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What DVD / Video did you watch last night? (pt3)

Yes, not sure why this has been delayed so long. I liked the vox pops, especially as many were by the real residents of the town, talking about the real case and they were mixed in with the actors.
 
Vikings series (all 9 eps of it via Lovefilm) - the first series I've ever watched online via package and it worked a treat. Lots of silly running around fighting, not to mention high-on-the-hog overacting, but beautifully photographed filmed and art directed (don't think I've ever seen such a convincingly dark and muddy and cold-looking Dark Ages Europe on screen before) and with more than enough dynamics to keep it interesting. Really nice handling of light throughout. As has become usual in this sort of thing, chock-full of anachronism (orange carrots? in Viking Scandinavia? in that century?) and wish-fulfilment sexxxiness, but also offering unusual nuance in the female roles. And the deeper aspects (pagans vs Christians, cruelty vs kindness etc) are dealt with with surprising restraint.
 
It is isn't it? :)
I might ask if she would like to watch take This Waltz First and then save Magnolia for some point in the future

Just take turns, that's what I used to do with the ex. Your film one night, hers another. It'll mean you'll have to sit through some stuff you would never normally watch, but then you get the odd gem. And vice versa. Save the stuff you know she'll hate for on your own. Sorted.

Another good methods is to pick three films that you want to watch as a shortlist, then let her pick from those. It does mean some films get eternally vetoed, though - I never did get to watch Aguirre, Wrath of God :D
 
Yes, not sure why this has been delayed so long. I liked the vox pops, especially as many were by the real residents of the town, talking about the real case and they were mixed in with the actors.

I think they highlighted for me that without them there was not much solid story. It felt like a lazy solution, though I hear it was his plan to have that as a style from the get go (in the script) and he had to fight to studio to keep them (so what to I know, I'm all for film makers keeping their vision undisrrupted)
 
I think they highlighted for me that without them there was not much solid story. It felt like a lazy solution, though I hear it was his plan to have that as a style from the get go (in the script) and he had to fight to studio to keep them (so what to I know, I'm all for film makers keeping their vision undisrrupted)

For me it was the best thing about the film, because it was about this Texan town and its inhabitants as much as it was about the crime. It even is particular in how this town defines itself in opposition to other places in Texas. You only understand why the case developed the way did because of what the place and the people were like and having the real people of that town in the film was more effective than just having actors play them.

Linklater is a humanist film-maker and he genuinely likes people and that's what all his films are about. He isn't really cut out to make a dark, misanthropic crime pic, this was like the sunny counterpart to Fargo.
 
Watched Hara-kiri: death of a samurai this weekend. Nice piece of film-making, and good to see the samurai trope expanded by focusing more on the less glamorous bits. Probably the least mental Miike film I've seen.
 
Watched Hara-kiri: death of a samurai this weekend. Nice piece of film-making, and good to see the samurai trope expanded by focusing more on the less glamorous bits. Probably the least mental Miike film I've seen.
Have you seen the original? I enjoyed the Miike version but much prefer the first - much more angry.
 
For me it was the best thing about the film, because it was about this Texan town and its inhabitants as much as it was about the crime. You only understand why the case developed the way did because of what the place and the people were like and having the real people of that town in the film was more effective than just having actors play them.

Linklater is a humanist film-maker and he genuinely likes people and that's what all his films are about. He isn't really cut out to make a dark, misanthropic crime pic, this was like the sunny counterpart to Fargo.

Yes, what I was trying (but not making a good job of) was that I could see why they were there and that they were important, but despite it being a good film (and I did enjoy it) I could not help being a little grated by them. It is probably just me, I used to make a lot of TV magazine shows and documentaries and vox pops (not interviews) were always the lazy option of joining something together.

Having just written that I have realized that technically these were not 'vox pops', they might seem like that as they are, by nature, just people being interviewed around town. But they are also interviews of people who knew Bernie.
Maybe it's ok.
 
Just take turns, that's what I used to do with the ex. Your film one night, hers another. It'll mean you'll have to sit through some stuff you would never normally watch, but then you get the odd gem. And vice versa. Save the stuff you know she'll hate for on your own. Sorted.

Another good methods is to pick three films that you want to watch as a shortlist, then let her pick from those. It does mean some films get eternally vetoed, though - I never did get to watch Aguirre, Wrath of God :D

If I followed
pick three films that you want to watch as a shortlist, then let her pick from those
I could well be picking up my P45. Its at an early and tentative phase so I haven't even got the step of sitting down next to her in front of a tele yet never mind inflicting my musical or film taste on her. She text me to say she was having a bottle of rose and watching Coyote ugly and asked what films I liked .Thought it best not get into that area so I said ones with a happy ending ( I assume Coyote Ugly does have a happy ending like The Grey ). I have swerved any discussion about music as well and just nodded in agreement to something about Mary J Bilge.
 
I watched Richard Linklater's true-crime black comedy Bernie which was very good. I was reminded to do so after I just saw his excellent Before Midnight. Bernie just came and went here and in the US despite great reviews.

I watched that last week. I thought Jack Black was particularly good, he came across perfectly - not creepy or overtly camp that I reckon other actors would have probably fallen victim to. When I was watching it I was wondering it was based on actual events (I had never heard of the film, a friend recommended it to me). Loved it how no one missed her but they all said they'd miss Bernie :D

I then tried to watch Skeletons recommended by a few people here. Maybe I was just tired, but I couldn't get into it. 'Different' may be good, but this struck me a bit too pleased with its own quirkiness and it felt very repetitive, more like an overextended one joke short film than a proper feature. I may give this another go when I feel more alert.


It would have worked better as a short film of an hour or so but I still enjoyed it. As I said it's not a brilliant film but what I liked most about it was that it was highly original and there was something quite quaint and endearing about it. It was typically British.
 
I agree that the end was predictable redemption slush but until then it was a bit more shaded and far less hysterical about addiction than many films, especially for a big budget Hollywood film.

I felt that the film would have been much more realistic had he not caved in to the redemptive ending but continued to lie and save his own ass. Like the majority of addicts would. And - it would have more realistically - have to show him dealing with the guilt of slandering an innocent woman for the rest of his life.That would have been more realistic, and less of a cheap cop out. As for the big budget - $38m. Couldn't get any higher funding than that.

Not sure how the script used lazy shorthand in regard to his addiction.

*smashes framed pictures off sideboard before slumping into chair etc. *

I also strongly dislike the whole 'It was jesus' angle from the co-pilot. Felt creepy wierd, like that in religion, he had an addiction to Jesus also. Endlessly banging on about that was very much a misstep.

He is an unrepentant addict for most of the film, but the screenplay never diminishes his heroism and his competence and that's rather unusual.

That I do agree with. His heroism doesn't come from the drinking, but from a totally bizarre happenstance (flying the plane upside down)
 
Watched these over the weekend
Shrooms - never seen it before, didn't like it apart from the talking Irish cow that spoke with an American accent.
Broken City - not bad but a tale of corruption and redemption has been done better before
My Cousin Vinnie - Marisa Tomei makes this movie. Loved it......
Croc--yep it was a load of Croc
Skeletons-Really enjoyed this.
 
Warm Bodies - which I wasn't really wanting to watch but ended up enjoying it. Romeo + Juliet with zombies. Funny enough and the lead, the boy from About A Boy, was good enough...even though he's developed an American accent. The vampires from I Am Legend are now Zombies in this.
 
I felt that the film would have been much more realistic had he not caved in to the redemptive ending but continued to lie and save his own ass. Like the majority of addicts would. And - it would have more realistically - have to show him dealing with the guilt of slandering an innocent woman for the rest of his life.That would have been more realistic, and less of a cheap cop out. As for the big budget - $38m. Couldn't get any higher funding than that.



*smashes framed pictures off sideboard before slumping into chair etc. *

I also strongly dislike the whole 'It was jesus' angle from the co-pilot. Felt creepy wierd, like that in religion, he had an addiction to Jesus also. Endlessly banging on about that was very much a misstep.



That I do agree with. His heroism doesn't come from the drinking, but from a totally bizarre happenstance (flying the plane upside down)

I don't have a problem with his recovery, it just happened much too suddenly, but then we've both already agreed that the very end didn't work. That still left over two hours of flawed if reasonably intriguing film.

When I've lived in the States, I've worked with people like that co-pilot. They take their Christianity very seriously there. The co-pilot wasn't in the film that much though and had his big Jesus scene at the hospital. I would have had a problem if he's supposed to be a sympathetic character, but he isn't.

As to the budget, that's high for a drama that doesn't involve superheroes or Hobbits in Hollywood. It's rare that we get a serious drama on that scale at all now.
 
The Paperboy - A pulp swamp drama with a great cast working their arses off on a sleazy and grim story which just about holds together despite untold plot holes.

....and that jellyfish sting scene is to die for!
 
Stoker - the first english language Chan-wook Park film. Disappointing and obvious, looked very good in parts, but again, in an obvious way.

Wasn't impressed with this at all. As you say, looked good in bits and I could see it was being deliberately mannered or whatever here and there but overall just silly and I din't care about the characters.
 
Darkman (wacthed with my Son) - Silly Sam Raimi comic book fun....but pretty lousy at the same time.

Deadfall - Fargo without the dark humour, wit or charm.
 
Requiem for a Dream. Drugs horror story, visually excellent (if a bit too busy) but it's an exhausting, hard watch. Great acting all round and a great original score too.
 
Darkman (wacthed with my Son) - Silly Sam Raimi comic book fun....but pretty lousy at the same time.

Deadfall - Fargo without the dark humour, wit or charm.

I love Darkman. I think it's still better than most superhero pics that are based on comic books and I far prefer it to Raimi's Spiderman films.
 
Requiem for a Dream. Drugs horror story, visually excellent (if a bit too busy) but it's an exhausting, hard watch. Great acting all round and a great original score too.
I am no fan of Jared Leto, but he was excellent in that.

The book (by Hubert Selby jr.) is welll worth a read too.
 
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