, but I liked the way it was paced and the way we get to know the four main characters during their search. When the film shifts into horror, it gets quite gruesome.
 
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Ahhh just love this time of year... Screener season is upon us!

Watched Sicario last night - was OK - a bit moody, simple story.

Tonight is the Revenant, also floating around is Carol and apparently Hateful 8 - which I think I might miss to see that at the flicks.
 
This is The End: Seth Rogan/Jonah Hill/James FRanco vehicle about a bunch of hollywood types trying to survive the Apocalypse. Its fucking awful but thankfully I was drunk so I laughed a couple of times.
 
Cop Car (2015) - thriller with Kevin Bacon as a corrupt small town cop who has to get his patrol car back after a couple of runaway kids steal it. The director seems to have deliberately left characters backstories unexplored which leaves you feeling a bit cold towards them at the end but overall I really enjoyed this.
 
Brooklyn - a simple story lifted by a wonderful performance by Saoirse Ronan. She has to carry the film, being in every scene, and does so with great skill. She communicates so much by shifts of posture, the slightest glance. *swoon*

Jim Broadbent and Julie Walters do their thing to great effect too. A really good film.
 
intruder3.jpg

One of my favourite trashy horrors. Has a few quirky camera angles and a scene involving a meat bandsaw that will curl your toes!
 
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Catch Me Daddy, a recent British thriller about honour killing. The film is well made, beautifully shot and often very tense but it felt exploitative, taking a hot button issue as the launching pad for a semi-horror film without having much to say about the issue. As a thriller it works, but it ends up being a rather depressing film.

The Visit, a low budget found footage horror film by M. Night Shyamalan who has done a fantastic job of running his career into the ground with a string of truly awful films over he last couple of decades. Not getting big budgets from the studios anymore since his last few films have bombed, he's gone back to basics. Surprisingly this is good fun and the best thing he's done since Unbreakable. You have to get over how bloody annoying the two kids who are the protagonists are, but the scary grandparents who are the monsters in this, are rather good villains. There are too many horror films with scary children and I rarely find a scowling tyke scary. This one has scary old people which works far better for me. The film even appears to have a sense of humor, which must be a first for Shyamalan.
 
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"What would you say if I rubbed your nose in the coke!?"

I fucking saw this. Recently. Bastard. Can't remember :D

I've watched The Lobster

Bonkers. Up there with Snowpiercer. People go to a hotel to find a partner within a certain amount of days otherwise they get turned into an animal of their choice. Some escape and live as 'loners' in the woods who get chased as sport by the hotel guests. Olivia Coleman and Colin Farrell star.
 
Children of Dune miniseries from 2000


some of the acting is just appaling but the leads carry it and the story still holds up.
 
I fucking saw this. Recently. Bastard. Can't remember :D

I've watched The Lobster

Bonkers. Up there with Snowpiercer. People go to a hotel to find a partner within a certain amount of days otherwise they get turned into an animal of their choice. Some escape and live as 'loners' in the woods who get chased as sport by the hotel guests. Olivia Coleman and Colin Farrell star.
Is it any good? I loved Snowpiercer.

I watched Kung Fu Panda, hadn't seen it for years, forgot how awesome and funny it is.
 
I love Snowpiercer but hated The Lobster. Batshit as the world of Snowpiercer may be, there is an internal logic to it which ties together. The Lobster is just whimsy overload for the sake of making up crazy shit.
 
I watched Pixars Inside Out, a numbskulls adventure set in the head of an 11 year old girl

visually beatiful as you'd expect and plenty of proper laughs aimed at kids and grown alike. I think the character of Anger lives in my head.

Simple message at the end of the day, sometimes its OK and its right to be Sad. Sometimes those are ties that bind too. Giving way to frantic Joy manically leads to you trying to be all things to all men. I approve of this message and I rate the film higher than Up.
 
Rescue Dawn (2007) - was our now-traditional Werner Herzog film on xmas day this year. Based on the True story of Dieter Dengler, an American pilot crash-landing and captured in Laos at the start of the Vietnam war who escapes from a horrific POW camp and survives a gruelling trek through the Loation jungle. Great acting performances from Christian Bale among others, and it revisits many of Herzog's favourite themes. Beautifully shot, even though much of the subject matter is harrowing.
 
grlf bought me all 'Northern Exposure' on dvd - my fave tv series from '90s. Great to see it again and looking forward to it all again, all 6 series of it.
Have watched the pilot and episodes 1 & 2 so far.
 
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