interesting bit when arthur was losing it and tommy calmed him down by talking to him like a soldier. The war that lurks in the background of this show, some of them never really left the trenches etc. Arthur still wound as as tight as a drum and Thomas till as cool as forty seven cucumbers.
The first jazz records were recorded in 1917. They made it across the pond pretty quickly. The ODJB played in the UK in 1919. Sidney Bechet played London the same year.ayo in the first series I noticed when they went to the Cheltenham races the band was playing "hot jazz"... been as this was barely just being invented in the US at the time (1919) I think it is very unlikely a function band a race track would have been playing this style of music in Cheltenham. danny la rouge would know more though.
Did they play at Cheltenham racetrack?The first jazz records were recorded in 1917. They made it across the pond pretty quickly. The ODJB played in the UK in 1919. Sidney Bechet played London the same year.
I've never seen the program in question. And I don't know where Cheltenham is. So I'm not any help to you on either count.Did they play at Cheltenham racetrack?
It's all a dream he's having in the First World War mines as he slowly suffocates.While not as good as I had hoped it was good. Really suprised when the veil came up and it was Grace he married. I thought she has fecked off to America. What happened to posh totty May? 10 minutes in and I was still thinking it was going to flip, like that was a dream he was having.
I was also suprised. I think that was done on purpose. Bit annoyed that they seem to be dropping anything other than the most superficial social history in service of the plot. This was a time when labour agiation was as rife and troublesome as it has ever been and yet its all been written out in favour of Ada the once-commie who is now basically edging towards fabianismReally suprised when the veil came up and it was Grace he married.
I was also suprised. I think that was done on purpose. Bit annoyed that they seem to be dropping anything other than the most superficial social history in service of the plot. This was a time when labour agiation was as rife and troublesome as it has ever been and yet its all been written out in favour of Ada the once-commie who is now basically edging towards fabianism
not at all, its not just on character level is what I mean. This period saw an immense amount of social and labour conflicts etc and yet its being written aside to be basically what the OP said- a brummie Boardwalk EmpireI haven't watched the ep yet (so really shouldn't be reading this thread) but is it such a stretch of imagination that some people move away from their political beliefs?
not at all, its not just on character level is what I mean. This period saw an immense amount of social and labour conflicts etc and yet its being written aside to be basically what the OP said- a brummie Boardwalk Empire
I'll still watch though, that angelic cillian has me in his thrall
I know what you mean. Have you seen him in Breakfast on Pluto?
If you like that kind of conflict; I recommend an Alan Bleasdale drama from the 80s - The Monocled Mutineer - true story of Percy Topliss who was involved in the mutinies during WW1. I remember it drove the tories beserk back then and the Daily Heil was frothing at the mouth...
yeah he can't just have an angel face he has to have greek sculpture da vinci diagram glutes as well. I'm falling badly out of love with him for taking white russian money thoughDo you know something? I don't give a rats arse if the accents aren't quite right or the music is a bit out historically or even if someone changes their sodding politics. The writing is great, the acting is great and we got Tommy Shelby naked in the first episode.
It's a grand bit of telly.
The soundtrack is one of the best bits. It works.
It's maybe bad but my genuine reaction to the ending was hope that we wouldn't have to tolerate any more bloody insipid Grace.
i'm enjoying the "Gypsy roots" theme running through this series (esp. with Tommy), its stronger than it was before, but has the overall programme been sexed up a bit too much? has it become faintly ridiculous? Maybe not, i'm still enjoying it, but who exactly is the priest (in relation to both Churchill and the Russians)? can someone explain? I've clearly been paying too much attention to Murphy's cigarette inhaling cheekbones, instead of focusing on the plot...