John Wicks- Keanu Reeves in sad mode for fifteen minutes after his wife dies and the puppy she sends him from her death bed is killed by a load of very nasty Russians. Turns out he is an ex paid killer ( there seems to be quite a few of these about in films either that or retired CIA operatives) and surprisingly seeks revenge. Never mind all that kung fu bollocks this fella must have shot about forty people in the film but its fast paced , got a good twist in some of the action being set in a hotel for hitmen and its got William Defoe in it. If you want mindless fast paced violence then don't bother with re runs of Ashley Barnes against Chelsea and settle down with this.
The Canal - quite decent effective little irish horror with a few genuinely creepy moments. Not a hint of originality - in fact, three scenes are direct steals from the most feted horror films of recent years - but a fair enough time waster. Also is going to be hampered by its terrible terrible cover poster which makes it look like one of those shit 80s horror vids you could hire from the newsagents. Seriously bad choice that may hamper distro deals/sales.
John Wicks- Keanu Reeves in sad mode for fifteen minutes after his wife dies and the puppy she sends him from her death bed is killed by a load of very nasty Russians. Turns out he is an ex paid killer ( there seems to be quite a few of these about in films either that or retired CIA operatives) and surprisingly seeks revenge. Never mind all that kung fu bollocks this fella must have shot about forty people in the film but its fast paced , got a good twist in some of the action being set in a hotel for hitmen and its got William Defoe in it. If you want mindless fast paced violence then don't bother with re runs of Ashley Barnes against Chelsea and settle down with this.
Klute (Alan J. Pakula 1971) Classic 70's psychological thriller. Jane Fonda gives the performance of her career, Donald Sutherland and Roy Scheider are terrific too.
episode 2-4 of Powers. Really starting to kick into gear now.
Last night saw an insane Eddie Izzard literally ripping people into pieces and eating them whole. Michelle Forbes* is Retrogirl and Sharlto Copley is Walker.
Might have to seek out the comics now
*a true sci fi fan fave- Ensign Ro in TNG, Battlestar Galactica, True Blood.
script can be clunky in places and theres that thing where someone cannot do club scenes- should be a thread for that 'worst club scenes on tele or film'.
The thick of it. I wanted to give it a go for a long time So, I'm delighted by Peter Capaldi's character "and all that swearing", but don't get the political background. It must be cultural or something
The thick of it. I wanted to give it a go for a long time So, I'm delighted by Peter Capaldi's character "and all that swearing", but don't get the political background. It must be cultural or something
it's largely a pisstake of the focus-group driven gaffe prone venal idiots and a satire on their disconnect. Knowledge of brit politics does drive some of it but characters drive also. Like a dysfunctional office only this is backroom government. I'd seen Capaldi as Tucker swearing like a pro long before he was the doctor. Must be odd the other way round.
it's largely a pisstake of the focus-group driven gaffe prone venal idiots and a satire on their disconnect. Knowledge of brit politics does drive some of it but characters drive also. Like a dysfunctional office only this is backroom government. I'd seen Capaldi as Tucker swearing like a pro long before he was the doctor. Must be odd the other way round.
Not really odd I would say, but when you're a foreigner there are things you don't get and it's fine What is important is the journey not the destination
Lucy. A film where you look at Scarlet Johansson's face for 60% of the film. I realised this is not a bad thing.
Choi Min Sik (Oldboy) and Morgan Freeman (voice for rent) and Amr (no idea how you say that, he's not a rapper, he's French) provide the lenses for her to magnify.
Luc Besson to the core with a manga tinge, it flies in at 80 odd minutes and is an enjoyable romp. He loves female heroes, music and decent action.
Starts drug-drama then she gets kicked in the stomach and turns into Neo.
So, as I said on the shittiest night club scene thread, last night I watched MASH - the film version, directed by Robert Altman and starring Sutherland and Gould, and Sally Kellerman as the uptight major from the nursing corps.
And it was a bit shit to be honest, even if it had some value as a document of its time. Firstly, there's not even an attempt at providing a semblance of a plot. Then there's the crude sexual politics, which are basically what a 16 year old boy would think real life is like.
The public humiliation of Sally Kellerman's character is something that leaves a bad taste in the mouth today, and would surely have raised eyebrows even then, or at least one would hope so. She turns up later without apparently being permanently pissed off at this experience, and this is never explained - which tells you something about the competence with which this movie was made.
As for that theme song -
well, the moronic 'suicide is painless' line comes from a sequence involving a mock suicide of a dentist who has convinced himself he is gay, and who is provided with a ritualised rebirth and re-heterosexualisation via a blasphemous reenactment of the last supper.
It should be no surprise that the song was written by a teenager - there was only one Bob Dylan son, and you're not him.
So what is it's value as a document of the time? I don't see how you could read any anti-Vietnam protest into this one, unless it's in the ridiculing of the army life. And even though it was set in the Korean war, it also references World War Two. It's not a complete dead loss, but an historical curio more than anything else.
It's really an exercise in wish fulfilment, I think. In real life you wouldn't take the chance of blackmailing a superior officer to get one over on army regulations, and you'd probably be too intimidated by a woman like "Hot Lips" Houlihan to even speak to her (cue loud chorus of "eh, no, Idris, that's just you").
Also scripted by blacklistee Ring Lardner Jr.
Anyway, I suppose that next I'm going to have to watch the films of Catch-22 and Slaughterhouse-5
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.