As much as I've been trying to avoid any trailers or spoilers for this, I endured sitting through this when I saw Bond at the flicks over the weekend. The trailer was frenetically edited in a way that I found horribly distracting, and I suspect a massive contrast to Villeneuve's usual grandiose style, but it looked far too "ordinary" at first glance, if that makes any sense. Take out the sand worms and it could have been a fly-on-the-wall documentary about soldiers in the desert.
I'll still be going to see it at the cinema, because if nothing else Villeneuve's films have always delivered on epic eye-candy, but the trailer certainly didn't have me jumping out of my seat. I'll be interested to see whether Crispy gives it the thumbs up or not...
I think it's safe to say that the visual style of Lynch's Dune has become iconic for me at least (I'd seen the 1984 film on TV before I read the books). Never really got the massive amount of adulation for the books TBH,not really my bag; I never really liked Herbert's prose and prefer hard sci-fi to all the mystical bollocks. :shrugs: But when I did read them, the imagery in my head was largely straight from Lynch in a way that didn't happen for any other "film first, book later" experiences I had.
If you can get past the clickbait title, this is probably the kindest take on Lynch's Dune for anyone still on the fence (i.e. no-one) and more-or-less the same as my opinion: a glorious, gorgeous mess of a film that couldn't have been made by anyone else. How much of its majestic incoherence is due to Lynch, the studio, or the source material itself is of course the stuff of Hollywood legend.
The pursuit of greatness must embrace the ridiculous.
arstechnica.com