My last film on a plane was a Ricky Gervais one on the way to Bishkek. I was happy that the headphones weren't working and went back to sleep.
My last film on a plane was a Ricky Gervais one on the way to Bishkek. I was happy that the headphones weren't working and went back to sleep.
Was that the lie film one?
That could have been great but just fell into a very tired hollywood formula hole half way though instead of subverting it (which it seemed to be stetting out to do).
Antichrist: confounding and challenging or a load of misogynistic old cobblers? Frankly, I have no idea really but it looked nice and some of the stuff Lars von Trier seemed to be saying about the dehumanising horror of grief and guilt was powerful and interesting. I liked the way it bolted horror tropes (the cabin in the woods, witches, Satan, the cruelty of nature) onto a very raw human story about a couple losing their child.
I really don't see how Dancer in the Dark can be misogynistic, apart from maybe towards all the men who let her down.
I really don't see how Dancer in the Dark can be misogynistic, apart from maybe towards all the men who let her down.
how can one be misogynistic towards men?
Von Trier took great glee in completely obletarating his central female character, who is shown to be nothing but a powerless victim within circumstances that aren't based on any recongnisable reality. She has plenty of opportunities to save herself, but like the idiot she is, she never takes them. Von Trier is like a kid pulling the wings off flies.
While people were suckers for weeping over the ridiculously protracted execution climax, Von Trier was laughing at them. As Von Trier himself said, when confronted about why he keeps victmising his female characters on Radio 4's Film Show: "All women are bitches"
is that based on turn of the screw? i read that at school and it totally spooked me
A marathon: Godfather, and Godfather II. The Godfather remains a gorgeous movie, a timeless classic. And my opinion of II is confirmed: overlong and somewhat tedious. The first appears a labor of love; the second, almost a filler movie.
The DeNiro stuff in 2 is good, the Pacino story less interested.
2 works better in the chronological version shown over here, with added scene and extra DeNiro!