TheHoodedClaw
acknowledging ur soup leg
Ahem, well, I just watched The Equalizer. It's Denzel doing his everyman-with-depths thing, and it's about as formulaic as expected. Nice use of the contents of a large hardware store though.
Consisting mostly of shots from other films, this documentary discusses the many representations of the city of Los Angeles in film and on television. Professor Thom Andersen compares the city as it exists in real life with its depictions on screen to examine how L.A. and its massive community have been misrepresented over the years. In addition to critical analysis, Andersen explains how directors portray the city itself as a character, and he also delves into L.A.'s dark history.
DotCommunist said:Los Angeles Plays Itself
really good- heres a description
warmed to the narrator when he gets to dissing the Walk of Fame 'None of the blacklisted are here but the blacklisters and the informers are celebrated. It should be called the walk of shame'
fascinating stuff, from architecture to landscape to history character, all played out in the truth and lies of cinema. reccomended
available to stream on vodlocker- 2 n half hours long though, may need a snack break- i didSounds good. Never heard of that before, ta.
Is it the 2014 digitally remastered one or the one from the 90s with no official clearance for the many film clips so pretty grubby and filthy almost unwatchable pirated private vhs taped off the telly footage?available to stream on vodlocker- 2 n half hours long though, may need a snack break- i did
was very clean and watchable- so not the older one I'd assume, crisp and good sound etc, no complaints on that front hereIs it the 2014 digitally remastered one or the one from the 90s with no official clearance for the many film clips so pretty grubby and filthy almost unwatchable pirated private vhs taped off the telly footage?
Def the new one then cheers - might as well grab a copy and actually be able to see what's going on on screen this time.was very clean and watchable- so not the older one I'd assume, crisp and good sound etc, no complaints on that front here
Published yesterday: The Hollywood Blacklist, Revisited - Colin Beckett interviews Thom Andersen (for everyone else, that's the bloke who made the film dc is talking about above)Los Angeles Plays Itself
really good- heres a description
warmed to the narrator when he gets to dissing the Walk of Fame 'None of the blacklisted are here but the blacklisters and the informers are celebrated. It should be called the walk of shame'
fascinating stuff, from architecture to landscape to history character, all played out in the truth and lies of cinema. reccomended
Few have done more to counter this mythology of the blacklist than filmmaker, writer, and teacher Thom Andersen. His 1985 essay “Red Hollywood” was the first in a series of what he would later describe as “fugitive and ephemeral” contributions to blacklist scholarship. Primarily historiographical, the essay is a caustic dissection of the ways commentators have employed the blacklist and its victims. Andersen savages three generations of liberal historians and cultural critics for their refusal to face the true political and aesthetic stakes of the HUAC hearings, and provides a sensitive sketch of the social forces and political goals that animated Communist screenwriters, directors, and actors.
Guernica: Why have so many mythologies about the blacklist lingered when many of their material supports have dropped away or been altered?
Thom Andersen: There’s no one alive today who defends the blacklist except for Richard Schickel [the American journalist and film critic who currently writes forTruthdig]. It’s an example of something I talked about in Los Angeles Plays Itself in relation to L.A. Confidential (1997): “History is written by the victors, but it’s written in crocodile tears.” We have a Malcolm X stamp, a Paul Robeson stamp, a Martin Luther King Jr. holiday. We pay our respects to these people precisely so that we can continue policies which are completely antithetical to what they stood for.
What they share is a kind of rejection of the idea of politics as the art of the possible, which is a great problem of the American left today—that it has decided to devote itself to causes it can win, like gay marriage, bicycle lanes, banning smoking. Thereby turning politics into the art of the trivial, a petit-bourgeois politics, a kind of recycling.
Finished deadwood.
I watched the whole series in one go, it's the only way to do it. Get into all the subplots and character developmentsFinished season 1 of The Shield, i'll be back for more after a quick film or two.