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    Lazy Llama

Films you have seen at the cinema: 2021

Most of the screenings at LIFF are at a Vue cinema, which all have massive recliner seats that feel safely separate from each other and they’re also very well ventilated, so feeling pretty relaxed about it. They’re also showing most of the programme online too, so the live venues might not be so packed.
 
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The Harder They Fall. So I enjoy a good Western (classic, spaghetti, contemporary) but this is not a good Western or indeed a good film. A good Western needs imo at least one (and hopefully more) of:

1) A clear sense of who you want to win/lose or, if there's moral ambiguity going on (which I do like), it also needs...

2) A good script/dialogue.

And then we have

3) Well-paced action.

Didn't care who won/lost, the script was pedestrian (I think it was going for a cross between a Spaghetti Western and Tarantino motherfucker :rolleyes:) and well before we got to the big action scene, I'd absolutely lost the will.

Shoehorning in (in passing) a political motivation and then a personal motivation at the end felt like a really clunky way of trying to make you empathise with the baddie. (Not that I was really empathising with anyone but me and my wasted life by that point tbh.)

In short, on the very boring end of mediocre and a real waste of a decent cast who tried their best but to no avail. (I also found the music really intrusive and annoying.) I did stay till the end but I was so bored I considered walking about an hour in.

Tl:dr I'd a free ticket and still felt pissed off I'd wasted my time on this.
 
I'm off work this week and fancied a matinée, reasoning correctly that it would be practically empty. I saw King Richard, a biopic of Venus and Serena Williams's dad, with Will Smith in the title role, because it was on.

It was good. He comes across as having been right, and mostly for the right reasons, but wildly flawed, although it also raises the question as to how much of that is about not fitting into the expectations of a white, privileged tennis world. His determination to make something wildly improbable happen seems slightly demented.

It could have been a schmaltzy feelgood black role model film and it's not, it's much dirtier than that. There are no real villains - the racism is a constant background hum.
 
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The Harder They Fall. So I enjoy a good Western (classic, spaghetti, contemporary) but this is not a good Western or indeed a good film. A good Western needs imo at least one (and hopefully more) of:

1) A clear sense of who you want to win/lose or, if there's moral ambiguity going on (which I do like), it also needs...

2) A good script/dialogue.

And then we have

3) Well-paced action.

Didn't care who won/lost, the script was pedestrian (I think it was going for a cross between a Spaghetti Western and Tarantino motherfucker :rolleyes:) and well before we got to the big action scene, I'd absolutely lost the will.

Shoehorning in (in passing) a political motivation and then a personal motivation at the end felt like a really clunky way of trying to make you empathise with the baddie. (Not that I was really empathising with anyone but me and my wasted life by that point tbh.)

In short, on the very boring end of mediocre and a real waste of a decent cast who tried their best but to no avail. (I also found the music really intrusive and annoying.) I did stay till the end but I was so bored I considered walking about an hour in.

Tl:dr I'd a free ticket and still felt pissed off I'd wasted my time on this.
Pity as I love a good Western .
 
Compartiment Tueurs (The Sleeping Car Murders). A young woman is killed on the Marseilles-Paris train and the Paris police try to work out who done it.

Costa-Gavras' first feature. Has a v starry cast (Simone Signoret, Yves Montand, Jean-Louis Trintignant, Michel Piccoli) and clips along at a good pace. Nice 60's feel and some funny touches en route.

It was showing as part of their Simone Signoret 100th birthday season. Next week is L'Armee des Ombres.
 
Compartiment Tueurs (The Sleeping Car Murders). A young woman is killed on the Marseilles-Paris train and the Paris police try to work out who done it.

Costa-Gavras' first feature. Has a v starry cast (Simone Signoret, Yves Montand, Jean-Louis Trintignant, Michel Piccoli) and clips along at a good pace. Nice 60's feel and some funny touches en route.

It was showing as part of their Simone Signoret 100th birthday season. Next week is L'Armee des Ombres.
Have to check that out.
I'd love to see Army of Shadows at a cinema
 
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Have to check that out.
I'd love to see Army of Shadows at a cinema
I saw it at the cinema during the BFI's Melville season. I may go anyway, especially as there's a thing afterwards about an interesting sounding book. Quite tempted to buy it.

 
The new Matrix.

The first third is brilliant, meta, funny and if the film had continued that way, it would have been top tier entertainment. Unfortunately, it gets bogged down in the same kind of mire that the previous sequels did. What a pity.

On the plus side, Neil Patrick Harris and several familiar faces from Sens8 and Jessica Henwick from Star Wars/GoT/Ironfist.

A generous three stars out of five.
 
Spider-Man: No Way Home

No Spoilers review - Thoroughly entertaining, decently paced (despite a long run time) and perhaps most importantly - full of great characterisation and emotional beats. The plot is suitably silly (and provides a few convenient moments), but it's the characters that drive it forward, which makes for some great payoffs in the final third of the film.

It may not win any awards (and I'm not necessarily suggesting it should) but in terms of blockbuster crowd-pleasers, this might be right up there with the very best.

9/10
As an aside - I was dreading the cinema experience, but thankfully only a few dickheads with their phones out occasionally, so not too bad.

Spoilers Review -

Weirdly, I find myself enjoying the film more as I think about it (in the cinema I was enjoying the spectacle but felt it was a bit fan-service-heavy).

One of the most consistent (and up-to-this-point reasonable) criticisms of Tom Holland's Spider-Man was that he wasn't allowed to stand on his own 2 feet:
  • he was gifted magic spider suits and financially-backed / mentored by Tony Stark
  • he joins the Avengers barely months after becoming Spider-Man and fights Universe-ending threats on alien planets, but doesn't spend enough time in Queens being a friendly neighbourhood, etc....
  • he's popular enough at school and has his best friend and girlfriend in on his secret, helping him out alongside Aunt May (and Happy filling in as a Stark surrogate with tech, etc)
  • we never saw his origin story (Uncle Ben, "With great power comes great.....")
We never saw his origin story.

Because it hadn't yet happened.

The MCUs contribution to the Spideyverse turns out to be actually one giant origin story, carefully plotted to get us to a fully formed, battle-scarred and very-much-alone Peter Parker.

In terms of scripting / storytelling, it's incredibly well done and hits hard after what were relatively light affairs in Homecoming and Far From Home.

Holland's Peter Parker deciding to try and cure the villains rather than send them to die made for a unique twist and some funny interactions, but also allowed the film to give unexpected closure to several character arcs I never would have expected. Seeing Tobey's Peter older and secure in himself, chatting warmly with Doc Ock and saving Goblin from being speared by his glider again; allowing Garfield his moment of redemption in saving MJ while clearly still not over Gwen's death; the various villains coming to terms with their fates and being saved by Spider-Man instead of killed / defeated.

Short list of random thoughts / nerdgasms:

Matt Murdock :cool: Jessica Jones and Luke Cage into the MCU next please (sorry Iron Fist, go play in the corner and continue being a dumbass)
Andrew Garfield steals almost every scene he's in, even with Tobey and Tom. His acting is on another level (particularly in the aforementioned scene where he gets redemption for not saving Gwen in TASM2). Just brilliant to watch.
The older / middle / youngest sibling dynamics between the Spider-Men were both meta and perfectly consistent within the film
Marisa Tomei nails her Uncle Ben moment (well acted by Holland too)
Willem Defoe is fantastic reprising Green Goblin, whoever made the decision to leave his helmet off for the remainder of the film understood he basically looks like a comic book villain regardless :D
Dr Strange basically popping in to set up his film and snark a lot, Benedict Cumberbatch still channels pure arrogance better than anyone.
"PETER THREE" waves arms manically :D Again - Andrew Garfield is fantastic just generally.

Loved it.
 
I thought No Way Home was a big disappointment - the tone was all over the place and it felt a bit like it had been cobbled together from bits of other, better, MCU films.

Maybe I would have enjoyed it more if I was more familiar with the Maguire and Garfield Spider-man movies, but I still think Into the Spider-Verse is by far the better Spider-man multiverse film.
 
I thought No Way Home was a big disappointment - the tone was all over the place and it felt a bit like it had been cobbled together from bits of other, better, MCU films.

Maybe I would have enjoyed it more if I was more familiar with the Maguire and Garfield Spider-man movies, but I still think Into the Spider-Verse is by far the better Spider-man multiverse film.

I think your spoiler comment will probably sum up the disconnect, a fair amount of impact is lost
if you're not familiar with the previous depictions.

Agreed on Into The SpiderVerse being the best of the bunch (just about), it's interesting that Spiderverse was dealing with alternate versions of Spider-Man, while No Way Home deals with alternate Peter Parkers, probably deliberately to differentiate themselves.
 
Yes the cinema certainly was nice and quiet today - there were only five of us :D

Went to see a sort of documentary film on the subject of the moon, it was made up of a collection of clips of many films from around the world - very poetic, probably not everyones cup of tea but I enjoyed it.

 
Spider-Man: No Way Home

No Spoilers review - Thoroughly entertaining, decently paced (despite a long run time) and perhaps most importantly - full of great characterisation and emotional beats. The plot is suitably silly (and provides a few convenient moments), but it's the characters that drive it forward, which makes for some great payoffs in the final third of the film.

It may not win any awards (and I'm not necessarily suggesting it should) but in terms of blockbuster crowd-pleasers, this might be right up there with the very best.

9/10
As an aside - I was dreading the cinema experience, but thankfully only a few dickheads with their phones out occasionally, so not too bad.

Spoilers Review -

Weirdly, I find myself enjoying the film more as I think about it (in the cinema I was enjoying the spectacle but felt it was a bit fan-service-heavy).

One of the most consistent (and up-to-this-point reasonable) criticisms of Tom Holland's Spider-Man was that he wasn't allowed to stand on his own 2 feet:
  • he was gifted magic spider suits and financially-backed / mentored by Tony Stark
  • he joins the Avengers barely months after becoming Spider-Man and fights Universe-ending threats on alien planets, but doesn't spend enough time in Queens being a friendly neighbourhood, etc....
  • he's popular enough at school and has his best friend and girlfriend in on his secret, helping him out alongside Aunt May (and Happy filling in as a Stark surrogate with tech, etc)
  • we never saw his origin story (Uncle Ben, "With great power comes great.....")
We never saw his origin story.

Because it hadn't yet happened.

The MCUs contribution to the Spideyverse turns out to be actually one giant origin story, carefully plotted to get us to a fully formed, battle-scarred and very-much-alone Peter Parker.

In terms of scripting / storytelling, it's incredibly well done and hits hard after what were relatively light affairs in Homecoming and Far From Home.

Holland's Peter Parker deciding to try and cure the villains rather than send them to die made for a unique twist and some funny interactions, but also allowed the film to give unexpected closure to several character arcs I never would have expected. Seeing Tobey's Peter older and secure in himself, chatting warmly with Doc Ock and saving Goblin from being speared by his glider again; allowing Garfield his moment of redemption in saving MJ while clearly still not over Gwen's death; the various villains coming to terms with their fates and being saved by Spider-Man instead of killed / defeated.

Short list of random thoughts / nerdgasms:

Matt Murdock :cool: Jessica Jones and Luke Cage into the MCU next please (sorry Iron Fist, go play in the corner and continue being a dumbass)
Andrew Garfield steals almost every scene he's in, even with Tobey and Tom. His acting is on another level (particularly in the aforementioned scene where he gets redemption for not saving Gwen in TASM2). Just brilliant to watch.
The older / middle / youngest sibling dynamics between the Spider-Men were both meta and perfectly consistent within the film
Marisa Tomei nails her Uncle Ben moment (well acted by Holland too)
Willem Defoe is fantastic reprising Green Goblin, whoever made the decision to leave his helmet off for the remainder of the film understood he basically looks like a comic book villain regardless :D
Dr Strange basically popping in to set up his film and snark a lot, Benedict Cumberbatch still channels pure arrogance better than anyone.
"PETER THREE" waves arms manically :D Again - Andrew Garfield is fantastic just generally.

Loved it.
Were you dreading the experience because of normal cinemagoing behaviour or of going during a pandemic?
 
Just normal cinema behaviour, even people whispering sets me on edge and breaks the immersion.

The inability of some people to leave their fucking phones alone for 2-3 hours doesn't help either :mad:

In this part of the world the silence in cinemas is almost frightening. No mobile bollocks, no crunch crunch of crisps, no chatting etc.

Makes me feel like a loon when laughing out loud at stuff, though.
 
West Side Story (Spielberg’s 2021 remake). If you don’t like musicals, don’t bother. If you do, fucking brilliant to be honest. Dare I say even better than the original? I think I do.
 
I’m going to see Spider-Man: No Way Home tomorrow.
I’ve not seen any of the Tom Holland Spidermen - do I need to swat up tonight?
Do I need to watch Homecoming as well as Far From Home? Or can I get away with just Far From Home?
 
I’m going to see Spider-Man: No Way Home tomorrow.
I’ve not seen any of the Tom Holland Spidermen - do I need to swat up tonight?
Do I need to watch Homecoming as well as Far From Home? Or can I get away with just Far From Home?
I think you'd get more out of it if you've seen the others, they all tell a continuous story. I quite like MCU Spider-Man films.
 
I’m going to see Spider-Man: No Way Home tomorrow.
I’ve not seen any of the Tom Holland Spidermen - do I need to swat up tonight?
Do I need to watch Homecoming as well as Far From Home? Or can I get away with just Far From Home?
Mate, you don't need our permission to stay up late watching spiderman. Go for it :D
 
Just don't watch Into the Spiderverse, because you'll wish it was that, with all your soul.
I thought it looked beautiful, but it's a film for comic book fans, with lots of references and in-jokes which, as someone who didn't read superhero comics, went over my head. It was trying a bit too hard to be clever for my taste. I find the MCU films more accessible and enjoyable and I really like Tom Holland in the role.
 
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