1/50 The State of Capitalism by Costas Lapavitsas and the EReNSEP Writing Collective
2/50 The Turn of the Screw by Henry James
3/50 The True Deceiver by Tove Jansson
4/50 Army of Lovers by K.M. Soehnlein
5/50 Cold Nights of Childhood by Tezer Özlü
6/50 Sanditon by Jane Austen
7/50 Delilah Green Doesn't Care by Ashley Herring Blake
8/50 Cold Hand in Mine by Robert Aickman
9/50 A Long Time Dead by Samara Berger
10/50 Asia’s Unknown Uprisings Volume 1: South Korean Social Movements in the 20th Century by George Katsiaficas
11/50 Maigret at Picratt’s by Georges Simenon
12/50 Matrix by Lauren Groff
13/50 Persuasion by Jane Austen
14/50 The Glass Pearls by Emeric Pressburger
15/50 Hôtel Splendid by Marie Redonnet
16/50 Dandelions by Yasunari Kawabata
17/50 The Slave Ship: A Human History by Marcus Rediker
18/50 Of Wars, and Memories, and Starlight by Aliette de Bodard
19/50 The Cracked Looking Glass by Katherine Anne Porter
20/50 Film Making in 1930s Britain by Rachael Low
21/50 Revenge by Yoko Ogawa
22/50 After the New Economy by Doug Henwood
23/50 The Teachers’ Room by Lydia Stryk
24/50 The Small Back Room by Nigel Balchin
25/50 Dragon Palace by Hiromi Kawakami
26/50 In the Long Run We Are All Dead by Geoff Mann
27/50 Madame de by Louise de Vilmorin
28/50 Realizing Capital: Financial and Psychic Economies in Victorian Form by Anna Kornbluh
29/50 We Could Be So Good by Cat Sebastian
30/50 Falling Hour by Geoffrey D. Morrison
31/50 BFFs by Anahit Behrooz
32/50 My Darling Dreadful Thing by Johanna Van Veen
33/50 Go Back at Once by Robert Aickman
34/50 The Wall by Marlen Haushofer
A woman goes on holiday to the mountains and finds herself inexplicably trapped there by an invisible wall, while outside the barrier there is no sign of life. This was brilliant, probably the best novel I’ve read this year.
35/50 The Late Americans by Brandon Taylor
I think someone on here read this for last year’s challenge and it sounded good so I picked up a cheap signed copy I found in a clearance sale in January (sorry Brandon
). I did like it, it all felt a bit aimless but Taylor writes annoying, arrogant and sometimes horrible characters well and with an empathetic warmth.
