Jennaonthebeach
What would Picard do?
That's true of any age.If you look at the music which occupied the charts, a great many people were listening to utter bilge
That's true of any age.If you look at the music which occupied the charts, a great many people were listening to utter bilge
I have a feeling that’s true. My family are from around Glasgow, a port city that a lot of jazz, blues, and other music was imported into. From what I’ve seen and read, despite them being “American imports”, the same records were not well distributed to white audiences in the US.Maybe it's a cultural difference. I grew up in the US.
Very much so. But pretty much every view of what people were listening to particularly in the sixties is seen through such rose-tinted specs that it's often forgotten. Spend a few days listening to the number ones of the sixties and seventies and people were buying utter dross while bands like the beatles, the animals, stones, jhe, cream and small faces - not to mention singers like elvis presley - were going.That's true of any age.
i couldn't agree with you more.Very much so. But pretty much every view of what people were listening to particularly in the sixties is seen through such rose-tinted specs that it's often forgotten
Well that would explain it. The history books make the claim that increasingly the majority of interest in blues, jazz, etc, in the late 50s, early 60s, came from Europe and it was only with the success of Europeans emulating American music forms, particularly the "British invasion", that those forms became mainstream again (if they ever had been mainstream in the US that is) from the mid 60s onwards.Maybe it's a cultural difference. I grew up in the US.
Different band so different rules but easily the best Stones LP by a country mileLet it bleed a superior title and better album
Just like nowadays.If you look at the music which occupied the charts, a great many people were listening to utter bilge
I think that, due to the haphazard way the musical cultural exchange took place btw UK and US, the “imitations” for want of a better word always led to something beautifully mutated that kept on going for many years.Well that would explain it. The history books make the claim that increasingly the majority of interest in blues, jazz, etc, in the late 50s, early 60s, came from Europe and it was only with the success of Europeans emulating American music forms, particularly the "British invasion", that those forms became mainstream again (if they ever had been mainstream in the US that is) from the mid 60s onwards.
Pickman’s isn’t meant to be agreed with.i couldn't agree with you more.
In the UK it was Victorian/Edwardiana but the US was pioneer cowboy stuff hence Grateful Dead. I found the UK stuff (apart from the extreme twee bits) much more interesting.Yup. A big part of psychedelia is that nostalgia thing. Nostalgia for old music forms, nostalgia for childhood themes, nursery rhymes, nostalgia for a probably mythical innocence. All used as a contrast to modernity and knowing cynicism.
There is a Stones thread. But I remain unconvinced by their psychedelic period, and feel they regained their mojo from Let It Bleed to early 70s. Their height, in my opinion, pretty much corresponds to the Mick Taylor period, give or take. But they didn’t ever really manage a coherent album in the same way as Rubber Soul, say. Not that this diminishes their worth. Get Yer Ya Yas Out (by far my favourite album of theirs) demonstrates their strength was probably live.Different band so different rules but easily the best Stones LP by a country mile
Well, they did start completely as imitations. Kids with their guitars (usually) were copying records note for note and trying to back engineer any sort of American guitar music they could get hold of. But as you say, it became a much more complex process in a very short amount of time, perhaps because of cultural differences, or limitations in musicianship, etc.I think that, due to the haphazard way the musical cultural exchange took place btw UK and US, the “imitations” for want of a better word always led to something beautifully mutated that kept on going for many years.
not evenly. Many bands of that era were definitely singing about their parents' generation.In the UK it was Victorian/Edwardiana but the US was pioneer cowboy stuff hence Grateful Dead. I found the UK stuff (apart from the extreme twee bits) much more interesting.
Their Satanic Majesties Request was a mess. I’ve got it on now to remind me.There is a Stones thread. But I remain unconvinced by their psychedelic period, and feel they regained their mojo from Let It Bleed to early 70s. Their height, in my opinion, pretty much corresponds to Mick Taylor period, give or take. But they didn’t ever really manage a coherent album in the same way as Rubber Soul, say. Not that this diminishes their worth. Get Yer Ya Yas Out (by far my favourite album of theirs) demonstrates their strength was probably live.
They were always following what the fabs did and flawed, though Satanic Majesties is, it’s still a good album. Their shoddiness live around 1969 is appalling at times but Altamont (despite what went on) remains a very tight performance- probably down to Mick Taylor.There is a Stones thread. But I remain unconvinced by their psychedelic period, and feel they regained their mojo from Let It Bleed to early 70s. Their height, in my opinion, pretty much corresponds to Mick Taylor period, give or take. But they didn’t ever really manage a coherent album in the same way as Rubber Soul, say. Not that this diminishes their worth. Get Yer Ya Yas Out (by far my favourite album of theirs) demonstrates their strength was probably live.
Shut him up though, didn't it?Pickman’s isn’t meant to be agreed with.
Not sure the relative merits of Beatles vs Stones is his strong point tbhShut him up though, didn't it?
that wouldn't stop him!Not sure the relative merits of Beatles vs Stones is his strong point tbh
I've never listened to any beatles album while tripping, you'd lose the nuances
Last time i did that i was covered in newsprint.You have to take LSD for sgt peppers otherwise you're missing out on a ride in a newspaper taxi.
Getting off the bus and going home is what shut me up, tbhShut him up though, didn't it?
If you look at the music which occupied the charts, a great many people were listening to utter bilge
I am intrigued by what Lennon might have done hadn’t he been killed.
I'm not, because if there's anything more tedious than 'Imagine', I don't want to know.
Not sure when that was, but it was his work with Ono that was interesting not his other stuffI'm not, because if there's anything more tedious than 'Imagine', I don't want to know.
I’ve not heard it. This is the “Esher Tapes”, right?The new Super Deluxe version of The White Album has been an absolute revelation to me for the earlier versions of songs on it
I think soI’ve not heard it. This is the “Esher Tapes”, right?