I meant about the warm up. Just for the record if you never switch it off, the valves will last far far longer.
We perceive the 3D location of sound via several methods:
Relative loudness of a sound in the left and right ears
Phase difference between sounds received in left and right ears
Filtering of sound by the external parts of the ear (crucial for forward/rear differentiation)
You can get latex/silicone ear microphones that accurately reproduce the effects of the ear on sounds, so yes you can record and analyse the effect of location on the sound that reaches the inner ear. However, a regular microphone also has external parts, and a sensor that does not respond to sound in the same way from each direction. So you can very definitely hear a difference in two recordings of the same source with the microphone pointing in different directions. With some calibration, you could even work out which direction the microphone was pointing in, by comparing the recording to the source.
i'm starting to get my head round this i think.... am i right in thinking that a standard microphone in a fixed position might struggle to tell the difference between the same sound, played from different directions?
I meant about the warm up. Just for the record if you never switch it off, the valves will last far far longer.
You can get dummy head recorders.
He leaves it on all the time.
Not practical for older valve guitar amps, though, unless you want to be able to toast bread 24 hours a day!
I remember the Neumann ones that were on the market. They looked like gimp masks.
E2A piccy
I wonder why nobody has recorded a band like that. Or have they?
I wonder why nobody has recorded a band like that. Or have they?
To capture the acoustics and incidental sounds of a gig completely accurately. Close your eyes and it sounds like you're really there, so long as you're wearing headphones of course - those binaural recordings become worthless when played on speakers.
Or you could always, just...y'know....
Record from the mixing desk and add ambient sound from an audience-facing mic?
Yes you could
Not just that, but again if the band is any good you won't be able to put your head on a stick anywhere near the best bit of the audience for sound quality, or it would get trashed.
The sound desk mix isn't going to be much of a balanced one for smaller gigs - if the guitarist has a massive stack, there may be no guitar, for instance, and the vocals are going to be veh loud compared to everything else.Record from the mixing desk and add ambient sound from an audience-facing mic?
Yes you could
You need to warm up the drum kit too. Or at least the drummer.You will have to make sure you warm the microphone up first, and the recording devices, or they won't be as accurate.
Cowboy Junkies recorded a successful album on one, centrally placed mic. It wasn't shaped like a cyborg though.I wonder why nobody has recorded a band like that. Or have they?
Perhaps one could use subsonic / supersonic signals to exercise the devices without annoying the neighbours ?
luckily i don't have neighbours. if i don't pre-warm, i have to find something else to do for a couple of hours instead of listening because the system sounds shit, relatively.
you can have music on in the house while you do other things, but if you try to sit down and listen something's missing for the first couple of hours. the soundstage is nowhere near as big, the whole 'spooky' imaging just isn't there. bass becomes more defined and more extended
Not just that, but again if the band is any good you won't be able to put your head on a stick anywhere near the best bit of the audience for sound quality, or it would get trashed.
can a microphone be as sensitive as a human ear... does it measure everything you perceive, as a listener?
Course if you have a load of peple in front of a sound system, you'll lose some high freqs as they're absorbed, / scattered. Soundwaves aparently move quicker through warm air. So perhaps that could account for some feeling of so called warmth. A closer perception of the music.
I'd imagine The velocity increase of propergating soundwaves in warm air in an average sized venue is probably negligable though.
"2 microphones and a laaaap-top."
As an aside anyone done acoustic mirroring with Sound Forge or similar? Whereby you project white and pink noise in a room. Record at various points and use the recordings to build a reverb matching the spacial characteristics of the room? I've never tried but it looked interesting.