Fiore’s rejection may be especially disconcerting to news and media organizations, many of which are betting heavily on iPad apps as a way to get users to pay to read magazines and newspapers, and to get advertisers to pay print-ad prices for online content. (Online ads cost a small percentage of what ads in glossy magazines cost, in no small part because the net has almost infinite advertising space.)
Apple has built a little slab of Disneyland with its iPad, which is meant to be an experience unsullied by provocative or crude material. It’s beautiful and enticing — the company has already sold more than a half million of them in the first two weeks it’s been available — but it’s not the real world.
Publishers, including such august organizations such as The New York Times, The Wall Street Journal and Wired.com’s parent company Condé Nast, see a solution to their declining dead-tree ad sales in building a pay-to-play attraction in that park. But they need to understand that to do so, they have to play by Mickey Mouse’s rules.
The signs have been there from the start, as Wired.com’s Brian Chen pointed out in February. Apple banned an e-book reading application once because it figured out that iPhone users could use it to read a free version of the Kama Sutra. Then last week, Apple abruptly banned apps developed using programs that translate apps into multiple platforms.
Adding the news of Fiore’s ban to that, the publishing world is now officially on notice that the iPad is Apple’s, and unlike with their print and web editions, they don’t have the final say when it comes to their own content on an Apple device.
http://www.wired.com/epicenter/2010/04/apple-bans-satire/