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Dune - dir. Denis Villeneuve

Well, I bloody loved it

As did the two people with me who had never read the books, and the one with me who had read only half of the first book.

Not really spoiler but just in case
I thought he did a bang-up job of covering the key bits of backstory with some deft dialogue and ignored the bits that could be safely ignored (really doesn't matter what the navigators look like or exactly what they do, you just need to know they use spice to get everyone around, couple of lines, done). All the sound was superb i.e. not just the music, oh and that includes many key parts with no music (thank you!!), of course it looked amazing, and it had the exact right level of epicness - the sweep of history, the rivalry of the houses - and the emperor of course - and the Shai-Hulud were awesome.

Yeah, bloody fantastic.
I agree about the navigators. Herbert didn't really bother with that in the book. Although there is a massive crossover with the concept of prescience later on.
 
Coming here late - is it any good?
I’m a Lynch fan so I’d likely view any remake with a suspicious eye but then Dune wasn’t really his mentalist stable either.
 
Coming here late - is it any good?
I’m a Lynch fan so I’d likely view any remake with a suspicious eye but then Dune wasn’t really his mentalist stable either.
Yes it's good. If you've seen Villeneuve's other scifi films, then you know what sort of tone you'll be getting. I like that kind of thing, but some don't.
 
That might have been the loudest film I've ever been to see in the cinema. Great visuals, amazing audio (albeit at the expense of one or two unintelligible lines), thought Jason Momoa was miscast, but overall really good. Thought they even managed to pay subtle tribute to the 1984 version's costume design.
 
OK - being the Cap'n Contrarian I am, it's got Crispy's and Thora's seal of approval but has anyone else seen it yet...? Tossing up whether to see it in my local flea pit or splurging on a night out with it with a mate (also not a huge fan of the books nor the Lynch version, but a fan of Villeneuve's style otherwise) in central. Villeneuve's stuff has always demanded the cinema really (and I regret seeing BR2049 at home first).

The other half hasn't shown much in the way of enthusiasm for seeing it (and I've rewatched both the Lynch film and the somewhat dodgy 2000 Hallmark series in the last week in order to avoid having to read the book again) so it's starting to verge on a geeky relapse a little but I'll pass Thora's comments on in hope of a little encouragement.


Is it against the law for blockbusters to be made without a Hans Zimmer score these days...?! :| I like my bombast an' all but I'm a tad worried we're down to one composer doing all of the films these days.
 
Going to see it tomorrow night. Just scanned enough of the thread to get a sense that people like it (avoiding spoilers).
 
I can't do the cinema still. I'll borrow a projector at some point but for now I'm d/ling the highest quality version to watch tonight. You wait years on end for a dune remake and it gets put out during a pandemic. I'll aim to catch p2 on the big screen
 
I enjoyed it. It was definitely a cinema film, rather than a TV show.

I'm not an SF book fan, and I've never read Herbert. I have seen, and sort of enjoyed on a visceral level, Lynch's version.

This one, on the other hand, actually tells a story, for the most part without resorting to exposition - and back story comes from the overall flavour and character interaction.

The performances were good - actors fully committed, no one hamming - and it was beautifully shot. Effects felt organic. Sound design was exquisite (though the mid-sized auditorium in which I saw it clearly was not presenting it at its best).

Action sequences looked specific to this one film, not generic (no random parkour or krav maga), there was a full spectrum in-universe look, and resistance to the temptation of explaining or over-utilising much of the (clearly well-thought out and expensively-produced) people, places or objects which filled the screen whilst the principal cast dialogued in a smaller portion of it.

A beautiful, very good film.
 
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I agree about the navigators. Herbert didn't really bother with that in the book. Although there is a massive crossover with the concept of prescience later on.

True, but as a result that can be dealt with later, right?

So, now that I can consume reviews, whether you like Kermode or not, this pretty much nails it particularly the point about taking a straight line through a complex story
 
Is it against the law for blockbusters to be made without a Hans Zimmer score these days...?! :| I like my bombast an' all but I'm a tad worried we're down to one composer doing all of the films these days.

Glad it's not just me. Zimmer's score for Dunkirk was praised by everyone but I mostly recall it being more of those great big wallops of non-specific portentous racket. Zimmer does seem to lean pretty heavily on those.

I can't bring to mind a single Hans Zimmer melody. Maybe tunes are outdated or something.
 
Cheers I’ll check it out. Is this Netflix stuff?

I think Arrival is still to hire on Amazon. The source material is a short story and the the nature of it* meant I couldn't imagine how it could be a decent film. I was very impressed with the result. Worth paying to see

Actually, that was what gave me high hopes for him doing Dune. I'm still not sure about his Blade Runner.

*I'm trying to avoid spoilers
 
I enjoyed it. It was definitely a cinema film, rather than a TV show.

I'm not an SF book fan, and I've never read Herbert. I have seen, and sort of enjoyed on a visceral level, Lynch's version.

This one, on the other hand, actually tells a story, for the most part without resorting to exposition - and back story comes from the overall flavour and character interaction.

The performances were good - actors fully committed, no one hamming - and it was beautifully shot. Effects felt organic. Sound design was exquisite (though the mid-sized auditorium in which I saw it clearly was not presenting it at its best).

Action sequences looked specific to this one film, not generic (no random parkour or krav maga), there was a full spectrum in-universe look, and resistance to the temptation of explaining or over-utilising much of the (clearly well-thought out and expensively-produced) people, places or objects which filled the screen whilst the principal cast dialogued in a smaller portion of it.

A beautiful, very good film.

This is also an excellent review, nice one Dave
 
Anyone seen it who’s not a book wanker?
It looks awfully drab to me.
I saw it a few weeks ago and to my surprise, I really liked it. Never read the book and if I have problems with the film it has more to do with the source than with the adaptation.

 
That's really surprised me that it wasn't the same guy as Arrival. It had a very similar feel to it. Really complemented the movie.


I'd been a huge fan of Johann Johannsson long before he got into scoring films and I once recommended him for an animated short film I was working on. He did end up doing the score and I got to meet him in the process, he was a lovely man. Very sadly he died in 2018 at the age of 48, just as he was on his way to becoming one of the most in demand film composers.

 
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Tossing up whether to see it in my local flea pit or splurging on a night out with it with a mate (also not a huge fan of the books nor the Lynch version, but a fan of Villeneuve's style otherwise) in central.
Go to town. I went to the Leicester Square IMAX and it's completely enveloping. This is one of those movies that makes full use of all the hitech toys in a whizz-bang auditorium. You want the music to rattle your guts and the landscapes to fill your vision.

EDIT: And wrt to the soundtrack, this one does actualy have melodies and motifs you can hum for days afterwards. Not just BWAAAAAP bam bam bam bam BWAAAAAP.
 
Am considering this 🤔 not been to the cinema since 2019 but I liked the book and even liked the first film in some ways.
 
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