but both were prompted by the film coming out this weekend. One to avoid for the likes of me, and for the purists who think biopics should stick to the facts and refrain from using artistic license - the ‘Judas!’ occurrence happens at Newport rather Manchester and Pete Seeger literally uses an axe to cut him off.I mean coincidentally with your post
Bob Dylan was cack when I saw him perform at Wembley Stadium in 1984. Yet most of the people there seemed to think he was great. I suppose that is what it must be like to be at a political rally in North Korea.I listen to some Bob every day, there is so much of it, it's impossible to tire of him and I go through phases of listening to the same song or album on repeat as I cannot get enough of it. I love his voice, the intonation, the delivery, the phrasing, the words, the whole package really.
There are very few covers of his songs that I can get through, I hated The Byrds especially for turning great songs into wishy washy plinky plonk tunes. Most of the artists who try just cannot compete with his delivery PJ Harvey's cover of Highway 61 revisited is probably one of the most bearable cover, obviously it's not a patch on Bob's version but she gives it a good go.
Kudos to Jenny Lewis as I love her version of standing in the doorway but that's a later song and easier to cover than his earlier stuff I would imagine.
I wish I'd been around in the 60s to have seen him live. I saw him 2008ish and it was cack really, me and the other half were kind of playing name that tune and Bob was usually half way through a song before we could work out what it was.
There was a series on the career of Bob Dylan on Radio 4 a few years ago, and no mention at all was made of this song, in which he explicitly announces that he was no longer committed to left-wing politics and protest songs. "Going electric" was described as being seen as a betrayal. There was no mention of the fact that "going electric" was not just "going electric" but was a repudiation of protest songs.My Back Pages
Crimson flames tied through my ears
Rollin’ high and mighty traps
Pounced with fire on flaming roads
Using ideas as my maps
“We’ll meet on edges, soon,” said I
Proud ’neath heated brow
Ah, but I was so much older then
I’m younger than that now
Half-wracked prejudice leaped forth
“Rip down all hate,” I screamed
Lies that life is black and white
Spoke from my skull. I dreamed
Romantic facts of musketeers
Foundationed deep, somehow
Ah, but I was so much older then
I’m younger than that now
Girls’ faces formed the forward path
From phony jealousy
To memorizing politics
Of ancient history
Flung down by corpse evangelists
Unthought of, though, somehow
Ah, but I was so much older then
I’m younger than that now
A self-ordained professor’s tongue
Too serious to fool
Spouted out that liberty
Is just equality in school
“Equality,” I spoke the word
As if a wedding vow
Ah, but I was so much older then
I’m younger than that now
In a soldier’s stance, I aimed my hand
At the mongrel dogs who teach
Fearing not that I’d become my enemy
In the instant that I preach
My pathway led by confusion boats
Mutiny from stern to bow
Ah, but I was so much older then
I’m younger than that now
Yes, my guard stood hard when abstract threats
Too noble to neglect
Deceived me into thinking
I had something to protect
Good and bad, I define these terms
Quite clear, no doubt, somehow
Ah, but I was so much older then
I’m younger than that now
Apocryphal according to Wikipediaand Pete Seeger literally uses an axe to cut him off.
The First Cut is the Deepest too I think. Great song.Cat Stevens wrote some stunners. Father and son. Where do the children play. Matthew and Son. My lady D'arbanville. Wild world. Oh Caritas. Und viel anderen.
Speak for yourself re 'some tunes you recognise'. This was the music of my youth. (Dismounts high horse. )
yes, that's why I said it's one to avoid for the truth purists. He wasn't in Newport when an audience member yelled Judas at him either - he wasn't even in the same country!Apocryphal according to Wikipedia
Oh OK - but in the film Seager doesn't chop the wires with an axe - he is just tempted to and his wife stops him.yes, that's why I said it's one to avoid for the truth purists. He wasn't in Newport when an audience member yelled Judas at him either - he wasn't even in the same country!
Ah ok, i misunderstood a review then.Oh OK - but in the film Seager doesn't chop the wires with an axe - he is just tempted to and his wife stops him.
Well, that he did not use the axe - that is the original story.Oh OK - but in the film Seager doesn't chop the wires with an axe - he is just tempted to and his wife stops him.