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RIP David Bowie

Yes it was oryx :)

I wrote this on my Twatbook page, about this song:



The years immediately following my mum's death were the worst and most frightening times of my life, the loneliest and the darkest. My head was in chaos, I thought I was going mad. I used to listen to this album loads on the way to school and back, trying to keep it together, and this song in particular was like a hand reaching out to me. In all its overblownness, it was like somebody showing me that it was okay to have fifty different emotions rocketing around your brain at once, that you could still feel sorrowful AND hopeful, that it would be alright.
 
Was also utterly transfixed by this song, in a brilliantly teenage way - even covered my schoolbooks with the lyrics :D (yes, I know it's not one of his, but what a performance)

 
I think that Bowie's importance lies in the fact that he represented the idea of music as an art form. Before Bowie no one had really done this so explicitly. Music has always been an art form of course but Bowie was the first to make this explicit - the connection between music and art. Other bands followed in this vein - the attempt to make the whole image an art form, both music and look eg Japan, Spandau Ballet, Gary Numan
 
i am definitely a bigger fan of Carlos Alomar than Mick Ronson. Wow, what a talent.

Your prerogative - but its worth pointing out that ronson did all the fantastic arrangements and wrote the piano parts for hunky dory and Ziggy - I suspect hes responsible for co-writing the songs - the amazing chords progressions and key changes. Bowie post ronson become melodically and song structure wise much simpler - check out the sheet music for life on mars or changes or Bewlay brothers.
Ronson was a huge and underrated talent IMO - and at 50% responsible for a big chunk of bowies greatest work.
And his guitar playing is sublime - the solo on the live version of moonage daydream is just wondeful..
 
The shrine in Brixton is still proving a draw.

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David Bowie Brixton Mural shrine: five days
 
I think the Bowie mural will always be a kind of shrine or place of pilgrimage now. Music fans from all over the world will visit here if they're in Town, I reckon. It's not like it's hard to get to or hard to find, eh. Stansfield Road just around the corner, and an easy step to the Free Festival bandstand in Beckenham (they've been trying to renovate it for a while now), even the Starman lightbox on the stairs in Morley's, .... These will all be stages on a journey for some people from now on.
 
Went past the mural again this morning. There's still a considerable international-looking (and sounding) crowd there. It looks set to become a tourist attraction, a bit like the John Lennon wall in Prague, I reckon.

One small caveat. I notice next to the mural is a huge advert for Iman (a perfume?), which I presume is his wife's product. Can anyone remember if it was up before his death? If it's gone up this week, it's another reminder how - in the words of the maestro - "Low" corporate capitalism is prepared to sink. :(
 
Your prerogative - but its worth pointing out that ronson did all the fantastic arrangements and wrote the piano parts for hunky dory and Ziggy - I suspect hes responsible for co-writing the songs - the amazing chords progressions and key changes. Bowie post ronson become melodically and song structure wise much simpler - check out the sheet music for life on mars or changes or Bewlay brothers.
Ronson was a huge and underrated talent IMO - and at 50% responsible for a big chunk of bowies greatest work.
And his guitar playing is sublime - the solo on the live version of moonage daydream is just wondeful..

To quote Mick Rock on Ronson: "It's like having Stravinsky in your band."
 
I have listened to an album a day in the gym. Tonight in the car I capped it with Peter and the wolf. He sounded very dignified and like he was really enjoying it :thumbs:
 
i just love how one of Bowie's images was 'the 80's yuppy.' So clever

Do you mean the "Let's Dance" era Bowie? I thought that was done sincerely - that he in fact felt ashamed of that period for a while and disowned it - before embracing it again later after the music went through a deserved reappraisal.
 
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