Kubrick's connection with this fake moon landing mumbo jumbo is this- When he was making his adaptation of Thackery's Barry Lyndon in pre-digital camera days, Kubrick wanted to shoot interior scenes without artificial light and rely on natural candle light that would have been used in the 18th century and give the scenes the look of a Gainsborough painting.
His camera men told him to forget it but Kubrick was curious as to how NASA managed to film the moon landings. As a consequence he borrowed their bespoke super fast lenses (the Zeiss lens) with the lowest aperture f-stop ever used on a feature film-
The results were stunning-
Also any photographer or cameraman, with a reasonable knowledge of their craft, can debunk all this shadows on the moon bullshit in about five mintutes.