*Poem of the day thread

[butchersapron]

Here's one to commemorate the day that the body of Camillo Baerneri was found in 1937:

NORETORP-NORETSYH

Rainy, smoky Fall, clouds tower
In the brilliant Pacific sky.
In Golden Gate Park, the peacocks
Scream, wandering through falling leaves.
In clotting nights in smoking dark,
The Kronstadt sailors are marching
Through the streets of Budapest. The stones
Of the barricades rise up and shiver
Into form. They take the shapes
Of the peasant armies of Makhno.
The streets are lit with torches.
The gasoline drenched bodies
Of the Solovetsky anarchists
Burn at every street corner.
Kropotkin?s starved corpse is borne
In state past the offices
Of the cowering bureaucrats.
In all the Politisolators
Of Siberia the partisan dead are enlisting.
Berneri, Andreas Nin,
Are coming from Spain with a legion.
Carlo Tresca is crossing
The Atlantic with the Berkman Brigade.
Bukharin has joined the Emergency
Economic Council. Twenty million
Dead Ukrainian peasants are sending wheat.
Julia Poyntz is organizing American nurses.
Gorky has written a manifesto
?To the Intellectuals of the World!?
Mayakofsky and Essenin
Have collaborated on an ode,
?Let Them Commit Suicide.?
In the Hungarian night
All the dead are speaking with one voice,
As we bicycle through the green
And sunspotted California
November. I can hear that voice
Clearer than the cry of the peacocks,
In the falling afternoon.
Like painted wings, the color
Of all the leaves of Autumn,
The circular tie-dyed skirt
I made for you flares out in the wind,
Over your incomparable thighs.
Oh splendid butterfly of my imagination,
Flying into reality more real
Than all imagination, the evil
Of the world covets your living flesh.

Kenneth Rexroth 56/57

Notes:

Noretorp-Noretsyh is a response to the Russian army's crushing of the 1956 Hungarian revolution. The title is an inversion of ?'hysteron-proteron' - the figure of speech in which the usual or logical order of terms is reversed. In the case of Hungary, the former revolutionary forces have evolved into a new force of oppression, making necessary a new rebellion. Rexroth imagines yet more turnabouts, with all the vanquished rebels of the past returning to carry on the struggle. The anarchist Camillo Berneri and the revolutionary Marxist Andrés Nin were both murdered by the Stalinists in Barcelona in May 1937; the radical Russian poets Mayakofsky and Essenin both committed suicide; etc.

 

[RubyToogood]

For historical interest, because I'd heard the expression but never read the poem:

The White Man's Burden

Rudyard Kipling

Take up the White Man's burden--
Send forth the best ye breed--
Go bind your sons to exile
To serve your captives' need;
To wait in heavy harness,
On fluttered folk and wild--
Your new-caught, sullen peoples,
Half-devil and half-child.

Take up the White Man's burden--
In patience to abide,
To veil the threat of terror
And check the show of pride;
By open speech and simple,
An hundred times made plain
To seek another's profit,
And work another's gain.

Take up the White Man's burden--
The savage wars of peace--
Fill full the mouth of Famine
And bid the sickness cease;
And when your goal is nearest
The end for others sought,
Watch sloth and heathen Folly
Bring all your hopes to nought.

Take up the White Man's burden--
No tawdry rule of kings,
But toil of serf and sweeper--
The tale of common things.
The ports ye shall not enter,
The roads ye shall not tread,
Go mark them with your living,
And mark them with your dead.

Take up the White Man's burden--
And reap his old reward:
The blame of those ye better,
The hate of those ye guard--
The cry of hosts ye humour
(Ah, slowly!) toward the light:--
"Why brought he us from bondage,
Our loved Egyptian night?"

Take up the White Man's burden--
Ye dare not stoop to less--
Nor call too loud on Freedom
To cloke your weariness;
By all ye cry or whisper,
By all ye leave or do,
The silent, sullen peoples
Shall weigh your gods and you.

Take up the White Man's burden--
Have done with childish days--
The lightly proferred laurel,
The easy, ungrudged praise.
Comes now, to search your manhood
Through all the thankless years
Cold, edged with dear-bought wisdom,
The judgment of your peers!

 

[Yossarian]

Nuremberg, U.S.A.
Bill Knott

In this time and place, where "Bread and Circuses" has
become "Bread and Atrocities," to say 'I love you' is
like saying the latest propaganda phrase...'defoliation'...
'low yield blast'.
If bombing children is preserving peace, then
my fucking you is a war-crime.

 

[RubyToogood]

The Fish
Marianne Moore

wade
through black jade.
Of the crow-blue mussel-shells, one keeps
adjusting the ash-heaps;
opening and shutting itself like

an
injured fan.
The barnacles which encrust the side
of the wave, cannot hide
there for the submerged shafts of the

sun,
split like spun
glass, move themselves with spotlight swiftness
into the crevices—
in and out, illuminating

the
turquoise sea
of bodies. The water drives a wedge
of iron throught the iron edge
of the cliff; whereupon the stars,

pink
rice-grains, ink-
bespattered jelly fish, crabs like green
lilies, and submarine
toadstools, slide each on the other.

All
external
marks of abuse are present on this
defiant edifice—
all the physical features of

ac-
cident—lack
of cornice, dynamite grooves, burns, and
hatchet strokes, these things stand
out on it; the chasm-side is

dead.
Repeated
evidence has proved that it can live
on what can not revive
its youth. The sea grows old in it.



(edit, damnit, can't get the spacing to come out right... it's meant to look like this http://www.poetryconnection.net/poets/Marianne_Moore/8125, anyone know how I can get it to behave?)

 

[Citizen66]

No song lyrics or stuff you've written yourself .

Why not stuff written by yourself?

I found this:

_________________________


There's not a solitary star in our universe
that any satelite could undermine
without an infinite stream of radiance
there would never be a mankind

Existing in our ever-changing realities
ignoring all that it signifies
should we emulate true creation?
impossible, but still one tries


By J.R.Hartley

_________________________

 

[RubyToogood]

JR Hartley eh? He went on to publish a slim volume of poetry after his great masterpiece on fly fishing did he?

The reason for no self-written poetry is that sometimes people post up really good interesting stuff they've written themselves but a lot of the time it's not that great. If people want to start threads for their own poetry there's nothing to stop them. There have been threads like this in the past. Actually I'd like to see more self-penned poetry, just not on this thread.

 

[Citizen66]

J.R.Hartley was a joke. Although I'm pleased you recognised it I'm slightly disapointed that you didn't laugh (or maybe you did?)

I actually found that poem in the back of a poetry book recently, there wasn't an author's name for it, so I used a well known advert in it's place.

If you see Sid, tell him.

 

[Brainaddict]

It's an interesting exercise to read the White Man's Burden and imagine it coming out of the mouth of Bush. It feels horribly plausible, though he wouldn't say (even if he thought it) White Man's Burden but America's Burden I guess.

 

[RubyToogood]

I think I'd vaguely thought that too, but you're right, if you read the whole thing in that way it's horribly relevant...

 

[Yossarian]

Melancholy Breakfast
Frank O'Hara

Melancholy breakfast
blue overhead blue underneath

the silent egg thinks
and the toaster's electrical
ear waits

the stars are in
"that cloud is hid"

the elements of disbelief are
very strong in the morning

 

[Yossarian]

CIA Dope Calypso
Allen Ginsberg

In nineteen hundred forty-nine
China was won by Mao Tse-tung
Chiang Kai-shek's army ran away
They were waiting there in Thailand yesterday

Supported by the CIA
Pushing junk down Thailand way

First they stole from the Meo Tribes
Up in the hills they started taking bribes
Then they sent their soldiers up to Shan
Collecting opium to send to The Man

Pushing junk in Bangkok yesterday
Supported by the CIA

Brought their jam on mule trains down
To Chiang Rai that's a railroad town
Sold it next to the police chief brain
He took it to town on the choochoo train

Trafficking dope to Bangkok all day
Supported by the CIA

The policeman's name was Mr. Phao
He peddled dope grand scale and how
Chief of border customs paid
By Central Intelligence's U.S. A.I.D.

The whole operation, Newspapers say
Supported by the CIA

He got so sloppy & peddled so loose
He busted himself & cooked his own goose
Took the reward for an opium load
Seizing his own haul which same he resold

Big time pusher for a decade turned grey
Working for the CIA

Touby Lyfong he worked for the French
A big fat man liked to dine & wench
Prince of the Meos he grew black mud
Till opium flowed through the land like a flood

Communists came and chased the French away
So Touby took a job with the CIA

The whole operation fell in to chaos
Till U.S. Intelligence came into Laos
I'll tell you no lie I'm a true American
Our big pusher there was Phoumi Nosovan

All them Princes in a power play
But Phoumi was the man for the CIA

And his best friend General Vang Pao
Ran the Meo army like a sacred cow
Helicopter smugglers filled Long Cheng's bars
In Xieng Quang province on the Plain of Jars

It started in secret they were fighting yesterday
Clandestine secret army of the CIA

All through the Sixties the Dope flew free
Thru Tan Son Nhut Saigon to Marshal Ky
Air America followed through
Transporting confiture for President Thieu

All these Dealers were decades and yesterday
The Indochinese mob of the U.S. CIA

Operation Haylift Offisir Wm. Colby
Saw Marshal Ky fly opium Mr. Mustard told me
Indochina desk he was Chief of Dirty Tricks
"Hitchhiking" with dope pushers was how he got his fix

Subsidizing traffickers to drive the Reds away
Till Colby was the head of the CIA

- August 1972

 

[chrissie]

Melancholy Breakfast
Frank O'Hara

Melancholy breakfast...........

Love that!
Feel like I've been away too long.
This thread should be a sticky.

Anyway, here it is:


‘After great pain, a formal feeling comes’

After great pain, a formal feeling comes –
The Nerves sit ceremonious, Like Tombs –
The stiff Heart questions, was it He, that bore,
And Yesterday, or Centuries before?

The Feet, mechanical, go round –
Of Ground, or Air, or Ought –
A Wooden way
Regardless grown,
A Quartz contentment, like a stone –

This is the Hour of Lead –
Remembered, if outlived,
As Freezing persons, recollect the Snow –
First – chill – then Stupor – then the letting go –

Emily Dickinson

 

[onemonkey]

The Loch Ness Monster's Song

Sssnnnwhuffffll?
Hnwhuffl hhnnwfl hnfl hfl?
Gdroblboblhobngbl gbl gl g g g g glbgl.
Drublhaflablhaflubhafgabhaflhafl fl fl -
gm grawwwww grf grawf awfgm graw gm.
Hovoplodok-doplodovok-plovodokot-doplodokosh?
Splgraw fok fok splgrafhatchgabrlgabrl fok splfok!
Zgra kra gka fok!
Grof grawff ghaf?
Gombl mbl bl -
blm plm,
blm plm,
blm plm,
blp.

Edwin Morgan (b. 1920)

 

[Yossarian]

Advice From The Experts
Bill Knott

I lay down in the empty street and parked
My feet against the gutter's curb while from
The building above a bunch of gawkers perched
Along its ledges urged me don't, don't jump.

 

[Yossarian]

Suspended Sentence
John Cooper Clarke

Read the paper - humdrum
Henley Regatta - page one
Eat die - ho hum
Page three - big bum
Giving a lunatic a loaded gun
He walks - others run
Thirty dead - no fun
Foreigners feature as figures of fun
Do something destructive chum
Sit right down - write a letter to the Sun
Say... "Bring back hangin' for everyone"
The took my advice - they brought it back
National costume was all-over-black
There were corpses in the avenues and cul-de-sacs
Piled up neatly in six-man stacks
Hanging from the traffic lights and specially made racks
They'd hang you for incontinence and fiddling your tax
Failure to hang yourself justified the axe
A deedely dee, a deedely dum
Looks like they brought back hangin' for everyone
The novelty's gone - it's hell
This place is a - death cell
The constant clang of the funeral bells
Those who aren't hanging are hanging someone else
The peoples pay - the paper sells
It's plug ugly - sub-animal yells
Death is unsightly - death smells
Swingin' Britain - don't put me on
They're gonna bring back the rope for everyone

 

[butchersapron]

Bertolt Brecht

Questions from A Worker Who Reads

Who built Thebes of the seven gates?
In the books you will find the name of kings.
Did the kings haul up the lumps of rock?
And Babylon, many times demolished.
Who raised it up so many times? In what houses
Of gold-glittering Lima did the builders live?
Where, the evening that the Wall of China was finished
Did the masons go? Great Rome
Is full of triumphal arches. Who erected them? Over whom
Did the Caesars triumph? Had Byzantium, much praised in song,
Only palaces for its inhabitants? Even in fabled Atlantis
The night the ocean engulfed it
The drowning still bawled for their slaves.

The young Alexander conquered India.
Was he alone?
Caesar beat the Gauls.
Did he not have even a cook with him?
Philip of Spain wept when his armada
Went down. Was he the only one to weep?
Frederick the Second won the Seven Years' War. Who
Else won it?

Every page a victory.
Who cooked the feast for the victors?
Every ten years a great man.
Who paid the bill?

So many reports.
So many questions.

 

[lang rabbie]

More Brecht...

The Solution
by Bertolt Brecht

After the uprising of the 17th June
The Secretary of the Writers Union
Had leaflets distributed in the Stalinallee
Stating that the people
Had forfeited the confidence of the government
And could win it back only
By redoubled efforts.
Would it not be easier
In that case for the government
To dissolve the people
And elect another?

 

[belboid]

We've had it before, but in the circumstances we're having it again.

In memory of Paul Foot:

As I lay asleep in Italy
There came a voice from over the Sea,
And with great power it forth led me
To walk in the visions of Poesy.

I met Murder on the way -
He had a mask like Castlereagh -
Very smooth he looked, yet grim;
Seven blood-hounds followed him:

All were fat; and well they might
Be in admirable plight,
For one by one, and two by two,
He tossed the human hearts to chew
Which from his wide cloak he drew.

Next came Fraud, and he had on,
Like Eldon, an ermined gown;
His big tears, for he wept well,
Turned to mill-stones as they fell.

And the little children, who
Round his feet played to and fro,
Thinking every tear a gem,
Had their brains knocked out by them.

Clothed with the Bible, as with light,
And the shadows of the night,
Like Sidmouth, next, Hypocrisy
On a crocodile rode by.

And many more Destructions played
In this ghastly masquerade,
All disguised, even to the eyes,
Like Bishops, lawyers, peers, or spies.

Last came Anarchy: he rode
On a white horse, splashed with blood;
He was pale even to the lips,
Like Death in the Apocalypse.

And he wore a kingly crown;
And in his grasp a sceptre shone;
On his brow this mark I saw -
'I AM GOD, AND KING, AND LAW!'

With a pace stately and fast,
Over English land he passed,
Trampling to a mire of blood
The adoring multitude.

And a mighty troop around,
With their trampling shook the ground,
Waving each a bloody sword,
For the service of their Lord.

And with glorious triumph, they
Rode through England proud and gay,
Drunk as with intoxication
Of the wine of desolation.

O'er fields and towns, from sea to sea,
Passed the Pageant swift and free,
Tearing up, and trampling down;
Till they came to London town.

And each dweller, panic-stricken,
Felt his heart with terror sicken
Hearing the tempestuous cry
Of the triumph of Anarchy.

For with pomp to meet him came,
Clothed in arms like blood and flame,
The hired murderers, who did sing
'Thou art God, and Law, and King.

'We have waited, weak and lone
For thy coming, Mighty One!
Our Purses are empty, our swords are cold,
Give us glory, and blood, and gold.'

Lawyers and priests, a motley crowd,
To the earth their pale brows bowed;
Like a bad prayer not over loud,
Whispering - 'Thou art Law and God.' -

Then all cried with one accord,
'Thou art King, and God and Lord;
Anarchy, to thee we bow,
Be thy name made holy now!'

And Anarchy, the skeleton,
Bowed and grinned to every one,
As well as if his education
Had cost ten millions to the nation.

For he knew the Palaces
Of our Kings were rightly his;
His the sceptre, crown and globe,
And the gold-inwoven robe.

So he sent his slaves before
To seize upon the Bank and Tower,
And was proceeding with intent
To meet his pensioned Parliament

When one fled past, a maniac maid,
And her name was Hope, she said:
But she looked more like Despair,
And she cried out in the air:

'My father Time is weak and gray
With waiting for a better day;
See how idiot-like he stands,
Fumbling with his palsied hands!

He has had child after child,
And the dust of death is piled
Over every one but me -
Misery, oh, Misery!'

Then she lay down in the street,
Right before the horses' feet,
Expecting, with a patient eye,
Murder, Fraud, and Anarchy.

When between her and her foes
A mist, a light, an image rose,
Small at first, and weak, and frail
Like the vapour of a vale:

Till as clouds grow on the blast,
Like tower-crowned giants striding fast,
And glare with lightnings as they fly,
And speak in thunder to the sky,

It grew - a Shape arrayed in mail
Brighter than the viper's scale,
And upborne on wings whose grain
Was as the light of sunny rain.

On its helm, seen far away,
A planet, like the Morning's, lay;
And those plumes its light rained through
Like a shower of crimson dew.

With step as soft as wind it passed
O'er the heads of men - so fast
That they knew the presence there,
And looked, - but all was empty air.

As flowers beneath May's footstep waken,
As stars from Night's loose hair are shaken,
As waves arise when loud winds call,
Thoughts sprung where'er that step did fall.

And the prostrate multitude
Looked - and ankle-deep in blood,
Hope, that maiden most serene,
Was walking with a quiet mien:

And Anarchy, the ghastly birth,
Lay dead earth upon the earth;
The Horse of Death tameless as wind
Fled, and with his hoofs did grind
To dust the murderers thronged behind.

A rushing light of clouds and splendour,
A sense awakening and yet tender
Was heard and felt - and at its close
These words of joy and fear arose

As if their own indignant Earth
Which gave the sons of England birth
Had felt their blood upon her brow,
And shuddering with a mother's throe

Had turned every drop of blood
By which her face had been bedewed
To an accent unwithstood, -
As if her heart had cried aloud:

'Men of England, heirs of Glory,
Heroes of unwritten story,
Nurslings of one mighty Mother,
Hopes of her, and one another;

'Rise like Lions after slumber
In unvanquishable number,
Shake your chains to earth like dew
Which in sleep had fallen on you -
Ye are many - they are few.

'What is Freedom? - ye can tell
That which slavery is, too well -
For its very name has grown
To an echo of your own.

'Tis to work and have such pay
As just keeps life from day to day
In your limbs, as in a cell
For the tyrants' use to dwell,

'So that ye for them are made
Loom, and plough, and sword, and spade,
With or without your own will bent
To their defence and nourishment.

'Tis to see your children weak
With their mothers pine and peak,
When the winter winds are bleak, -
They are dying whilst I speak.

'Tis to hunger for such diet
As the rich man in his riot
Casts to the fat dogs that lie
Surfeiting beneath his eye;

'Tis to let the Ghost of Gold
Take from Toil a thousandfold
More that e'er its substance could
In the tyrannies of old.

'Paper coin - that forgery
Of the title-deeds, which ye
Hold to something of the worth
Of the inheritance of Earth.

'Tis to be a slave in soul
And to hold no strong control
Over your own wills, but be
All that others make of ye.

'And at length when ye complain
With a murmur weak and vain
'Tis to see the Tyrant's crew
Ride over your wives and you -
Blood is on the grass like dew.

'Then it is to feel revenge
Fiercely thirsting to exchange
Blood for blood - and wrong for wrong -
Do not thus when ye are strong.

'Birds find rest, in narrow nest
When weary of their wingèd quest
Beasts find fare, in woody lair
When storm and snow are in the air.

'Asses, swine, have litter spread
And with fitting food are fed;
All things have a home but one -
Thou, Oh, Englishman, hast none!

'This is slavery - savage men
Or wild beasts within a den
Would endure not as ye do -
But such ills they never knew.

'What art thou Freedom? O! could slaves
Answer from their living graves
This demand - tyrants would flee
Like a dream's dim imagery:

 

[belboid]

'Thou art not, as impostors say,
A shadow soon to pass away,
A superstition, and a name
Echoing from the cave of Fame.

'For the labourer thou art bread,
And a comely table spread
From his daily labour come
In a neat and happy home.

'Thou art clothes, and fire, and food
For the trampled multitude -
No - in countries that are free
Such starvation cannot be
As in England now we see.

'To the rich thou art a check,
When his foot is on the neck
Of his victim, thou dost make
That he treads upon a snake.

'Thou art Justice - ne'er for gold
May thy righteous laws be sold
As laws are in England - thou
Shield'st alike the high and low.

'Thou art Wisdom - Freemen never
Dream that God will damn for ever
All who think those things untrue
Of which Priests make such ado.

'Thou art Peace - never by thee
Would blood and treasure wasted be
As tyrants wasted them, when all
Leagued to quench thy flame in Gaul.

'What if English toil and blood
Was poured forth, even as a flood?
It availed, Oh, Liberty,
To dim, but not extinguish thee.

'Thou art Love - the rich have kissed
Thy feet, and like him following Christ,
Give their substance to the free
And through the rough world follow thee,

'Or turn their wealth to arms, and make
War for thy belovèd sake
On wealth, and war, and fraud - whence they
Drew the power which is their prey.

'Science, Poetry, and Thought
Are thy lamps; they make the lot
Of the dwellers in a cot
So serene, they curse it not.

'Spirit, Patience, Gentleness,
All that can adorn and bless
Art thou - let deeds, not words, express
Thine exceeding loveliness.

'Let a great Assembly be
Of the fearless and the free
On some spot of English ground
Where the plains stretch wide around.

'Let the blue sky overhead,
The green earth on which ye tread,
All that must eternal be
Witness the solemnity.

'From the corners uttermost
Of the bounds of English coast;
From every hut, village, and town
Where those who live and suffer moan,

'From the workhouse and the prison
Where pale as corpses newly risen,
Women, children, young and old
Groan for pain, and weep for cold -

'From the haunts of daily life
Where is waged the daily strife
With common wants and common cares
Which sows the human heart with tares -

'Lastly from the palaces
Where the murmur of distress
Echoes, like the distant sound
Of a wind alive around

'Those prison halls of wealth and fashion,
Where some few feel such compassion
For those who groan, and toil, and wail
As must make their brethren pale -

'Ye who suffer woes untold,
Or to feel, or to behold
Your lost country bought and sold
With a price of blood and gold -

'Let a vast assembly be,
And with great solemnity
Declare with measured words that ye
Are, as God has made ye, free -

'Be your strong and simple words
Keen to wound as sharpened swords,
And wide as targes let them be,
With their shade to cover ye.

'Let the tyrants pour around
With a quick and startling sound,
Like the loosening of a sea,
Troops of armed emblazonry.

Let the charged artillery drive
Till the dead air seems alive
With the clash of clanging wheels,
And the tramp of horses' heels.

'Let the fixèd bayonet
Gleam with sharp desire to wet
Its bright point in English blood
Looking keen as one for food.

'Let the horsemen's scimitars
Wheel and flash, like sphereless stars
Thirsting to eclipse their burning
In a sea of death and mourning.

'Stand ye calm and resolute,
Like a forest close and mute,
With folded arms and looks which are
Weapons of unvanquished war,

'And let Panic, who outspeeds
The career of armèd steeds
Pass, a disregarded shade
Through your phalanx undismayed.

'Let the laws of your own land,
Good or ill, between ye stand
Hand to hand, and foot to foot,
Arbiters of the dispute,

'The old laws of England - they
Whose reverend heads with age are gray,
Children of a wiser day;
And whose solemn voice must be
Thine own echo - Liberty!

'On those who first should violate
Such sacred heralds in their state
Rest the blood that must ensue,
And it will not rest on you.

'And if then the tyrants dare
Let them ride among you there,
Slash, and stab, and maim, and hew, -
What they like, that let them do.

'With folded arms and steady eyes,
And little fear, and less surprise,
Look upon them as they slay
Till their rage has died away.

'Then they will return with shame
To the place from which they came,
And the blood thus shed will speak
In hot blushes on their cheek.

'Every woman in the land
Will point at them as they stand -
They will hardly dare to greet
Their acquaintance in the street.

'And the bold, true warriors
Who have hugged Danger in wars
Will turn to those who would be free,
Ashamed of such base company.

'And that slaughter to the Nation
Shall steam up like inspiration,
Eloquent, oracular;
A volcano heard afar.

'And these words shall then become
Like Oppression's thundered doom
Ringing through each heart and brain,
Heard again - again - again -

'Rise like Lions after slumber
In unvanquishable number -
Shake your chains to earth like dew
Which in sleep had fallen on you -
Ye are many - they are few.'


Percy Bysshe Shelley - The Mask of Anarchy

 

[butchersapron]

For Mr foot i presume? Nice one.

 

[Citizen66]

The genius of the crowd

there is enough treachery, hatred violence absurdity in the average
human being to supply any given army on any given day

and the best at murder are those who preach against it
and the best at hate are those who preach love
and the best at war finally are those who preach peace

those who preach god, need god
those who preach peace do not have peace
those who preach peace do not have love

beware the preachers
beware the knowers
beware those who are always reading books
beware those who either detest poverty
or are proud of it
beware those quick to praise
for they need praise in return
beware those who are quick to censor
they are afraid of what they do not know
beware those who seek constant crowds for
they are nothing alone
beware the average man the average woman
beware their love, their love is average
seeks average

but there is genius in their hatred
there is enough genius in their hatred to kill you
to kill anybody
not wanting solitude
not understanding solitude
they will attempt to destroy anything
that differs from their own
not being able to create art
they will not understand art
they will consider their failure as creators
only as a failure of the world
not being able to love fully
they will believe your love incomplete
and then they will hate you
and their hatred will be perfect

like a shining diamond
like a knife
like a mountain
like a tiger
like hemlock

their finest art

Charles Bukowski

 

[RubyToogood]

Swirl

Carl Sandburg

A swirl in the air where your head was once, here.
You walked under this tree, spoke to a moon for me
I might almost stand here and believe you alive.

 

[RubyToogood]

I think you may be getting a short Carl Sandburg season... I know 0 about him but I'm enjoying what I'm reading.


Haze

Keep a red heart of memories
Under the great gray rain sheds of the sky,
Under the open sun and the yellow gloaming embers.
Remember all paydays of lilacs and songbirds;
All starlights of cool memories on storm paths.

Out of this prairie rise the faces of dead men.
They speak to me. I can not tell you what they say.

Other faces rise on the prairie.
They are the unborn. The future.

Yesterday and to-morrow cross and mix on the skyline
The two are lost in a purple haze. One forgets. One waits.

In the yellow dust of sunsets, in the meadows of vermilion eight o’clock June nights … the dead men and the unborn children speak to me … I can not tell you what they say … you listen and you know.

I don’t care who you are, man:
I know a woman is looking for you
and her soul is a corn-tassel kissing a south-west wind.
(The farm-boy whose face is the color of brick-dust, is calling the cows; he will form the letter X with crossed streams of milk from the teats; he will beat a tattoo on the bottom of a tin pail with X’s of milk.)

I don’t care who you are, man:
I know sons and daughters looking for you
And they are gray dust working toward star paths
And you see them from a garret window when you laugh
At your luck and murmur, “I don’t care.”

I don’t care who you are, woman:
I know a man is looking for you
And his soul is a south-west wind kissing a corn-tassel.

(The kitchen girl on the farm is throwing oats to the chickens and the buff of their feathers says hello to the sunset’s late maroon.)

I don’t care who you are, woman:
I know sons and daughters looking for you
And they are next year’s wheat or the year after hidden in the dark and loam.

My love is a yellow hammer spinning circles in Ohio, Indiana. My love is a redbird shooting flights in straight lines in Kentucky and Tennessee. My love is an early robin flaming an ember of copper on her shoulders in March and April. My love is a graybird living in the eaves of a Michigan house all winter. Why is my love always a crying thing of wings?

On the Indiana dunes, in the Mississippi marshes, I have asked: Is it only a fishbone on the beach?
Is it only a dog’s jaw or a horse’s skull whitening in the sun? Is the red heart of man only ashes? Is the flame of it all a white light switched off and the power house wires cut?

Why do the prairie roses answer every summer? Why do the changing repeating rains come back out of the salt sea wind-blown? Why do the stars keep their tracks? Why do the cradles of the sky rock new babies?

 

[chrissie]

My First Bra

A big brown bear
is knocking at the door:

he wants to borrow a dress
and matching knickers.

The smell of lilac
smothers me like wool:

Beyond the lawns
I hear my naked sister

crying in the nettles
where I threw her:

nobody else is having
my first bra.

Selima Hill

 

[onemonkey]

All the world's a stage,
And all the men and women merely players:
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms.
And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well saved, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.

-As you like it II-7

 

[RubyToogood]

That's cheery...

 

[Wyn]

Talking to myself

It's all over - I told you
and you said
- don't worry about it
let go quietly
learn how to look at the stopped clock
with self-composure
be sensible
realise it's not winding it needs
admit it - it's your life
moving that way -
and don't be fooled by occasional movements of the hands
it's got nothing to do with you
come on down
dethrone yourself soberly
you were only taking a chance
at it
forget about it - smile

you had you say

Kiki Dimoula

 

[Yossarian]

The Misunderstanding
Bill Knott

I'm charmed yet chagrined by this misunderstanding--
As when, after a riot, my city's smashed-in stores appear all
Boarded up, billboarded over, with ads for wind-insurance.
Similarly, swimmingly, I miss the point. You too?

And my misunderstanding doesn't stop there, it grows--soon
I can't see why that sudden influx of fugitives,
All the world's escapees, rubbing themselves lasciviously against the
Berlin Wall.
They stick like placards to it. Like napalm. Like ads for--

And me, I haven't even bought my biodegradable genitalia yet!
No. I was born slow, but picking up speed I run through
Our burnt-out streets, screaming, refusing to buy a house.
Finally, exasperated, the misunderstanding overtakes me, snatches
up

Handcuffs. So now here I am, found with all you others
Impatiently craning, in this queue that rumors out of sight up ahead
somewhere,
Clutching our cash eager to purchase whatever it is, nervous
As if bombs were about to practice land-reform upon our bodies,

Redistribution of eyes, toes, arms, here we stand. Then, some new
Age starts.

 

[butchersapron]

One for those missed out:

FRANCISCO, I'LL BRING YOU RED CARNATIONS

Here in the great cemetery
behind the fortress of Barcelona
I have come once more to see
the graves of my fallen.
Two ancient picnickers direct
us down the hill. 'Durruti,'
says the man, 'I was on
his side.' The woman hushes
him. All the way down
this is a city of the dead,
871,251 d~funtos.
The poor packed in tenements
a dozen high; the rich
in splendid homes or temples.
So nothing has changed
except for the single
unswerving fact: they are
all dead. Here is the Plaza
of Saint Jaime, here the Rambla
of San Pedro, so every death
still has a mailing address,
but since this is Spain
the mail never comes or
comes too late to be of use.
Between the cemetery and
the Protestant burial ground
we find the three stones all in a row: Ferrer Guardia,
B. Durruti, F. Ascaso, the names
written with marking pens,
and a few circled A's and tributes
to the FAI and CNT.
For two there are floral
displays, but Ascaso faces
eternity with only a stone.
Maybe as it should be. He was
a stone, a stone and a blade,
the first grinding and sharpening
the other. Half his 36
years were spent in prisons
or on the run, and yet
in that last photograph
taken less than an hour before
he died, he stands in a dark
suit, smoking, a rifle slung
behind his shoulder, and glances
sideways at the camera
half smiling. It is July 20,
1936, and before the darkness
falls a darkness will have
fallen on him. While
the streets are echoing
with victory and revolution,
Francisco Ascaso will take up
the hammered little blade
of his spirit and enter for
the last time the republics
of death. I remember
his words to a frightened
comrade who questioned
the wisdom of attack: 'We
have gathered here to die, but we
don?t have to die with dogs,
so go.' Forty-one years
ago, and now the city stretches
as far as the eye can see,
huge cement columns like nails
pounded into the once green
meadows of the Llobregat.
Your Barcelona is gone,
the old town swallowed
in industrial filth and
the burning mists of gasoline.
Only the police remain, armed
and arrogant, smiling masters
of the boulevards, the police
and your dream of the city
of God, where every man
and every woman gives
and receives the gifts of work
and care, and that dream
goes on in spite of slums,

in spite of death clouds,
the roar of trucks, the harbor
staining the mother sea,
it goes on in spite of all
that mocks it. We have it here
growing in our hearts, as
your comrade said, and when
we give it up with our last
breaths someone will gasp
it home to their lives.
Francisco, stone, knife blade,
single soldier still on
the run down the darkest
street of all, we will be back
across an ocean and a continent
to bring you red carnations,
to celebrate the unbroken
promise of your life that
once was frail and flesh.


Phillip Levine

 

[Johnny Canuck3]

http://oblivio.com/archives/02100601.shtml