Definitely. Must admit, I never really got Robert Johnson and the whole myth that built up around him is pretty naff. And without having a dig at anybody on this thread (I'm a blues fan too) the way the original delta blues has been frozen in time and essentialised is equally naff.I think I rate Son House higher than Robert Johnson...
Hard to find a good version of this one on youtube, but this will do
Radio 2 celebrates the life and music of the original hobo, David "Honeyboy" Edwards, whose death a year ago, severed a vital link to the music, memories and imagination that infuses all blues music.
American based music journalist and broadcaster Gianluca Tramontana conjures the "Wild and tangled forests, the broad, unhasting river flows, somewhere 'twixt Memphis and Tupelo", to the heart and home of Honeyboy.
Honeyboy Edwards was among the first generation of pre-war Mississippi blues musicians that rambled the countryside playing juke joints, picnics, house parties: anywhere music was needed.
He knew the first blues musicians to be recorded, such as Charlie Patton, and travelled with the founding fathers of blues music including Robert Johnson.
Honeyboy was one of hundreds of thousands teenagers hopping freight trains during the Great Depression. He travelled in search of work - to play music, but his weakness for gambling, wine and women often got him into trouble.
After the war he settled in Chicago where his reputation as the greatest country blues musician took hold.
Honeyboy's recent death marks the end of an era, that lives in the hearts of music lovers around the world. His life story is mostly untold, but it's a crucial slice of American history that has been in the shadows.
Tramontana hobos across the country - taking in Chicago, New York, Mississippi and the National Hobo Convention in Iowa - to understand the world and ways of a different type of American hero.
John Lee Hooker backed by Canned Heat. Fucking great.
Probably the best of the British bands of the 1960's (along with the early Yardbirds and Peter Green's Fleetwood Mac). The only ones who were as inventive as the old blues guys:
Not forgetting the man who gave a lot them their apprenticeship (a porbably the best 60 Brit blues album)-
Ther's one more brit you forgot Alexis KornerYeah, I knew I'd forgotten John Mayal as soon as I hit "Post Reply". But at the same time I'm not that keen on John Mayal - I think he played it too straight. I like British blues which sound British, that do something with the genre.
In an attempt to make Muddy more sellable to his newly found white audience, Chess lumbered him with Hendrix-influenced psychedelic blues arrangements for Electric Mud. Commercially, actually, the results weren't bad; Marshall Chess claims it sold between 150,000 and 200,000 copies. Musically, it was as ill-advised as putting Dustin Hoffman into a Star Wars epic.
Guitarists Pete Cosey and Phil Upchurch are very talented players, but Muddy's brand of down-home electric blues suffered greatly at the hands of extended fuzzy solos. Muddy and band overhaul classics like "I Just Want to Make Love to You" and "Hoochie Coochie Man," and do a ludicrous cover of "Let's Spend the Night Together"; wah-wah guitars and occasional wailing soprano sax bounce around like loose basketballs. It's a classically wrongheaded, crass update of the blues for a modern audience. The 1996 CD reissue adds interesting historical liner notes.