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*Poem of the day thread

MightyAphrodite said:
For Little MsAphro Jr tonight...since i certainly cant read this to her :oops:

the boys i mean are not refined
they go with girls who buck and bite
they do not give a fuck for luck
they hump them thirteen times a night

one hangs a hat upon her tit
one carves a cross on her behind
they do not give a shit for wit
the boys i mean are not refined

they come with girls who bite and buck
who cannot read and cannot write
who laugh like they would fall apart
and masturbate with dynamite

the boys i mean are not refined
they cannot chat of that and this
they do not give a fart for art
they kill like you would take a piss

they speak whatever's on their mind
they do whatever's in their pants
the boys i mean are not refined
they shake the mountains when they dance

Never heard that one before.
 
Sex Without Love


How do they do it, the ones who make love
without love? Beautiful as dancers,
gliding over each other like ice-skaters
over the ice, fingers hooked
inside each other's bodies, faces
red as steak, wine, wet as the
children at birth whose mothers are going to
give them away. How do they come to the
come to the come to the God come to the
still waters, and not love
the one who came there with them, light
rising slowly as steam off their joined
skin? These are the true religious,
the purists, the pros, the ones who will not
accept a false Messiah, love the
priest instead of the God. They do not
mistake the lover for their own pleasure,
they are like great runners: they know they are alone
with the road surface, the cold, the wind,
the fit of their shoes, their over-all cardio-
vascular health--just factors, like the partner
in the bed, and not the truth, which is the
single body alone in the universe
against its own best time.


Sharon Olds
 
The Dream - George Gordon Byron, Lord Byron

I

Our life is twofold; Sleep hath its own world,
A boundary between the things misnamed
Death and existence: Sleep hath its own world,
And a wide realm of wild reality,
And dreams in their development have breath,
And tears, and tortures, and the touch of joy;
They leave a weight upon our waking thoughts,
They take a weight from off waking toils,
They do divide our being; they become
A portion of ourselves as of our time,
And look like heralds of eternity;
They pass like spirits of the past -they speak
Like sibyls of the future; they have power -
The tyranny of pleasure and of pain;
They make us what we were not -what they will,
And shake us with the vision that's gone by,
The dread of vanished shadows -Are they so?
Is not the past all shadow? -What are they?
Creations of the mind? -The mind can make
Substances, and people planets of its own
With beings brighter than have been, and give
A breath to forms which can outlive all flesh.
I would recall a vision which I dreamed
Perchance in sleep -for in itself a thought,
A slumbering thought, is capable of years,
And curdles a long life into one hour.

II

I saw two beings in the hues of youth
Standing upon a hill, a gentle hill,
Green and of mild declivity, the last
As 'twere the cape of a long ridge of such,
Save that there was no sea to lave its base,
But a most living landscape, and the wave
Of woods and corn-fields, and the abodes of men
Scattered at intervals, and wreathing smoke
Arising from such rustic roofs: the hill
Was crowned with a peculiar diadem
Of trees, in circular array, so fixed,
Not by the sport of nature, but of man:
These two, a maiden and a youth, were there
Gazing -the one on all that was beneath
Fair as herself -but the boy gazed on her;
And both were young, and one was beautiful:
And both were young -yet not alike in youth.
As the sweet moon on the horizon's verge,
The maid was on the eve of womanhood;
The boy had fewer summers, but his heart
Had far outgrown his years, and to his eye
There was but one beloved face on earth,
And that was shining on him; he had looked
Upon it till it could not pass away;
He had no breath, no being, but in hers:
She was his voice; he did not speak to her,
But trembled on her words; she was his sight,
For his eye followed hers, and saw with hers,
Which coloured all his objects; -he had ceased
To live within himself: she was his life,
The ocean to the river of his thoughts,
Which terminated all; upon a tone,
A touch of hers, his blood would ebb and flow,
And his cheek change tempestuously -his heart
Unknowing of its cause of agony.
But she in these fond feelings had no share:
Her sighs were not for him; to her he was
Even as a brother -but no more; 'twas much,
For brotherless she was, save in the name
Her infant friendship had bestowed on him;
Herself the solitary scion left
Of a time-honoured race. -It was a name
Which pleased him, and yet pleased him not -and why?
Time taught him a deep answer -when she loved
Another; even now she loved another,
And on the summit of that hill she stood
Looking afar if yet her lover's steed
Kept pace with her expectancy, and flew.

III

A change came o'er the spirit of my dream.
There was an ancient mansion, and before
Its walls there was a steed caparisoned:
Within an antique Oratory stood
The Boy of whom I spake; -he was alone,
And pale, and pacing to and fro: anon
He sate him down, and seized a pen, and traced
Words which I could not guess of; then he leaned
His bowed head on his hands and shook, as 'twere
With a convulsion -then rose again,
And with his teeth and quivering hands did tear
What he had written, but he shed no tears.
And he did calm himself, and fix his brow
Into a kind of quiet: as he paused,
The Lady of his love re-entered there;
She was serene and smiling then, and yet
She knew she was by him beloved; she knew -
For quickly comes such knowledge -that his heart
Was darkened with her shadow, and she saw
That he was wretched, but she saw not all.
He rose, and with a cold and gentle grasp
He took her hand; a moment o'er his face
A tablet of unutterable thoughts
Was traced, and then it faded, as it came;
He dropped the hand he held, and with slow steps
Retired, but not as bidding her adieu,
For they did part with mutual smiles; he passed
From out the massy gate of that old Hall,
And mounting on his steed he went his way;
And ne'er repassed that hoary threshold more.

IV

A change came o'er the spirit of my dream.
The Boy was sprung to manhood: in the wilds
Of fiery climes he made himself a home,
And his Soul drank their sunbeams; he was girt
With strange and dusky aspects; he was not
Himself like what he had been; on the sea
And on the shore he was a wanderer;
There was a mass of many images
Crowded like waves upon me, but he was
A part of all; and in the last he lay
Reposing from the noontide sultriness,
Couched among fallen columns, in the shade
Of ruined walls that had survived the names
Of those who reared them; by his sleeping side
Stood camels grazing, and some goodly steeds
Were fastened near a fountain; and a man,
Glad in a flowing garb, did watch the while,
While many of his tribe slumbered around:
And they were canopied by the blue sky,
So cloudless, clear, and purely beautiful,
That God alone was to be seen in heaven.

V

A change came o'er the spirit of my dream.
The Lady of his love was wed with One
Who did not love her better: in her home,
A thousand leagues from his, -her native home,
She dwelt, begirt with growing Infancy,
Daughters and sons of Beauty, -but behold!
Upon her face there was a tint of grief,
The settled shadow of an inward strife,
And an unquiet drooping of the eye,
As if its lid were charged with unshed tears.
What could her grief be? -she had all she loved,
And he who had so loved her was not there
To trouble with bad hopes, or evil wish,
Or ill-repressed affliction, her pure thoughts.
What could her grief be? -she had loved him not,
Nor given him cause to deem himself beloved,
Nor could he be a part of that which preyed
Upon her mind -a spectre of the past.

VI

A change came o'er the spirit of my dream.
The Wanderer was returned. -I saw him stand
Before an altar -with a gentle bride;
Her face was fair, but was not that which made
The Starlight of his Boyhood; -as he stood
Even at the altar, o'er his brow there came
The selfsame aspect and the quivering shock
That in the antique Oratory shook
His bosom in its solitude; and then -
As in that hour -a moment o'er his face
The tablet of unutterable thoughts
Was traced -and then it faded as it came,
And he stood calm and quiet, and he spoke
The fitting vows, but heard not his own words,
And all things reeled around him; he could see
Not that which was, nor that which should have been -
But the old mansion, and the accustomed hall,
And the remembered chambers, and the place,
The day, the hour, the sunshine, and the shade,
All things pertaining to that place and hour,
And her who was his destiny, came back
And thrust themselves between him and the light;
What business had they there at such a time?

VII

A change came o'er the spirit of my dream.
The Lady of his love; -Oh! she was changed,
As by the sickness of the soul; her mind
Had wandered from its dwelling, and her eyes,
They had not their own lustre, but the look
Which is not of the earth; she was become
The queen of a fantastic realm; her thoughts
Were combinations of disjointed things;
And forms impalpable and unperceived
Of others' sight familiar were to hers.
And this the world calls frenzy; but the wise
Have a far deeper madness, and the glance
Of melancholy is a fearful gift;
What is it but the telescope of truth?
Which strips the distance of its fantasies,
And brings life near in utter nakedness,
Making the cold reality too real!

VIII

A change came o'er the spirit of my dream.
The Wanderer was alone as heretofore,
The beings which surrounded him were gone,
Or were at war with him; he was a mark
For blight and desolation, compassed round
With Hatred and Contention; Pain was mixed
In all which was served up to him, until,
Like to the Pontic monarch of old days,
He fed on poisons, and they had no power,
But were a kind of nutriment; he lived
Through that which had been death to many men,
And made him friends of mountains; with the stars
And the quick Spirit of the Universe
He held his dialogues: and they did teach
To him the magic of their mysteries;
To him the book of Night was opened wide,
And voices from the deep abyss revealed
A marvel and a secret. -Be it so.

IX

My dream is past; it had no further change.
It was of a strange order, that the doom
Of these two creatures should be thus traced out
Almost like a reality -the one
To end in madness -both in misery.
 
Orwell

I only know of two poems Orwell wrote, this is one of them

ROMANCE

When I was young and had no sense
In far-off Mandalay
I lost my heart to a Burmese girl
As lovely as the day.

Her skin was gold, her hair was jet,
Her teeth were ivory;
I said ‘For twenty silver pieces,
Maiden, sleep with me.’

She looked at me, so pure, so sad,
The loveliest thing alive,
And in her lisping, virgin voice,
Stood out for twenty-five​
 
2 little whos

2 little whos
(he and she)
under are this
wonderful tree

smiling stand
(all realms of where
and when beyond)
now and here

(far from a grown
-up i&you-
ful world of known)
who and who

(2 little ams
and over them this
aflame with dreams
incredible is)
 
The Guy in the Glass

by Dale Wimbrow, (c) 1934



When you get what you want in your struggle for pelf,

And the world makes you King for a day,

Then go to the mirror and look at yourself,

And see what that guy has to say.



For it isn't your Father, or Mother, or Wife,

Who judgement upon you must pass.

The feller whose verdict counts most in your life

Is the guy staring back from the glass.



He's the feller to please, never mind all the rest,

For he's with you clear up to the end,

And you've passed your most dangerous, difficult test

If the guy in the glass is your friend.



You may be like Jack Horner and "chisel" a plum,

And think you're a wonderful guy,

But the man in the glass says you're only a bum

If you can't look him straight in the eye.



You can fool the whole world down the pathway of years,

And get pats on the back as you pass,

But your final reward will be heartaches and tears

If you've cheated the guy in the glass.
 
DEATHFUGUE

Black milk of daybreak we drink it at evening
we drink it at midday and morning we drink it at night
we drink and we drink
we shovel a grave in the air where you won't lie too cramped
A man lives in the house he plays with his vipers he writes
he writes when it grows dark to Deutschland your golden hair Margareta
he writes it and steps out of doors and the stars are all sparkling he whistles his hounds to stay close
he whistles his Jews into rows has them shovel a grave in the ground
he commands us play up for the dance

Black milk of daybreak we drink you at night
we drink you at morning and midday we drink you at evening
we drink and we drink
A man lives in the house he plays with his vipers he writes
he writes when it grows dark to Deutschland your golden hair Margareta
Your ashen hair Shulamith we shovel a grave in the air where you won't lie too cramped

He shouts dig this earth deeper you lot there you others sing up and play
he grabs for the rod in his belt he swings it his eyes are so blue
stick your spades deeper you lot there you others play on for the dancing

Black milk of daybreak we drink you at night
we drink you at midday and morning we drink you at evening
we drink and we drink
a man lives in the house your goldenes Haar Margareta
you aschenes Haar Shulamith he plays with his vipers

He shouts play death more sweetly this Death is a master from Deutschland
he shouts scrape your strings darker you'll rise up as smoke to the sky
you'll then have a grave in the clouds where you won't lie too cramped

Black milk of daybreak we drink you at night
we drink you at midday Death is a master aus Deutschland
we drink you at evening and morning we drink and we drink
this Death is ein Meister aus Deutschland his eye it is blue
he shoots you with shot made of lead shoots you level and true
a man lives in the house your goldenes Haar Margarete
he looses his hounds on us grants us a grave in the air
he plays with his vipers and daydreams der Tod ist ein Meister aus Deutschland

dein goldenes Haar Margarete
dein aschenes Haar Sulamith

Paul Celan
 
Inchjostru -Patrizia Gattaceca

Inchjostru sangue nostru
Sognu viaghju o segnu
Goccia à goccia piuvana
Acqua per la mio terra
Moru frombu di mare
Sale u vechju rimbeccu
Mughja l’anticu mostru
Cù la primiera notte
In chjostru
Avvene ch’ùn vi pare
Più vi risona l’eccu
Di u silenziu à la sarra
A sperenza ci và è
L’inchjostru ci si sparghje
In chjostru...
 
There is lambswool under my naked feet.
The wool is soft and warm,
- gives off some kind of heat.
A salamander scurries into flame to be destroyed.
Imaginary creatures are trapped in birth on celluloid.
The fleas cling to the golden fleece,
Hoping they'll find peace.
Each thought and gesture are caught in celluloid.
There's no hiding in my memory.
There's no room to avoid.


The walls are painted in red ochre and are marked by strange insignia, some looking like a bulls-eye, others of birds and boats. Further down the corridor, he can see some people; all kneeling. With broken sighs and murmurs they struggle, in their slow motion to move towards a wooden door at the end. Having seen only the inanimate bodies in the Grand Parade of Lifeless Packaging, Rael rushes to talk to them.

The crawlers cover the floor in the red ochre corridor.
For my second sight of people, they've more lifeblood than before.
They're moving in time to a heavy wooden door,
Where the needle's eye is winking, closing in on the poor.
The carpet crawlers heed their callers:
"We've got to get in to get out
We've got to get in to get out
We've got to get in to get out."


"What's going on?" he cries to a muttering monk, who conceals a yawn and replies "It's a long time yet before the dawn." A sphinx-like crawler calls his name saying "Don't ask him, the monk is drunk. Each one of us is trying to reach the top of the stairs, a way out will await us there." Not asking how he can move freely, our hero goes boldly through the door. Behind a table loaded with food, is a spiral staircase going up into the ceiling.

There's only one direction in the faces that I see;
It's upward to the ceiling, where the chamber's said to be.
Like the forest fight for sunlight, that takes root in every tree.
They are pulled up by the magnet, believing they're free.
The carpet crawlers heed their callers:
"We've got to get in to get out
We've got to get in to get out
We've got to get in to get out."

Mild mannered supermen are held in kryptonite,
And the wise and foolish virgins giggle with their bodies glowing
bright.
Through a door a harvest feast is lit by candlelight;
It's the bottom of a staircase that spirals out of sight.
The carpet crawlers heed their callers:
"We've got to get in to get out
We've got to get in to get out
We've got to get in to get out."

The porcelain mannikin with shattered skin fears attack.
The eager pack lift up their pitchers - they carry all they lack.
The liquid has congealed, which has seeped out through the crack,
And the tickler takes his stickleback.
The carpet crawlers heed their callers:
"We've got to get in to get out
We've got to get in to get out
We've got to get in to get out."
 
High Flight

Oh! I have slipped the surly bonds of earth
And danced the skies on laughter-silvered wings;
Sunward I've climbed, and joined the tumbling mirth
Of sun-split clouds - and done a hundred things
You have not dreamed of - wheeled and soared and swung
High in the sunlit silence. Hov'ring there
I've chased the shouting wind along, and flung
My eager craft through footless halls of air.
Up, up the long delirious, burning blue,
I've topped the windswept heights with easy grace
Where never lark, or even eagle flew -
And, while with silent lifting mind I've trod
The high untresspassed sanctity of space,
Put out my hand and touched the face of God.






Pilot Officer Gillespie Magee
No 412 squadron, RCAF
Killed 11 December 1941
 
After the Lunch

On Waterloo Bridge, where we said our goodbyes,
The weather conditions bring tears to my eyes.
I wipe them away with a black woolly glove
And try not to notice I’ve fallen in love.

On Waterloo Bridge I am trying to think:
This is nothing. You’re high on the charm and the drink.
But the juke-box inside me is playing a song
That says something different. And when was it wrong?

On Waterloo Bridge with the wind in my hair
I am tempted to skip. You’re a fool. I don’t care.
The head does its best but the heart is the boss –
I admit it before I am halfway across.

By Wendy Cope
 
Poem of MY day:

as you ramble on through life, brother,
whatever be your goal,
keep your eye upon the doughnut,
and not upon the hole.
 
All Things will Die

All Things will Die

Clearly the blue river chimes in its flowing

Under my eye;
Warmly and broadly the south winds are blowing

Over the sky.
One after another the white clouds are fleeting;
Every heart this May morning in joyance is beating

Full merrily;
Yet all things must die.
The stream will cease to flow;
The wind will cease to blow;
The clouds will cease to fleet;
The heart will cease to beat;
For all things must die.
All things must die.
Spring will come never more.
O, vanity!
Death waits at the door.
See! our friends are all forsaking
The wine and the merrymaking.
We are call’d–we must go.
Laid low, very low,
In the dark we must lie.
The merry glees are still;
The voice of the bird
Shall no more be heard,
Nor the wind on the hill.
O, misery!
Hark! death is calling
While I speak to ye,
The jaw is falling,
The red cheek paling,
The strong limbs failing;
Ice with the warm blood mixing;
The eyeballs fixing.
Nine times goes the passing bell:
Ye merry souls, farewell.
The old earth
Had a birth,
As all men know,
Long ago.
And the old earth must die.
So let the warm winds range,
And the blue wave beat the shore;
For even and morn
Ye will never see
Thro’ eternity.
All things were born.
Ye will come never more,
For all things must die.

Alfred, Lord Tennyson
 
a smile to remember
charles bukowski

we had goldfish and they circled around and around
in the bowl on the table near the heavy drapes
covering the picture window and
my mother, always smiling, wanting us all
to be happy, told me, "be happy Henry!"
and she was right: it's better to be happy if you
can
but my father continued to beat her and me several times a week
while
raging inside his 6-foot-two frame because he couldn't
understand what was attacking him from within.

my mother, poor fish,
wanting to be happy, beaten two or three times a
week, telling me to be happy: "Henry, smile!
why don't you ever smile?"

and then she would smile, to show me how, and it was the
saddest smile I ever saw

one day the goldfish died, all five of them,
they floated on the water, on their sides, their
eyes still open,
and when my father got home he threw them to the cat
there on the kitchen floor and we watched as my mother
smiled
 
Not sure whether this has been previously posted, its a simple poem but I still love it.

'The trouble with snowmen,'
Said my father one year
'They are no sooner made
than they just disappear.

I'll build you a snowman
And I'll build it to last
Add sand and cement
And then have it cast.

And so every winter,'
He went on to explain
'You shall have a snowman
Be it sunshine or rain.'

And that snowman still stands
Though my father is gone
Out there in the garden
Like an unmarked gravestone.

Staring up at the house
Gross and misshapen
As if waiting for something
Bad to happen.

For as the years pass
And I grow older
When summers seem short
And winters colder.

The snowmen I envy
As I watch children play
Are the ones that are made
And then fade away.

Roger McGough
 
(dunno if this has been posted before but it's so relevant at the moment....)



Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone, :(
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.

W. H. Auden
 
Oh bring back higher standards

Oh bring back higher standards-
the pencil and the cane –
if we want education then we must have some pain.
Oh, bring us back all the gone days
Yes, bring back all the past…
let’s put them all in rows again – so we can tell who’s last.
Let’s label all the good ones
(the ones like you and me)
and make them into prefects – like prefects used to be.
We’ll put them on the honours board
…as honours ought to be,
and write their names in burnished script –
for all the world to see.
We’ll have them back in uniform,
we’ll have them doff their caps,
and learn what manners really are
…for decent kind of chaps!
…So let’s label all the good ones,
we’ll call them ‘A’s and ‘B’s –
and we’ll parcel up the useless ones
and call them ‘C’s and ‘D’s.
…We’ll even have an ‘E’ lot!
…an ‘F’ or ‘G’ maybe!!
…so they can know they’re useless,
…and not as good as me.
For we’ve got to have the stupid –
And we’ve got to have the poor
Because-
if we don’t have them…
well… what are prefects for?
Peter Dixon
 
Trio

Coming up Buchanan Street, quickly, on a sharp winter evening
a young man and two girls, under the Christmas lights -
The young man carries a new guitar in his arms,
the girl on the inside carries a very young baby,
and the girl on the outside carries a chihuahua.
And the three of them are laughing, their breath rises
in a cloud of happiness, and as they pass
the boy says, "Wait till he sees this but!"
The chihuahua has a tiny Royal Stewart tartan coat like a teapot-holder,
the baby in its white shawl is all bright eyes and mouth like favours in a fresh sweet cake,
the guitar swells out under its milky plastic cover, tied at the neck with silver tinsel tape and a brisk sprig of mistletoe.
Orphean sprig! Melting baby! Warm chihuahua!
The vale of tears is powerless before you.
Whether Christ is born, or is not born, you
put paid to fate, it abdicates
under the Christmas lights.
Monsters of the year go blank, are scattered back,
can't bear this march of three.

-And the three have passed, vanished in the crowd
(yet not vanished, for in their arms they wind
the life of men and beasts, and music,
laughter ringing them round like a guard)
at the end of this winter's day.

Edwin Morgan
 
Recycle me

When I die please do not cry
I am but a fruit
Those meat you have eaten
Sweet and juicy I released my pride
You may now cast my seeds in the dust
For I may live again in a rush

© Ank Steady
 
AUGUST 22, 1939

“. . . when you want to distract your mother from the discouraging soulness, I will tell you what I used to do. To take her for a long walk in the quiet country, gathering wildflowers here and there, resting under the shade of trees, between the harmony of the vivid stream and the tranquillity of the mother-nature, and I am sure she will enjoy this very much, as you surely will be happy for it. But remember always, Dante, in the play of happiness, don’t use all for yourself only, but down yourself just one step, at your side and help the weak ones that cry for help, help the prosecuted and the victim; because they are your friends; they are the comrades that fight and fall as your father and Bartolo fought and fell yesterday, for the conquest of the joy of freedom for all and the poor workers. In this struggle of life you will find more love and you will be loved.”

—Nicola Sacco to his son Dante, Aug. 18, 1927.

Angst und Gestalt und Gebet —Rilke




What is it all for, this poetry,
This bundle of accomplishment
Put together with so much pain?
Twenty years at hard labor,
Lessons learned from Li Po and Dante,
Indian chants and gestalt psychology;
What words can it spell,
This alphabet of one sensibility?
The pure pattern of the stars in orderly progression,
The thin air of fourteen-thousand-foot summits,
Their Pisgah views into what secrets of the personality,
The fire of poppies in eroded fields,
The sleep of lynxes in the noonday forest,
The curious anastomosis of the webs of thought,
Life streaming ungovernably away,
And the deep hope of man.
The centuries have changed little in this art,
The subjects are still the same.
“For Christ’s sake take off your clothes and get into bed,
We are not going to live forever.”
“Petals fall from the rose,”
We fall from life,
Values fall from history like men from shellfire,
Only a minimum survives,
Only an unknown achievement.
They can put it all on the headstones,
In all the battlefields,
“Poor guy, he never knew what it was all about.”
Spectacled men will come with shovels in a thousand years,
Give lectures in universities on cultural advances, cultural lags.
A little more garlic in the soup,
A half-hour more in bed in the morning,
Some of them got it, some of them didn’t;
The things they dropped in their hurry
Are behind the glass cases of dusky museums.
This year we made four major ascents,
Camped for two weeks at timberline,
Watched Mars swim close to the earth,
Watched the black aurora of war
Spread over the sky of a decayed civilization.
These are the last terrible years of authority.
The disease has reached its crisis,
Ten thousand years of power,
The struggle of two laws,
The rule of iron and spilled blood,
The abiding solidarity of living blood and brain.
They are trapped, beleaguered, murderous,
If they line their cellars with cork
It is not to still the pistol shots,
It is to insulate the last words of the condemned.
“Liberty is the mother
Not the daughter of order.”
“Not the government of men
But the administration of things.”
“From each according to his ability,
Unto each according to his needs.”
We could still hear them,
Cutting steps in the blue ice of hanging glaciers,
Teetering along shattered arêtes.
The cold and cruel apathy of mountains
Has been subdued with a few strands of rope
And some flimsy iceaxes,
There are only a few peaks left.
Twenty-five years have gone since my first sweetheart.
Back from the mountains there is a letter waiting for me.
“I read your poem in the New Republic.
Do you remember the undertaker’s on the corner,
How we peeped in the basement window at a sheeted figure
And ran away screaming? Do you remember?
There is a filling station on the corner,
A parking lot where your house used to be,
Only ours and two other houses are left.
We stick it out in the noise and carbon monoxide.”
It was a poem of homesickness and exile,
Twenty-five years wandering around
In a world of noise and poison.
She stuck it out, I never went back,
But there are domestic as well as imported
Explosions and poison gases.
Dante was homesick, the Chinese made an art of it,
So was Ovid and many others,
Pound and Eliot amongst them,
Kropotkin dying of hunger,
Berkman by his own hand,
Fanny Baron biting her executioners,
Mahkno in the odor of calumny,
Trotsky, too, I suppose, passionately, after his fashion.
Do you remember?
What is it all for, this poetry,
This bundle of accomplishment
Put together with so much pain?
Do you remember the corpse in the basement?
What are we doing at the turn of our years,
Writers and readers of the liberal weeklies?

Kennoth Rexroth - 1939
 
The Wild Geese

"Oh, tell me what was on yer road, ye roarin' norlan' wind
As ye cam' blawin' frae the land that's niver frae my
mind?
My feet they trayvel England, but I'm deein' for the
north – "
"My man, I heard the siller tides rin up the Firth o' Forth."

"Aye, Wind, I ken them well eneuch, and fine they fa'
and rise,
And fain I'd feel the creepin' mist on yonder shore that
lies,
But tell me, ere ye passed them by, what saw ye on the
way?"
"My man, I rocked the rovin' gulls that sail abune the Tay."

"But saw ye naethin', leein' Wind, afore ye cam to Fife?
There's muckle lyin' yont the Tay that's mair to me nor
life."
"My man, I swept the Angus braes ye haena trod for years – "
"O wind, forgie a hameless loon that canna see for
tears! – "

"And far abune the Angus straths I saw the wild geese flee,
A lang, lang skein o' beatin' wings wi' their heids towards the
sea,
And aye their cryin' voices trailed ahint them on the air – "

"O Wind, hae maircy, haud yer whisht, for I daurna
listen mair!"

Violet Jacob
 
Death of a Whale

When the mouse died, there was a sort of pity;
The tiny, delicate creature made for grief.
Yesterday, instead, the dead whale on the reef
Drew an excited multitude to the jetty.
How must a whale die to wring a tear?
Lugubrious death of a whale; the big
Feast for the gulls and sharks; the tug
Of the tide simulating life still there,
Until the air, polluted, swings this way
Like a door ajar from a slaughterhouse.
Pooh! pooh! spare us, give us the death of a mouse
By its tiny hole; not this in our lovely bay.
-- Sorry, we are, too, when a child dies:
But at the immolation of a race, who cries?

John Blight
 
Wordsworth on face perception and social cognition

A Character

I marvel how Nature could ever find space
For so many strange contrasts in one human face:
There's thought and no thought, and there's paleness and bloom
And bustle and sluggishness, pleasure and gloom.

There's weakness, and strength both redundant and vain;
Such strength as, if ever affliction and pain
Could pierce through a temper that's soft to disease,
Would be rational peace--a philosopher's ease.

There's indifference, alike when he fails or succeeds,
And attention full ten times as much as there needs;
Pride where there's no envy, there's so much of joy;
And mildness, and spirit both forward and coy.

There's freedom, and sometimes a diffident stare
Of shame scarcely seeming to know that she's there,
There's virtue, the title it surely may claim,
Yet wants heaven knows what to be worthy the name.

This picture from nature may seem to depart,
Yet the Man would at once run away with your heart;
And I for five centuries right gladly would be
Such an odd such a kind happy creature as he.

William Wordsworth
 
Dover Beach

The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; -on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night air!
Only, from the long line of spray
Where the sea meets the moon-blanch'd land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago
Heard it on the Aegean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furl'd.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,

Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

Matthew Arnold (1867)
 
found this today after googling a Lorca quote from (of all things) a piece about Van Morrison's Astral Weeks.


Ballad of the Small Plaza

Singing of children
in the night silence:

Light of the stream, and

calm of the fountain!



THE CHILDREN



What does your heart hold,

divine in its gladness?



MYSELF



A peal from the belltower,

lost in the dimness.



THE CHILDREN



You leave us singing

in the small plaza.

Light of the stream, and

calm of the fountain!



What do you hold in

your hands of springtime?



MYSELF



A rose of blood, and

a lily of whiteness.





THE CHILDREN



Dip them in water

of the song of the ages.

Light of the stream, and

calm of the fountain!



What does your tongue feel,

scarlet and thirsting?



MYSELF



A taste of the bones

of my giant forehead.



THE CHILDREN



Drink the still water

of the song of the ages.

Light of the stream, and

calm of the fountain!



Why do you roam far

from the small plaza?



MYSELF



I go to find Mages

and find princesses.



THE CHILDREN



Who showed you the road there,

the road of the poets?



MYSELF



The fount and the stream of

the song of the ages.



THE CHILDREN



Do you go far from

the earth and the ocean?



MYSELF



It’s filled with light, is

my heart of silk, and

with bells that are lost,

with bees and with lilies,

and I will go far off,

behind those hills there,

close to the starlight,

to ask of the Christ there

Lord, to return me

my child’s soul, ancient,

ripened with legends,

with a cap of feathers,

and a sword of wood.



THE CHILDREN



You leave us singing

in the small plaza.

Light of the stream, and

calm of the fountain!



Enormous pupils

of the parched palm fronds

hurt by the wind, they

weep their dead leaves.
 
Coincidentally I've just returned from a very nice vino y tapas session in 'Plaza de Lorca' - a small village square with a fountain and children and everything :)

I'll probably go back on Monday and do it again with these words in mind.

--/

Actually, the more I think the more it begs to be given photographic treatment. Perhaps with a little Van Morrison to fill the air.
 
here you go here we go

A Glimpse - Walt Whitman

A GLIMPSE, through an interstice caught,
Of a crowd of workmen and drivers in a bar-room, around the stove,
late of a winter night--And I unremark'd seated in a corner;
Of a youth who loves me, and whom I love, silently approaching, and
seating himself near, that he may hold me by the hand;
A long while, amid the noises of coming and going--of drinking and
oath and smutty jest,
There we two, content, happy in being together, speaking little,
perhaps not a word.
 
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