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Dune - dir. Denis Villeneuve

Rather annoyingly, that torrent version (which comes direct from HBO) doesn't expand to 16:9 for the bits that go full screen at IMAX. I was under the impression that's what we'd get :(
 
Rather annoyingly, that torrent version (which comes direct from HBO) doesn't expand to 16:9 for the bits that go full screen at IMAX. I was under the impression that's what we'd get :(
The point of IMAX is the higher resolution and you won't benefit from that at home anyway. At home I find these changing aspect ratios gimmicky and distracting when I don't get the benefit of actual IMAX. Once the 4K blu-ray gets released, you'll probably get the changing aspect ratios (and I'll get this in 3D :) ), but if you want to see this in IMAX you really should go and see it at IMAX.

It's the regular widescreen release version for which the film was composed anyway and which is the way most people will see this. That's how I saw it at the cinema in Berlin because it was the only release which was in English (for me) with German subtitles (for my companion).
 
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I saw it a few weeks ago and to my surprise, I really liked it. Never read the book and if I have problems with the film it has more to do with the source than with the adaptation.

Just bought a ticket for a subtitled screening tomorrow, as I’m assuming it will have impenetrable dialogue
 
Who'd have thought in the far future they might have different objects, concepts, names and technical details. A real revolutionary concept in science fiction.
I get that it’s all part of the world building but this type of thing is why I never read much fantasy and Dune is closer to fantasy than science fiction. It makes me so aware of the world building and it pulls me out but I’ll admit it’s more of an emotional response. Dune tries particularly hard in that regard.
 
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Who'd have thought in the far future they might have different objects, concepts, names and technical details. A real revolutionary concept in science fiction.
It’s fucking tiresome when it’s overused. At least Ian Banks did it with his tongue firmly set in cheek. The likes of Herbert and Heinlein write in such turgid humourless prose, that the names only add to the tedium
 
I get that it’s all part of the world building but this type of thing is why I never read much fantasy and Dune is closer to fantasy than science fiction. It makes me so aware of the world building and it pulls me out but I’ll admit it’s more of an emotional response. Dune tries particularly hard on that regard.
Closer to fantasy than SF...hmmm. I suppose we'd have to get into the semantics of genre before making any headway on that point.
 
Closer to fantasy than SF...hmmm. I suppose we'd have to get into the semantics of genre before making any headway on that point.
I get that technically Dune is sci-fi but if you set something in a really far off future then it becomes more fantastical and it’s not much different from setting a fiction in a long ago, alternate past. Dune has more in common with Lord of the Rings than with Arthur C. Clarke or Phillip K. Dick. It’s a matter of taste, while I enjoy elaborate world building in films, I don’t on the page.
 
Closer to fantasy than SF...hmmm. I suppose we'd have to get into the semantics of genre before making any headway on that point.
I thought science fiction was where everything included is possible from a scientific viewpoint although the technology may not yet exist to realise it and science fantasy is any old nonsense with added dragons and wizards?

Eta (My most controversial post ever on Urban...)
 
I thought science fiction was where everything included is possible from a scientific viewpoint although the technology may not yet exist to realise it and science fantasy is any old nonsense with added dragons and wizards?

Eta (My most controversial post ever on Urban...)

Which makes Star Wars fantasy. Which is fair enough.
 
The point of IMAX is the higher resolution and you won't benefit from that at home anyway. At home I find these changing aspect ratios gimmicky and distracting when I don't get the benefit of actual IMAX. Once the 4K blu-ray gets released, you'll probably get the changing aspect ratios (and I'll get this in 3D :) ), but if you want to see this in IMAX you really should go and see it at IMAX.
It switches aspect on the screen too. Mostly it's interiors in the wide aspect and exteriors in the taller one. It does add to the immersiveness.
A laser IMAX projector is actually 4k wide, just like my TV so all I'm really missing is the sound (and the field of view unless I get uncomfortably close to the scree :D)
 
I thought science fiction was where everything included is possible from a scientific viewpoint although the technology may not yet exist to realise it and science fantasy is any old nonsense with added dragons and wizards?

Eta (My most controversial post ever on Urban...)
The definition/distinction that I like and use is that science fiction is a what if story. The characters are tossed on a tide of whatever the situation and concept demands. Fantasy, on the other hand is about the narrative of characters, the hooks of story telling - the great reverse, the epic, love, revenge, etc.

Alas by this definition almost all stories are both SF and fantasy!
 
the gurney/paul sparring showed perfectly the way some of the more unwieldy book dialogue has been faultlessly replaced with acting. I din't need to be told gurney was going in extra hard after the boy had shown indifference to the fight, because he was doing it. The intensity. Stilgar is a legend in this film as in the books. I've a lot more to say but I'm going to watch again tonight- its a big thumbs up from me though. So many cool bits to process, just the scene with Leto's final revenge was amazingly done, finding Baron Harkonnen afterwards up there on the ceiling like something monstrous.
 
The definition/distinction that I like and use is that science fiction is a what if story. The characters are tossed on a tide of whatever the situation and concept demands. Fantasy, on the other hand is about the narrative of characters, the hooks of story telling - the great reverse, the epic, love, revenge, etc.

Alas by this definition almost all stories are both SF and fantasy!

The reason why I could never get into fantasy like Tolkien is because I find them over-preoccupied with world building, while I found the characters to be thin archetypes and the plot a straightforward quest. I'm sure there are plenty of examples which are different, but yours is a poor distinction. Michel Faber's science fiction novels are all about the complex inner lives of its characters, who drive the plot. Michael Crichton's science fiction novels are full of narrative hooks and plot twists.
 
Years in Dune are measured in Earth years. It would be a bit silly having a galactic civilisation where everyone only used their own years. Paul was born in 10175 A.G. (After Guild). 0 A.G. = 10175 A.D.
 
The definition/distinction that I like and use is that science fiction is a what if story. The characters are tossed on a tide of whatever the situation and concept demands. Fantasy, on the other hand is about the narrative of characters, the hooks of story telling - the great reverse, the epic, love, revenge, etc.

Alas by this definition almost all stories are both SF and fantasy!


Someone like Iain M Banks is happy to make up all sorts of stuff that couldn't exist according to the laws of physics as we currently understand them. But he doesn't do magic or mystical mumbo-jumbo, there's always a sense that there are a set of rules and limits to what can happen in his stories. In Dune there is mumbo-jumbo aplenty, so I'd call it fantasy rather than soft sci-fi or 'space opera'. Having attempted to read it, I'd also call it complete bollocks. But it's also very long, so people who do finish it will tell everyone it's great rather than admit they just wasted however long it took to read 1100 pages of dreck.
 
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