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Bands with a big reputation that are (musically) shite

Jones played cover versions. He wasn’t able to write something like Penny Lane.
Composing and performing are not the same thing. The Beatles also started with cover versions, by 67 both bands were writing original material. Jones had a hand in writing that material - often uncredited but his main talent was arrangements. I honestly don't understand where you're coming from with this claim.
 
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I submit that in the early 60s it didn’t, because back then everyone and their mate wasn't in a band the way they are now. You could play three chordsxand a bunch of motown covers and grab attention the way you couldn't now.

If we're looking at Satisfaction, I don't think there are many songs as basic as that even in 1965 (iirc?).
 
is that true though? I mean the Beatles had Paul McCartney who clearly is a talented musician (but kitsch and annoying), but what about the others? They were limited at best. The Stones had Brian Jones who was at least as able a musician as McCartney so not sure about that. Also the Beatles never really grew past their stadium period as live musicians, where they couldn't even hear themselves play - even by their own admission.
All of the Beatles had something very different about them. Ignoring McCartney’s talent for melody (his cheesiness tempered by Lennon’s cynicism), George Harrison, although stifled in the Beatles, wrote very sophisticated tunes and his slide guitar playing is instantly recognisable. Even much mocked Ringo has a style that’s difficult to emulate - being a left handed drummer on a right handed kit and giving each song what it needed. The Stones had a unique lead singer, a jazz drummer forced into playing rock and Brian Jones’ multi instrumentalist chops (good though they were) were oddly anonymous in a session player sort of way. Their run of LPs from “Between the Buttons” to “Goats Head Soup” are fantastic - the majority without Jones.
 
I'm not a big Stones fan either before anyone assumes anything, but Richards wrote some of the most memorable guitar riffs ever, was a pioneer of using effects (Satisfaction one of the first hits to use a fuzz pedal iirc) and Jones was a multi instrumentalist. As for the other lot Harrison had a brilliant ear for melody and how to elevate a song, and Ringo...nobody sounds like Ringo
Harrison had a gift but he would be the first to admit that he was lazy, never practiced, and therefore was quite a limited guitarist.
 
But how did they get the vibe without being musically accomplished? We're looking at music in these very western 19th century standards. Harmonic, melodic sophistication etc. As I keep saying, there are no preset standards. Even the attitude, charisma and moves of Mick Jagger as a front man are part of the musicality. It's not something separate.
I said they weren’t as accomplished as the Beatles. Did you hear their answer to Sgt Pepper?
 
All of the Beatles had something very different about them. Ignoring McCartney’s talent for melody (his cheesiness tempered by Lennon’s cynicism), George Harrison, although stifled in the Beatles, wrote very sophisticated tunes and his slide guitar playing is instantly recognisable. Even much mocked Ringo has a style that’s difficult to emulate - being a left handed drummer on a right handed kit and giving each song what it needed. The Stones had a unique lead singer, a jazz drummer forced into playing rock and Brian Jones’ multi instrumentalist chops (good though they were) were oddly anonymous in a session player sort of way. Their run of LPs from “Between the Buttons” to “Goats Head Soup” are fantastic - the majority without Jones.
its hard to assess Jones as he died after a period of being gradually rejected by Jagger and Richards. But all I was doing was comparing him to McCartney - as a natural and gifted musician. McCartney's solo efforts have hardly been earth shattering, though clearly popular and competent, how much of it gets listened to by contributors to this forum? Very little i suspect. I can bear the odd track, but he's made about 2 albums i can listen to all the way through. People forget the Beatles had George Martin to arrange and, I suspect, contributed to the writing of their tunes. Which elevated their output above the average band at that time.
 
its hard to assess Jones as he died after a period of being gradually rejected by Jagger and Richards. But all I was doing was comparing him to McCartney - as a natural and gifted musician. McCartney's solo efforts have hardly been earth shattering, though clearly popular and competent, how much of it gets listened to by contributors to this forum? Very little i suspect. I can bear the odd track, but he's made about 2 albums i can listen to all the way through. People forget the Beatles had George Martin to arrange and, I suspect, contributed to the writing of their tunes. Which elevated their output above the average band at that time.
Yep, George Martin’s production was big part of it. Unlike most other producers he didn’t go mad with the echo or orchestration that dates a lot of 60s records. The “dry” vocals and guitar sound means you can listen to something like Revolver and it could have been recorded yesterday. The Stones’ sound improved immeasurably after AndrewcLoog Oldham relinquished the producer’s chair.
 
No, the OP says that.

The Beatles were reknowned for being a tight as fuck band due to hundreds of hours playing live and only stopped playing live as it was a farce that the sound equipment wasn't good enough.
I don't think they were tight when the were playing stadiums. They couldn't even hear themselves play. Lots of interviews about this if you care to check, and even recordings which bear out the fact that they were not a good live band between 62 and 67. And they may well have been tight after all those hours of playing in Germany, but they were still a covers band and very limited in what they could play. Again, can be shown by listening to actual recordings, and interviews with George Martin, McCartney and Lennon.

Lots of things contributed to why they stopped playing live. The gruelling timetable and the effect it was having on their health, the fact that they weren't growing as musicians, the threats they were getting in the US, the half empty venues on their final tour, and the whole Philippines debacle where they nearly ended up in prison. McCartney had ideas of becoming more studio based too which would not have been possible if they'd continued touring as they had.
 
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Success isn’t just random. If a band makes it big, lots of people like them and they must be liking something. So if you think a band has no merits, I do think it’s worth starting from a position of trying to understand what it is you’re missing rather than what everybody else is missing. And it might well be that the thing you’re missing has no value to you personally, which is fine. But it doesn’t make others wrong that they do value it.
 
I can’t tolerate bad singing and I don’t necessarily mean out of tune - I love New Order and Pet Shop Boys, even Duran Duran and I even like a couple of Stone Roses songs, but singers with offputting dissonance (Bob Dylan - stop!, unappealing falsettos (Matt Bellamy - ew!) or sludgy sincere low growling (Eddie Vedder - ugh) or overly melismatic and demonstrative warbling (X Factor wankers - give up!) makes me hurl things.
 
He'll have been comparison himself to his peers and friends though...Clapton among them. He wasn't musically shite.
Not something I ever notice listening to the Beatles growing up, well you wouldn't when you were about 5 years old, but Harrison did lots of interesting voicings of chords. Not something I'm an expert on, but I've seen plenty of youtube vids on this. Similarly, youtube informs me McCartney's bass lines moved from the rudimentary to 'a bit more interesting' over the years. There was a fair bit of subtlety in the Beatles.
 
The Doors. Nick Cave. The Cardiacs. Neil Young. Led Zeppelin. Zappa. Foo Fighters. Capt Beefheart. Rush. And oh so many more.
 
I'm with you on The Cardiacs.

But the extended version of "Is this the life" is genuinely a thing of beauty.

And his guitar playing broke boundaries. That solo is just sonics. No notes. Amazing.
 
The Doors. - YES/ Nick Cave - no, but over rated/. The Cardiacs - don't know who they are :oops:/. Neil Young - no, but over rated/. Led Zeppelin - ditto/. Zappa - yes/. Foo Fighters - yes/. Capt Beefhear - yes/. Rush. - shit, but for largely non-musical reasons
 
To say The Beatles were mediocre apart from McCartney is laughable nonsense though, come on.
if you had a point worth voicing you wouldn't have to lie about what i said. I said "limited at best" and stand by that. It's not exactly an out there opinion, lots of music critics have talked about the limited ability of the Beatles as musicians.

Paul McCartney certainly is much less limited these days - though in the mid 60s he didn't particularly stand out - by 67/68 though it was clear he had emerged as the dominant force in the band musically. But for that he's still pretty shit.
 
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