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If there wasn't those '80% reissues' keeping pressing plants afloat there'd be even longer waits.there'd be plenty of capacity for pressing new stuff if the market wasn't 80% reissues mind
If there wasn't those '80% reissues' keeping pressing plants afloat there'd be even longer waits.there'd be plenty of capacity for pressing new stuff if the market wasn't 80% reissues mind
I'm afraid you have this the wrong way round. If the independents hadn't kept the pressing plants afloat during the vinyl wilderness years, there would be no pressing plants left for the majors to repress their albums at all.If there wasn't those '80% reissues' keeping pressing plants afloat there'd be even longer waits.
Whatever you say. You really do have a strange chip on your shoulder about vinyl production. It's almost like you have to keep sneering at anyone over a certain age group who choses to buy an album that isn't the latest thing.I'm afraid you have this the wrong way round. If the independents hadn't kept the pressing plants afloat during the vinyl wilderness years, there would be no pressing plants left for the majors to repress their albums at all.
What are you talking about? I buy music on vinyl every monthWhatever you say. You really do have a strange chip on your shoulder about vinyl production. It's almost like you have to keep sneering at anyone over a certain age group who choses to buy an album that isn't the latest thing.
I'd be grateful if you could provide a quote from me where I, "dismiss the problems the massive increase in major label reissues causes for small bands & labels."I'm not sneering, but I think it's a bit weird the way you dismiss the problems the massive increase in major label reissues causes for small bands & labels. I know bands who've had to set off on tour to promote their new LP without copies of the LP to sell because of pressing plant delays, small labels who are facing significant cashflow problems right now because the pressing plant has bumped their order down the list and their latest release won't be ready till January. I'll raise these problems every time there's a conversation about the vinyl revival because they're still live problems which aren't going away. If that's a chip on my shoulder, so be it.
It's not always nostalgia. Kids at gigs buy vinyl because it offers something more tangible than a few MBs of hard drive space with a song title. It comes with artwork. It's something to play, or stick n your wall, or read, or whatever, and it's something you can almost always sell later, if you want.It's just nostalgia isn't it. I'm not knocking anyone for that because I'm as prone to it as the next person but these articles tend to have an underlying assumption that there's something obviously positive about vinyl beyond that, and tbh there's not much more to buying a copy of Rumours on vinyl than there is to buying a retro style teapot afaics.
here?I'd be grateful if you could provide a quote from me where I, "dismiss the problems the massive increase in major label reissues causes for small bands & labels."
Because I never fucking said that. Ever.
If there wasn't those '80% reissues' keeping pressing plants afloat there'd be even longer waits.
If there wasn't those '80% reissues' keeping pressing plants afloat there'd be even longer waits.
That's a statement of what I believe to be a fact. Even with Olympic twisting it won't fit your narrative.,here?
Nope. I just stated an opinion that the continuous demand for 'old fart music' has provided the volume sales to keep pressing plants profitable. I can't see how that's a remotely contentious thing to say.You imply here that indie labels owe a debt to the old fart music clogging up that chart you posted.
It's not always nostalgia. Kids at gigs buy vinyl because it offers something more tangible than a few MBs of hard drive space with a song title. It comes with artwork. It's something to play, or stick n your wall, or read, or whatever, and it's something you can almost always sell later, if you want.
Nope. I just stated an opinion that the continuous demand for 'old fart music' has provided the volume sales to keep pressing plants profitable. I can't see how that's a remotely contentious thing to say.
Good job no one was talking about a 'vibrant music industry. 'I’m going go way out on a limb and say that relying on repackages of Rumours is not the sign of a vibrant music industry.
Why don't you ask them? But there's been high end vinyl repressing (with all that heavyweight vinyl bollocks) going on for a very long time. Why do you think those high end turntable manufacturers haven't stopped introducing new models?But how did they survive before the recent boom in 30 quid represses of boomer music then?
Hard drive space? Get with the 21st century GrandadIt's not always nostalgia. Kids at gigs buy vinyl because it offers something more tangible than a few MBs of hard drive space with a song title.
Why don't you ask them? But there's been high end vinyl repressing (with all that heavyweight vinyl bollocks) going on for a very long time. Why do you think those high end turntable manufacturers haven't stopped introducing new models?
Don't kids have computers at home any more?Hard drive space? Get with the 21st century Grandad
Why don't you answer my question? How come new turntables have continued to be released from what was supposed to be the 'end of vinyl'? You don't think those people buying those expensive items wouldn't be buying any new records? Pick a copy of What Hi-Fi/Record Collector or whatever from any time in the last thirty years and you'll see there was plenty of new vinyl being released.Well we were discussing your opinion, so I was interested in what that was grounded in. Clearly not much, so let’s move on.
AgreeI don’t buy new vinyl any more but if that’s what people want to spend their money on that is ok I guess. I think people need to get over the idea that vinyl is the best and most authentic format for music though and recognise that it is a petrochemical product wrapped in a dead tree.
I mind, I find it obscene when people have money to waste like thatSimilarly I don’t mind if people pay thousands of pounds for some workstation wheels made by Apple, which was the subject of a proper moralising thread on here recently.
Not that they use for storing music on hard drives, not really, no. Everything is streamed. It’s only us old duffers who still have lovingly filed folders full of mp3’s.Don't kids have computers at home any more?
Young djs doNot that they use for storing music on hard drives, not really, no. Everything is streamed. It’s only us old duffers who still have lovingly filed folders full of mp3’s.