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What do you think of Bob Dylan

Dylan - how do you rate him

  • Excellent

    Votes: 57 44.2%
  • Good

    Votes: 28 21.7%
  • Average

    Votes: 12 9.3%
  • Poor

    Votes: 8 6.2%
  • Shite

    Votes: 24 18.6%

  • Total voters
    129
Never really got Dylan. Even if the lyrics are amazing poetry, the music still has to grab me, and I find most of his music pretty meh.

I will make an exception for the Travelling Wilburys, but they'd have been nothing without Jeff Lynne and George Harrison.
 
Lyrics and poetry are similar but different things really. What makes lyrics good is not the same as what makes poetry good - with lyrics its about how they work with the music and how the singer delivers them - especially the emotional hit of the refrain/chorus. The lyrics to - say - You Really Got Me or Stop! In the name of love make pretty banal poetry but work great as lyrics. Dylans lyrics are poetic - but that doesn't make them poetry.

Having said that I dont see a problem with him getting the award - its about literature in the broadest sense - the creative use of words - wordsmithery if you will. Dylan's songs had a huge impact on popular culture, ushering in a new, expansive, confident and confrontational vernacular within popular song that was quintessentially of the moment.

I think he's a bit of a shit as a person and fuck knows why he still plays live as he's been utterly shit live for over 30 years - coming across exactly like someone who really really cant be arsed to make any sort of effort.
And you'd think he would have learnt to play the harmonica by now as well (people call his harp playing "idiosyncratic" - which is ancient greek for "sucking and blowing the thing like a fucking three year old whose just got one for christmas")

but still - like him or not - he made an indelible mark on popular music - and his lyrics were at the core of that.
 
With Bob Dylan its a bit like Woody Allen. Worthy of respect but needs to have a great new film makers with young credentials follow them.
 
I was late in comprehending the stature of Dylan, and some of you still think of him as your dad’s kind of thing, or your grandfather’s. This is an error. If you have any sense that there is a corpus of rock music that will endure permanently, and that is worthy of continued contemplation and assessment in the same way that Italian opera and the German symphony and Elizabethan theatre are, you ought to understand that Dylan is probably the individual most responsible for this. This is true whether or not you fancy his records: maybe Mozart’s not your cup of tea either.

Colby Cosh: Bob Dylan, a genius who survives long after groovy with-it teachers have come and gone
 
A nicer person, and a better man!

Even Dylan agrees with this.
How's this, for Cohen's recollection of what Dylan once said to him:
“Then Dylan says to me, ‘As far as I’m concerned, Leonard, you’re Number 1. I’m Number Zero.’ Meaning, as I understood it at the time—and I was not ready to dispute it—that his work was beyond measure and my work was pretty good.” ;)
Leonard Cohen Makes It Darker
 
Cohen - like Burroughs - was born with a silver spoon.

Dylan - like Kerouac - wasn't.

Dylan was very creative with his recollections of his background, maybe no silver spoons in the house but perfectly respectable middle class shopkeepers, electronics and home furnishings I think.
But anyway, what is the relevance of this to their respective poetry ?
 
I love Leonard Cohen but no way is he a better lyricist.
there is only one way to listen to Dylan. buy each album from the start to the finish. if you jump in at a random stage, or just stick to best of, he will disappoint.

from the amateurish first album onward, you suddenly will realise what the hype has been about.

I set off on this endeavour yesterday, just finished Nashville Skyline. I'm hesitating to move on to Self Portrait because I've heard it's pretty crap, but I do have a new appreciation for him - those 9 albums between 62 and 69 are all great, an impressive achievement. BUT, there's 28 more albums to go, the majority of which aren't so great... still, I'm going to slog on...
 
I love Leonard Cohen but no way is he a better lyricist.

Their style is different. I can see how good he is after listening to all his earlier albums, but quite a lot of his lyrics I suspect don't really have much meaning other than some entertaining imagery. (e.g. "leopard skin pill-box hat", and the entirety of Changing of the Guards, a song I really love listening to the lyrics of but which defies analysis because everything is quite random) Dylan certainly comes up with lyrics a lot faster than Cohen who can take years painstakingly working on his lyrics, but I think the difference in method shows. All of Cohen's lyrics have a clearer intention and can be analysed for meaning. A lot of Dylan's stuff can too, but a lot of the time finding the "true meaning" is a fruitless exercise.

I'd say Dylan is probably a more naturally gifted lyricist, but he can be lazy and complacent sometimes. Cohen works a lot harder at his writing and the results are consequently more coherent and consistent.
 
I set off on this endeavour yesterday, just finished Nashville Skyline. I'm hesitating to move on to Self Portrait because I've heard it's pretty crap, but I do have a new appreciation for him - those 9 albums between 62 and 69 are all great, an impressive achievement. BUT, there's 28 more albums to go, the majority of which aren't so great... still, I'm going to slog on...
I'm listening to Self-Portrait now, for the first time ever, and it's a lot better than I expected. It's definitely very different from what made him famous, but it's still Dylan.
 
So talented that I actually think something is "wrong" with him. Easily the most talented rock singer since..well, forever.
For sure demanding on the attention span, but no doubt about it, a genius.
I

No doubt in my mind. Its not about poetry, either. He's genius is his diction, tone, phrasing, impersonation. Its more like acting. . A genius. And nothing to do with poetry.
 
Lyrics and poetry are similar but different things really. What makes lyrics good is not the same as what makes poetry good - with lyrics its about how they work with the music and how the singer delivers them - especially the emotional hit of the refrain/chorus. The lyrics to - say - You Really Got Me or Stop! In the name of love make pretty banal poetry but work great as lyrics. Dylans lyrics are poetic - but that doesn't make them poetry.

Having said that I dont see a problem with him getting the award - its about literature in the broadest sense - the creative use of words - wordsmithery if you will. Dylan's songs had a huge impact on popular culture, ushering in a new, expansive, confident and confrontational vernacular within popular song that was quintessentially of the moment.

I think he's a bit of a shit as a person and fuck knows why he still plays live as he's been utterly shit live for over 30 years - coming across exactly like someone who really really cant be arsed to make any sort of effort.
And you'd think he would have learnt to play the harmonica by now as well (people call his harp playing "idiosyncratic" - which is ancient greek for "sucking and blowing the thing like a fucking three year old whose just got one for christmas")

but still - like him or not - he made an indelible mark on popular music - and his lyrics were at the core of that.
The first paragraph says better what I was trying to say above.
 
I'm listening to Self-Portrait now, for the first time ever, and it's a lot better than I expected. It's definitely very different from what made him famous, but it's still Dylan.
Christ Idris it is shit, just terrible. What is worth listening to is Another Self Portrait: Bootleg Series Vol. 10, which is a bunch on unreleased stuff he recorded around that same time which is just great. I actually buy the theory that he purposely released something shit, nobody could pick the Self Portrait shit over the unreleased work.

Anyone heard the latest?
 
[QUOTE="redsquirrel, post: 15006208, member: 6084]Anyone heard the latest?[/QUOTE]
I've listened to the first two cd's. And it is perfectly entertaining, a couple of nice versions on there. Doubt I'll play it much more often tho
 
Copper Kettle is good,btw. A couple of other tracks aren't unbearable. But I do generally agree it's a 'dump annoying fans' thing, tho
 
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