Urban75 Home About Offline BrixtonBuzz Contact

Do you consider yourself an audiophile?

Are you an audiophile?

  • Yes

    Votes: 31 13.5%
  • No

    Votes: 83 36.1%
  • Audiophiles are deluded bullshitters

    Votes: 116 50.4%

  • Total voters
    230
What does that actually mean though? Sound and acoustics are well-understood physical processes. What physical characteristics of a warm driver make it produce a different sound wave that can be described by those words (which might as well be describing "turning the treble knob down a bit")

does the stiffness of the driver material not change as it's temperature rises, caused either by the flexing of the material or heat transmitted from the magnets?

e2a so changing the character of the sound we hear?
 
What does that actually mean though? Sound and acoustics are well-understood physical processes. What physical characteristics of a warm driver make it produce a different sound wave that can be described by those words (which might as well be describing "turning the treble knob down a bit")

this is essentially what i am trying to understand. is it more likely that my drivers warm up, again i say it's something i hadn't witnessed domestically before these speakers, or is it that the accompanying passive crossovers warm up?

because there is a distinct improvement after a couple of hours. if i think i want to listen to music when i come in, i leave it playing while i'm out
 
i am not really/only half joking tho! they do get warmer, and that must affect the sound (in some tiny way probably) as the sound is made by a physical thing moving, and it will move in a different way depending on temperature.
i wouldn't want to judge if i personally could tell any difference tho, my ears are ruined.

solids behave differently at different temperatures..... that's physics!!

Do you think someone would design top of the range speakers that need to be warmed up to get their true sound? Pretty rubbish. How about a set of top of the range speakers where the sound changes over time? Crikey, that would be rather shit for say mixing or mastering.

I assume we are not talking about powered speakers, so the warming up of speakers would be from changes in temperature in the room. If that's from other equipment or people then it's a wild element that is not related. If this tiny change in heat then warped the speaker in some way, it would be a pretty damn shit speaker.

Yes the movement of molecules in the air from the movement of a speaker cone will technically make 'warmth', though this will happen instantly and would be so infinitesimal that you would notice neither a temperature rise or a change in sound.
There would have to be some actual physics involved to create a difference in sound. I can't see what this could possibly be.
 
There is already a precedent. My CD player takes several hours to warm up. I used to leave it switched on all the time.
I long ago decided that squeezing sound out of small devices was an inferior option, but I can well imagine why it might be so.

These things aren't designed into things, sometimes it's a compromise.

Electrostatics aren't going to be an option for many. My stacked quads only cost me £700, but very few people would want them in their house - and at some point I'm going to need to get some of the drivers re-built.
 
Perhaps one could use subsonic / supersonic signals to exercise the devices without annoying the neighbours ?
 
Do you think someone would design top of the range speakers that need to be warmed up to get their true sound? Pretty rubbish. How about a set of top of the range speakers where the sound changes over time? Crikey, that would be rather shit for say mixing or mastering.
well i didn't say any of that. i did say i wouldn't be able to hear the difference and any difference ouwl dbe tiny and much outweighed by other factors. but the physics is there.... even a diamond changes it's nature if the temperature changes
 
Well drivers are spectacularly inefficient things - only a % or so of the electricity is converted into sound energy, so they do warm up due to resistance. Rubber gets more flexible at higher temperatures, so yes you might get a slightly different motion of the cone for the same input, at different temperatures. Is there a physicist in the house?
 
luckily i don't have neighbours. if i don't pre-warm, i have to find something else to do for a couple of hours instead of listening because the system sounds shit, relatively.
you can have music on in the house while you do other things, but if you try to sit down and listen something's missing for the first couple of hours. the soundstage is nowhere near as big, the whole 'spooky' imaging just isn't there. bass becomes more defined and more extended
 
Well drivers are spectacularly inefficient things - only a % or so of the electricity is converted into sound energy, so they do warm up due to resistance. Rubber gets more flexible at higher temperatures, so yes you might get a slightly different motion of the cone for the same input, at different temperatures. Is there a physicist in the house?

is that more likely than passive crossovers warming up?
it seems so to me, but obviously i'm no physicist
 
There is already a precedent. My CD player takes several hours to warm up. I used to leave it switched on all the time.
I long ago decided that squeezing sound out of small devices was an inferior option, but I can well imagine why it might be so.

These things aren't designed into things, sometimes it's a compromise.

Electrostatics aren't going to be an option for many. My stacked quads only cost me £700, but very few people would want them in their house - and at some point I'm going to need to get some of the drivers re-built.

both my cd player and power amp are without on / off switches. they are designed to be left on all the time.
my pre-amp has a standby setting, and is also designed to be left powered up. all hifi pre-amps are designed to be left on at all times, they consume very little power.
big domestic solid state amps are known to give their best after running for an hour or so; they are generally too current hungry to be left on. i did once use my krell amp to heat a one bedroom house through the winter nights and mornings
 
Any "warming up" effect should be easily measurable by recording and analysing the wave patterns at startup and after 2 hours of the same piece of music.

Obviously you'd have to control for room temperature and humidity etc, which would increase if you remained in the room.
 
what piece of equipment would that involve?
i'd love to be able to measure and quantify it, to confirm what my ears are telling me.
 
luckily i don't have neighbours. if i don't pre-warm, i have to find something else to do for a couple of hours instead of listening because the system sounds shit, relatively.
Sure you just haven't got a shit system? Having to wait two hours to get a decent performance of your hi-fi suggests that something is very wrong.
 
what piece of equipment would that involve?
i'd love to be able to measure and quantify it, to confirm what my ears are telling me.

I'm not an expert on audio equipment but of course sound is objectively measurable as it's merely movement of air - if you're hearing a different sound from the same LP, a suitable microphone would be able to detect this. I presume there are microphones that can function as "human ear emulators", so it would simply be a case of recording and comparing the microphone outputs at different time points.
 
Sure you just haven't got a shit system? Having to wait two hours to get a decent performance of your hi-fi suggests that something is very wrong.

Sorry editor is a moderator/admin and you are not allowed to ignore him or her.
 
I'm not an expert on audio equipment but of course sound is objectively measurable as it's merely movement of air - if you're hearing a different sound from the same LP, a suitable microphone would be able to detect this. I presume there are microphones that can function as "human ear emulators", so it would simply be a case of recording and comparing the microphone outputs at different time points.

can a microphone be as sensitive as a human ear... does it measure everything you perceive, as a listener?
 
well i didn't say any of that. i did say i wouldn't be able to hear the difference and any difference ouwl dbe tiny and much outweighed by other factors. but the physics is there.... even a diamond changes it's nature if the temperature changes

Sorry, that wasn't directed at you, that was for the people who say they can hear a definite change in sound as the speakers 'warm up'. The Physics isn't there for speakers 'warming up' over a couple of hours due to play. Might as well just put a heater next to them.

It would make them incredibly daft and rubbish speakers if they noticeably changed the sound over a couple of hours.
 
can a microphone be as sensitive as a human ear... does it measure everything you perceive, as a listener?

It is more sensitive. We can record frequencies above and below those audible.
A computer is a better analysis tool because it doesn't hear things differently depending on what mood it's in or what it listened to previously. It allows exact like-for-like comparisons, unfiltered by the brain. Will tell you if there's a difference, but not exactly how that difference might be perceived.
 
Course if you have a load of peple in front of a sound system, you'll lose some high freqs as they're absorbed, / scattered. Soundwaves aparently move quicker through warm air. So perhaps that could account for some feeling of so called warmth. A closer perception of the music.

I'd imagine The velocity increase of propergating soundwaves in warm air in an average sized venue is probably negligable though.
 
The sound *completely* changes once a crowd gets in front of the PA. Well, if you're playing a smallish venue.
 
so could a microphone / laptop nail the difference in performance between a linn / naim system and an amstrad one?
or between one turntable and another?
 
Back
Top Bottom