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*Poem of the day thread

Carl Sandburg

Ready to Kill

TEN minutes now I have been looking at this.
I have gone by here before and wondered about it.
This is a bronze memorial of a famous general
Riding horseback with a flag and a sword and a revolver on him.
I want to smash the whole thing into a pile of junk to be hauled away to the scrap yard.
I put it straight to you,
After the farmer, the miner, the shop man, the factory hand, the fireman and the teamster,
Have all been remembered with bronze memorials,
Shaping them on the job of getting all of us
Something to eat and something to wear,
When they stack a few silhouettes
Against the sky
Here in the park,
And show the real huskies that are doing the work of the world, and feeding people instead of butchering them,
Then maybe I will stand here
And look easy at this general of the army holding a flag in the air,
And riding like hell on horseback
Ready to kill anybody that gets in his way,
Ready to run the red blood and slush the bowels of men all over the sweet new grass of the prairie.
 
RubyToogood said:
Carl Sandburg

Ready to Kill

TEN minutes now I have been looking at this.
I have gone by here before and wondered about it.
This is a bronze memorial of a famous general
Riding horseback with a flag and a sword and a revolver on him.
I want to smash the whole thing into a pile of junk to be hauled away to the scrap yard.
I put it straight to you,
After the farmer, the miner, the shop man, the factory hand, the fireman and the teamster,
Have all been remembered with bronze memorials,
Shaping them on the job of getting all of us
Something to eat and something to wear,
When they stack a few silhouettes
Against the sky
Here in the park,
And show the real huskies that are doing the work of the world, and feeding people instead of butchering them,
Then maybe I will stand here
And look easy at this general of the army holding a flag in the air,
And riding like hell on horseback
Ready to kill anybody that gets in his way,
Ready to run the red blood and slush the bowels of men all over the sweet new grass of the prairie.

So good I quoted it.

:cool:
 
I'm not sure if I think it's a particularly brilliant poem as a poem (although in a way its non-poeticness was probably quite radical for its time (1916)), but I appreciate its viewpoint, and I was very interested to realise that a poet I've come to like was a bit of a radical socialist before he got co-opted into the establishment, awarded the Pulitzer Prize etc. I did a bit of reading up on him earlier. He wrote a biography of Abraham Lincoln in six volumes later in life. It was said "The cruellest thing that has happened to Lincoln since he was shot by Booth has been to fall into the hands of Carl Sandburg."

General CS info
Stuff about his politics
 
Grass - Carl Sandburg


Pile the bodies high at Austerlitz and Waterloo.
Shovel them under and let me work---
I am the grass; I cover all.

And pile them high at Gettysburg
And pile them high at Ypres and Verdun.
Shovel them under and let me work.
Two years, ten years, and passengers ask the conductor:
What place is this?
Where are we now?

I am the grass.
Let me work.






------
hmm, i see what you mean.
 
Oh well I quite liked that one myself.

He does say in one of his letters to Amy Lowell (in the article I linked to) "maybe I have struck a propaganda rather than a human note at times". The article takes that as evidence of him selling out but perhaps it's true. Is politics the enemy of poetry? Discuss.

Anyway.

Fog

THE FOG comes
on little cat feet.

It sits looking
over harbor and city
on silent haunches
and then moves on.

Carl Sandburg again
 
onemonkey said:
Grass - Carl Sandburg


Pile the bodies high at Austerlitz and Waterloo.
Shovel them under and let me work---
I am the grass; I cover all.

And pile them high at Gettysburg
And pile them high at Ypres and Verdun.
Shovel them under and let me work.
Two years, ten years, and passengers ask the conductor:
What place is this?
Where are we now?

I am the grass.
Let me work.

I was rather moved by that one.
 
...

Girlfriend in a Coma - by Armando Ianucci

Girlfriend In A Coma
With a face like Martina Naratilova
When She serves to stay in the match
Oh Yeah
 
more grass!

A Unison - William Carlos Williams

The grass is very green, my friend,
and tousled, like the head of ---
your grandson, yes? And the mountain,
the mountain we climbed
twenty years since for the last
time (I write this thinking
of you) is saw-horned as then
upon the sky's edge --- an old barn
is peaked there also, fatefully,
against the sky. And there it is
and we can't shift it or change
it or parse it or alter it
in any way. *Listen! Do you not hear
them? the singing?* There it is and
we'd better acknowledge it and
write it down, not otherwise.
Not twist the words to mean
what we should have said but to mean
--- what cannot be escaped: the
mountain riding the afternoon as
it does, the grass matted green,
green underfoot and the air ---
rotten wood. *Hear! Hear them!
the Undying.* The hill slopes away,
then rises in the middleground,
you remember, with a grove of gnarled
maples centering the bare pasture,
sacred, surely --- for what reason?
I cannot say? Idyllic!
a shrine cinctured there by
the trees, a certainty of music!
a unison and a dance, joined
at this death's festival: Something
of a shed snake's skin, the beginning
goldenrod. Or, best, a white stone,
you have seen it: *Mathilda Maria
Fox* --- and near the ground's lip,
all but undecipherable, *Aet Suae
Anno 9* --- still there, the grass
dripping of last night's rain --- and
welcome! The thin air, the near,
clear brook water! --- and could not,
and died, unable; to escape
what the air and the wet grass ---
through which, tomorrow, bejeweled,
the great sun will rise --- the
unchanging mountains, forced on them ---
and they received, willingly!
Stones, stones of a difference
joing the ohters, at pace. *Hear!
Hear the unison of their voices. . . .*
 
RubyToogood said:
I'm not sure if I think it's a particularly brilliant poem as a poem (although in a way its non-poeticness was probably quite radical for its time (1916)), but I appreciate its viewpoint, and I was very interested to realise that a poet I've come to like was a bit of a radical socialist before he got co-opted into the establishment, awarded the Pulitzer Prize etc. I did a bit of reading up on him earlier. He wrote a biography of Abraham Lincoln in six volumes later in life. It was said "The cruellest thing that has happened to Lincoln since he was shot by Booth has been to fall into the hands of Carl Sandburg."

I'm not really interested in poems as brilliant poems I'll leave all that to someone who prefers to ignore the words and instead concentrate on the structure. If the words move me in some way, stir up some kind of reaction, strike a chord through the banality of everyday life then it's poetry for me.

:)
 
Bread and Roses
By James Oppenheim
1882-1932


As we come marching, marching, in the beauty of the day,
A million darkened kitchens, a thousand mill-lofts gray
Are touched with all the radiance that a sudden sun discloses,
For the people hear us singing, "Bread and Roses, Bread and Roses."

As we come marching, marching, we battle, too, for men --
For they are women's children, and we mother them again.
Our lives shall not be sweated from birth until life closes --
Hearts starve as well as bodies: Give us Bread, but give us Roses.

As we come marching, marching, unnumbered women dead
Go crying through our singing their ancient song of Bread;
Small art and love and beauty their drudging spirits knew --
Yes, it is bread we fight for -- but we fight for Roses, too.

As we come marching, marching, we bring the Greater Days --
The rising of the women means the rising of the race --
No more the drudge and idler -- ten that toil where one reposes --
But a sharing of life's glories: Bread and Roses, Bread and Roses.
 
Ezra Pound - The Tree

I stood still and was a tree amid the wood,
Knowing the truth of things unseen before;
Of Daphne and the laurel bow
And that god-feasting couple old
that grew elm-oak amid the wold.
'Twas not until the gods had been
Kindly entreated, and been brought within
Unto the hearth of their heart's home
That they might do this wonder thing;
Nathless I have been a tree amid the wood
And many a new thing understood
That was rank folly to my head before.
 
Got this in an email today. Apologies if you've seen it before:

Spell chequer
Eye halve a spelling chequer
It came with my pea sea
It plainly marques four my revue
Miss steaks eye kin knot sea.

Eye strike a key and type a word
And weight four it two say
Weather eye am wrong oar write
It shows me strait a weigh.

A soon as a mist ache is maid
It nose bee fore two long.
And eye can put the error rite
It's rare lea ever wrong.

Eye have run this poem threw it
I am shore your pleased two no
It's letter perfect awl the weigh threw
My chequer tolled me sew.
anon
 
Maddalene said:
Got this in an email today. Apologies if you've seen it before:

Spell chequer
Eye halve a spelling chequer
It came with my pea sea
It plainly marques four my revue
Miss steaks eye kin knot sea.

Eye strike a key and type a word
And weight four it two say
Weather eye am wrong oar write
It shows me strait a weigh.

A soon as a mist ache is maid
It nose bee fore two long.
And eye can put the error rite
It's rare lea ever wrong.

Eye have run this poem threw it
I am shore your pleased two no
It's letter perfect awl the weigh threw
My chequer tolled me sew.
anon
..."spam poetry"?? :confused:
 
third (and final ?) poem about grass!!!!

GRASS - Walt Whitman

A child said *What is the grass?* fetching to to me with full hands;
How could I answer the child? I do not know what it is any more than he.

I guess it must be the flag of my disposition, out of hopeful green stuff
woven.
Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner's name some way in the corners, that we may see and remark,
and say *Whose?*
Or I guess the grass is itself a child, the produced babe of the vegetation.
Or I guess it is a uniform hieroglyphic,
And it means, sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the
same.
And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the breats of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out of their
mother's laps,
And here you are the mothers' laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for nothing.
I wish I could translate the hints about the dead young men and women,
And the hints about old men and mothers, and the off-spring taken soon out of
their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and children?
They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the end to
arrest it,
And ceas'd the moment life appear'd.
All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.
 
NO CHOICE

I think about you
in as many ways as rain comes.

(I am growing, as I get older,
to hate metaphors - their exactness
and their inadequacy.)

Sometimes these thoughts are
a moistness, hardly falling, than which
nothing is more gentle:
sometimes, a rattling shower, a
bustling Spring-cleaning of the mind:
sometimes, a drowning downpour.

I am growing, as I get older,
to hate metaphor,
to love gentleness,
to fear downpours.


Norman MacCaig
 
Wanted to a long one today, to commemerate the death of Bakunin and to offer good luck to those going up the G8:

THOU SHALT NOT KILL

They are murdering all the young men.
For half a century now, every day,
They have hunted them down and killed them.
They are killing them now.
At this minute, all over the world,
The are killing the young men.
They know ten thousand ways to kill them.
Every year they invent new ones.
In the jungles of Africa,
In the marshes of Asia,
In the deserts of Asia,
In the slave pens of Siberia,
In the slums of Europe,
In the nightclubs of America,
The murderers are at work.

They are stoning Stephen,
They are casting him forth from every city in the world.
Under the Welcome sign,
Under the Rotary emblem,
On the highway in the suburbs,
His body lies under the hurling stones.
He was full of faith and power.
He did great wonders among the people.
They could not stand against his wisdom.
They could not bear that spirit with which he spoke.
He cried out in the name
Of the tabernacle of witness in the wilderness.
They were cut to the heart.
They gnashed against him with their teeth.
They cried out with a loud voice.
They stopped their ears.
They ran on him with one accord.
They cast him out of the city and stoned him,
The witnesses laid down their clothes
At the feet of the man whose name was your name-
You.

You are the murderer.
You are killing the young men.
You are broiling Lawrence on his gridiron.
When you demand he divulge
The hidden treasures of the spirit,
He showed you the poor.
You set your heart against him.
You seized him and bound him with rage.
You roasted him on a slow fire.
His fat dripped and spurted in the flame.
The smell was sweet to your nose.
He cried out,
"I am cooked on this side,
turn me over and eat,
You
Eat of my flesh."

You are murdering the young men.
You are shooting Sebastian with arrows.
He kept the faithful steadfast under persecution.
First you shot him with arrows.
Then you beat him with rods.
Then you threw him in a sewer.
You fear nothing more then courage.
You who turn away your eyes
At the bravery of the young men.

You,
The hyena with polished face and bow tie,
In the office of a billion dollar
Corporation devoted to service;
The vulture dripping with carrion,
Carefully and carelessly robed in imported tweeds,
Lecturing on the Age of Abundance;
The jackal in double-breasted gabardine,
Barking by remote control,
In the United Nations;
The vampire bat seated at the couch head,
Notebook in hand, toying with his decerebrator;
The autonomous, ambulatory cancer,
The superego in a thousand uniforms;
You, the finger man of behemoth,
The murderer of the young men.

II

What happened to Robinson,
Who used to stagger down eighth Street,
Dizzy with solitary in?
Where is Masters, who crouched in
His law office for ruinous decades?
Where is Leonard who thought he was
A locomotive? And Lindsay,
Wise as a dove, innocent
As a serpent, where is he?
Timor mortis conturbat me.

What became of Jim Oppenheim?
Lola Ridge alone in an
Icy unfurnished room? Orrick Johns,
Hopping into the surf on his
One leg? Elinor Wylie
Who leaped like Kierkegaard?
Sara Teasdale, where is she?
Timor mortis conturbat me.

Where is George Sterling, that tame fawn?
Phelps Putnam who stole away?
Jack Wheelwright who couldn't cross the bridge?
Donald Evans with his cane and
Monocle, where is he?
Timor mortis conturbat me.

John Gould Fletcher who could not
Unbreak his powerful heart?
Bodenheim butchered in stinking
Squalor? Edna Millay who took
Her last straight whiskey? Genevieve
Who loved so much; where is she?
Tomor mortis conturbat me.

Harry who didn't care at all?
Hart who went back to sea?
Timor mortis conturbat me.

Where is Sol Funaroff?
What happened to Potamkin?
Isidor Schneider? Claude Mckay?
Countee Cullen? Clarence Weinstock?
Who animates their corpses today?
Timor mortis conturbat me.

Where is Ezra, that noisy man?
Where is Larsson whose poems were prayers?
Where is Charles Snider, that gentle
Bitter boy? Carnevali.
What became of him?
Carol who was so beautiful, where is she?
Timor mortis conturbat me.

III
Was their end noble and tragic,
Like the mask of a tyrant?
Like Agamemnon's secret golden face?
Indeed it was not. Up all night
In the fo'c'sle, bemused and beaten,
Bleeding at the rectum, in his
Pocket a review by the one
Colleague he respected, "If he
Really means what these poems
Pretend to say, he has only
One way out-." Into the
Hot acrid Caribbean sun,
Into the acrid, transparent,
Smoky sea. Or another, lice in his
Armpits and crotch, garbage littered
On the floor, gray greasy rags on
The bed. "I killed them because they
Were dirty stinking Communists.
I should get a medal." Again,
Another Simenon foretold,
His end at a glance. "I dare you
To pull the trigger." She shut her eyes
And spilled gin over her dress.
The pistol wobbled in his hand.
It took them hours to die.
Another threw herself downstairs,
And broke her back. I took her years.
Two put their heads under water
In the bath and filled their lungs.
Another threw himself under
The traffic of a crowded bridge.
Another, drunk, jumped from a
Balcony and broke her neck.
Another soaked herself in
Gasoline and ran blazing
Into the street and lived on
In custody. One made love
Only once with a beggar woman,
He died years later of syphilis
Of the brain and spine. Fifteen
Years of pain and poverty,
while his mind leaked away.
One tried three times in twenty years
To drown himself. The last time
He succeeded. One turned on the gas
When she had no more food, no more
Money, and only half a lung.
One went up to Harlem, took on
Thirty men, came home and
Cut her throat. One sat up all night
Talking to H.L. Mencken and
Drowned himself in the morning.
How many stopped writing at thirty?
How many went to work for Time?
How many died of prefrontal
Lobotomies in the Communist party?
How many are lost in the back wards
Of provincial madhouses?
How many on the advice of
their psychoanalysts, decided
A business career was best after all?
How many are hopeless alcoholics?
Rene Crevel!
Antonin Riguad!
Antonin Artaud!
Mayakofsky!
Essenin!
Robert Desnos!
Saint Paul Roux!
Max Jacob!
All over the world
The same disembodies hand
Strikes us down.
Here is a mountain of death.
A hill of heads like the Khans piled up.
The first-born of a century
Slaughtered by Herod.
Three generations of infants
Stuffed down the maw of Moloch.

IV
He is dead.
The birth of Rhiannon.
He is dead.
In the winter of the heart.
He is dead,
In the canyons of death,
They found him dumb at last,
In the blizzard of lies.
He never spoke again.
He died.
He is dead.
In their antiseptic hands,
He is dead.
The little spellbinder of Cader Idris.
He is dead.
The sparrow of Cardiff.
He is dead.
The canary of Swansea.
Who killed him?
Who killed the bright-headed bird?
You did, you son of a bitch.
You drowned him in you cocktail brain.
He fell down and died in your synthetic heart.
You killed him,
Oppenheimer the Million-Killer,
You killed him,
Einstein the Gray Eminence.
You killed him,
Havanahavana, with your Nobel Prize.
You killed him, General,
Through the proper channels.
You strangled him, Le Mouton,
With your mains entendues.
He confessed in open court to a pince-nezed skull.
You shot him in the back of the head
As he stumbled in the last cellar.
You killed him,
Benign Lady on the postage stamp.
He was found dead at a Liberal Weekly luncheon,
He was found dead on the cutting room floor.
He was found dead at a Time policy conference.
Henry Luce killed him with a telegram to the Pope.
Mademoiselle strangled him with a padded brassiere.
Old Possum sprinkled him with a tea ball.
After the wolves were done, the vaticides
Crawled off with his bowels to their classrooms
and quarterlies.
When the news came over the radio
You personally rose up shouting, "Give us Barabbas!"
In your lonely crowd you swept over him.
Your custom build brogans and your ballet slippers
Pummeled him to death in the gritty street.
You hit him with an album of Hindemith.
You stabbed him with stainless steel by Isamu Noguchi,
He is dead.
He is Dead.
Like Ignacio the bullfighter,
At four o'clock in the afternoon.
At precisely four o'clock.
I too do not want to hear it.
I too do not want to know it.
I want to run into the street
Shouting, "Remember Vanzetti!"
I want to pour gasoline down your chimneys.
I want to blow up your galleries.
I want to burn down you editorial offices.
I want to slit the bellies of your frigid women.
I want to sink your sailboats and launches.
I want to strangle your children at their finger paintings.
I want to poison your afghans and poodles.
He is dead, the little drunken cherub.
He is dead,
The effulgent tub thumper,
He is dead.
The ever living birds are not singing
To the head of Bran.
The sea birds are still
Over Bardsey of Ten Thousand Saints,
The underground men are not singing
On their way to work.
There is a smell of blood
In the smell of turf smoke.
They have struck him down,
The son of David ap Gwilym.
They have murdered him,
The baby of Taliessin.
There he lies dead,
By the iceberg of the United Nations.
There he lies sandbagged,
At the foot of the Statue of Liberty.
The Gulf Stream smells of blood
As it breaks on the sand of Iona
And the blue rocks of Canarvon.
And all the birds of the deep sea rise up
Over the luxury liners and scream,
"You killed him! You killed him.
In your god damned Brooks Brothers suit,
You son of a bitch."

Kenneth Rexroth
 
John Donne
The Ecstasy


Where, like a pillow on a bed,
A pregnant bank swell'd up, to rest
The violet's reclining head,
Sat we two, one another's best.
Our hands were firmly cemented
By a fast balm, which thence did spring;
Our eye-beams twisted, and did thread
Our eyes upon one double string;
So t' entergraft our hands, as yet
Was all the means to make us one;
And pictures in our eyes to get
Was all our propagation.
As, 'twixt two equal armies, Fate
Suspends uncertain victory,
Our souls (which to advance their state
Were gone out) hung 'twixt her, and me.
And whilst our souls negotiate there,
We like sepulchral statues lay;
All day, the same our postures were,
And we said nothing, all the day.
If any, so by love refin'd,
That he soul's language understood,
And by good love were grown all mind,
Within convenient distance stood,
He (though he knew not which soul spake,
Because both meant, both spake the same)
Might thence a new concoction take,
And part far purer than he came.
This ecstasy doth unperplex
(We said) and tell us what we love;
We see by this, it was not sex;
We see, we saw not what did move:
But as all several souls contain
Mixture of things, they know not what,
Love, these mix'd souls, doth mix again,
And makes both one, each this and that.
A single violet transplant,
The strength, the colour, and the size
(All which before was poor and scant
Redoubles still, and multiplies.
When love with one another so
Interanimates two souls,
That abler soul, which thence doth flow,
Defects of loneliness controls.
We then, who are this new soul, know,
Of what we are compos'd, and made,
For th'atomies of which we grow,
Are souls, whom no change can invade.
But, O alas! so long, so far
Our bodies why do we forbear?
They are ours, though not we; we are
Th'intelligences, they the sphere.
We owe them thanks, because they thus
Did us, to us, at first convey,
Yielded their senses' force to us,
Nor are dross to us, but allay.
On man heaven's influence works not so,
But that it first imprints the air;
For soul into the soul may flow,
Though it to body first repair.
As our blood labours to beget
Spirits, as like souls as it can,
Because such fingers need to knit
That subtle knot, which makes us man;
So must pure lovers' souls descend
T' affections, and to faculties,
Which sense may reach and apprehend,
Else a great prince in prison lies.
To'our bodies turn we then, that so
Weak men on love reveal'd may look;
Love's mysteries in souls do grow,
But yet the body is his book.
And if some lover, such as we,
Have heard this dialogue of one,
Let him still mark us, he shall see
Small change when we're to bodies gone.
 
Novelist Ian McEwan mentioned this poem, which I last read fifteen years ago, in his op-ed piece for yesterday's New York Times,

Ian McEwan said:
In Auden's famous poem, "Musée des Beaux Arts," the tragedy of Icarus falling from the sky is accompanied by life simply refusing to be disrupted. A plowman goes about his work, a ship "sailed calmly on," dogs keep on with "their doggy life."

In London yesterday, where crowds fumbling with mobile phones tried to find unimpeded ways across the city, there was much evidence of the truth of Auden's insight. While rescue workers searched for survivors and the dead in the smoke-filled blackness below, at pavement level men were loading vans, a woman sold umbrellas in her usual patch, the lunchtime sandwich makers were hard at work.
Who am I to disagree...

Musee des Beaux Arts

About suffering they were never wrong,
The Old Masters; how well, they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.


In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
had somewhere to get to and sailed calmly on.




© estate of W.H. Auden
 
The Road not Taken - Robert Frost

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that, the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
tow roads diverged in a wood, and I --
I took the one less traveled by,
And that has made all the difference.
 
Mayakovsky

An Attitude to Girls


That evening decided
why not be lovers factually?
it’s dark, so we shan’t be seen.
I leaned right over her actually
and actually,
as I,
leaned,
said to her,
like a good father :
“Passion’s steep as a precipice –
please, I beg you,
stand back farther.
Farther still,
I beg you, please.”

Vladimir Mayakovsky
 
Sappho Crosses the Dark River into Hades

Edna St. Vincent Millay

Charon, indeed, your dreaded oar,
With what a peaceful sound it dips
Into the stream; how gently, too,
From the wet blade the water drips.
I knew a ferryman before.
But he was not so old as you.
He spoke from unembittered lips,
With careless eyes on the bright sea
One day, such bitter words to me
As age and wisdom never knew.

This was a man of meagre fame;
He ferried merchants from the shore
To Mitylene (whence I came)
On Lesbos; Phaon is his name.

I hope that he will never die,
As I have done, and come to dwell
In this pale city we approach.
Not that, indeed, I wish him well,
(Though never have I wished him harm)
But rather that I hope to find
In some unechoing street of Hell
The peace I long have had in mind:
A peace whereon may not encroach
That supple back, the strong brown arm,
That curving mouth, the sunburned curls;
But rather that I would rely,
Having come so far, at such expense,
Upon some quiet lodging whence
I need not hear his voice go by
In scraps of talk with boys and girls.
 
[ Mens sana in corpore mortuo ] by Petr Machan
translated from the Hungarian by Gwendolyn Albert

Bush repeats to himself at breakfast
Mens sana in corpore mortuo
he repeats as a mantra for calm
then he presses buttons
then he annihilates nations
corpore mortuo everywhere you look
"made in USA"
national interests
Mens sana in corpore mortuo
In a dead body a healthy spirit
 
I just like one monkey hogging this thread. That is all butshersapron.

I have an ahkmatova poem I want to share, but just trying to wait my turn....It gets frustrating...... :p

40 posts on this thread. Mmmmm, not trying to throw your wieght around are you? Squeezing out protest? Very Stalin.....
 
It's been going three years mate - 16.5 a year is hardy excessive. Post yours now if you like. I've got a reason for wanting that date though.
 
I have to wait until tomorrow. It wasn't as if I want the 1st of August. I haven't got any complaints.

The 16th beckons
 
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