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*Your favourite record and what it means to you!

This is the saddest thread

I have read and contributed to so many threads on so many forums over the paste few years and few I have come across have provoked such emotion.

I find as the years go by time seems to speed up, days turn into weeks into months and years so quickly. Work takes up so much time and my regular night shift means that I sleep through the best bit of the day. For this reason I find myself looking back with nostalgia to days when for me were not so tough. Each memory has a soundtrack. My first date, my first job, the day I started at the comprehensive and everything else good and bad that has happened to me. For each moment there is a groove.

Sometimes on a night shift the radio may blast out a particular tune. I am transported to another time. A magical memory maybe or even one of those embarrassing moments of which I'd rather not be reminded.

Reading through some of the contributions I hear great tunes in my head and feel compelled to dust down a few records that may not have seen the light of day for a number of years. I will revel in the scratches and pops, each with their own story, a paticular party or maybe a clumsy miscue as a kid on my Marshall Ward bought snooker table, one of my suprise Christmas presents over my South Wales valleys childhood.

For this reason choosing a favourite record and why is probably one of the toughest questions I have ever been posed. I am pretty sure of many thing , fairly sure of others and not sure at all of others, but to choose a favourite record and why is asking me to look into my past and dig out the most magical of moments, when I first heard the song that made me feel great, not good, but great. When for one moment the cares and concerns of the world were lifted.

I love music and have hundreds of albums some good, some fantastic and others that have not stood the test of time as well. However there is one song that stands out, head and shoulders above every other. Its the record that maybe captured the mood of a time unlike any other. It is bleak and miserably, dark and unforgiving. It should not point to a great time in my life. Thatcher had been elected as Prime Minister, 3,000,000 had been put out of work. My dad was laid off and things were tight at home. However to me none of this mattered, I was a teenage schoolboy, discoveing girls and space invaders and had a lifetime ahead of me. It was too soon to worry about work, marriage, mortgage or even O levels which would come later. It was all fairgrounds, fights, 10p in the Invaders and pointless hours spent hanging around the cafe.

It all made sense when I heard the record that changed my life forever. It was the record that taught this man what the world was going to be about. That record was 'Ghost Town' by the specials.

From that opening keyboard intro (thank you Mr Dammers) to the vocal outro, through the changes of tempo and key Ghost Town truly is a magical, though sometimes scary ride.

We didn't know at that time what Thatcher was capable of, we were just kids. Within 3 years our families would be on strike. Within 5 years our pit vallage had become the Ghost Town as boards went up on the shops in the once thriving communities.

From 'Ghost Town' onwards in I was a dedicated 2-Tone fan. Madness, The Selecter and even the sadly too brief catalogue of the Bodysnatchers. I loved them all and worshipped at the alter of Ska.

Did I say this was the saddest thread?
Sure it is, I have a lump in my throat as I type this.

And I bet you thought I was going to chose 'Save all your kisses for me' by Brotherhood of Man. Ah, that sets off another trail of memories, and is another story altogether....

[note Ghost Town was not an album by The Specials but a number 1 single, all that my 50p weekly pocket money could stretch to: Albums came into my life maybe 2 or 3 years later but none had an impact on me quite like Ghost Town. I would be a liar if I tried to convince you otherwise]
 
Hey Herman, do you remember the Specials' second album, More Specials?

A sadly overlooked album IMO, it had some great songs on that weren't on any of the "Best Of" albums, like "Man At C&A". Shame its a not very well known album, and is quite hard to get hold of.
 
Do nothing

RenegadeDog said:
Hey Herman, do you remember the Specials' second album, More Specials?

A sadly overlooked album IMO, it had some great songs on that weren't on any of the "Best Of" albums, like "Man At C&A". Shame its a not very well known album, and is quite hard to get hold of.

And of course "I can't Stand it" the Rhoda Dakar/Terry Hall duet that has stood the test of time pretty well and Stereotype, the song that set the sound for the Funboy 3.

Another great overlooked albumn was "Celebrate the Bullet", the second Selecter albumn.
 
The Smiths: "The Queen is Dead"

It was 1987, I was 15 and growing up in a small village in north Plymouth on the edge of Dartmoor. Ponies, cream teas, full of Devon goodness. Nowhere near the urban sprawl of Manchester, where The Queen is Dead was conceived, a city which I didn't visit until only two years ago. But this album transcends the time and place from which it came to speak to a whole generation of cardigan-wearing teenagers over the land. I was one of them.

Liking The Smiths made me a slightly dowdy teenager, although I didn't go the whole hog and do the hearing aid/bunch of gladioli combination. I liked them because they set me apart at school, marked me out as the kind of person who, well, liked The Smiths. ''Ugh, slit yer wrists music,'' most others would groan. I wrote the band's name on one of my exercise books and someone wrote ''are shit'' on it in return. I didn't care.

When I heard The Queen is Dead for the first time, I'd never found such an exciting opening to an album in my life -- and it remains one of my favourites. The Take Me Back to Dear Old Blighty song fading into the drums, the feedback, the lead guitar. To hear an opening lyric like ''her royal highness with her head in a sling'' satisfied my teenage rebellion and quite probably influenced my later republican leanings. Even now it sounds fresh:

''I said, Charles don’t you ever crave
To appear on the front of the Daily Mail
Dressed in your mother's bridal veil…''

Up until this point in time I'd been into Lloyd Cole and the Commotions, and as something of a bookish, shy teenager I'd found lyrics to relate to. But with The Smiths, I was getting something more raw, more egdy. And while Lloyd Cole was singing in abstract terms about American novelists, Morrissey was singing words that somehow spoke to me in my bedroom in Devon. And, of course, the tunes were fantastic.

On the whole people it seemed people either loved or hated Morrissey. And if you hated him, you'd always say he was glum. Every Day is Like Sunday didn't really do him much favours, admittedly. But haven't these people ever heard Frankly, Mr Shankly? Or Vicar in a Tutu?

There are sad moments of course. Slow, heart-crushing songs of despair and resignation, like Never Had No One Ever and I Know It's Over, which I sang to but didn't understand at 15 then finally cried to for the break-up of a very brief relationship at 27 which ''never really began, but in my heart felt so real''. Awww.

And alongside the tear-jerkers there are perfect guitar pop moments, poetic like Cemetery Gates or just funny and weird, like Some Girls Are Bigger Than Others or Bigmouth Strikes Again. My favourite of all is There Is A Light Which Never Goes Out. It sums up wanting to leave home so well, and that's how it was for me and Andrew, my friend with who I shared so many of these tunes the first time I heard them. When I learned to drive we'd cruise around in my mum's Fiesta, never, never wanting to go home. (I didn't want to crash into a double decker bus, though, or be killed by a ten-ton truck.)

When I finally made it to Manchester, in the summer of 2002, it was for a wedding reception. I didn't have time to visit the Salford Boys' Club, but instead I ended up on a parquet dancefloor dancing to The Smiths with a load of Mancunians my age who used to dance to those songs too. Once upon a time we'd all listened to the albums in our bedrooms, either feeling deeply moved or madly singing ''I am the living sign'' into a hairbrush. Now we were all grown-up and gyrating around a hotel function room as if adulthood had never happened. The Queen was dead, but Mozza-worship was still very much alive...
 
Fuck'n'a, how many times have I tried to come up with a good (definitive) answer to this question...?

Best I can muster, really, in terms of endurance at least (lots of faves have come and gone)....boils down to three, really. Maybe four. Discs that've literally changed my life.

Joy Division "Unknown Pleasures" might've been the most influential.....bought in the waning weeks of my high school career, when I was a crap guitarist without a band & had pretty much given up practicing. Had been on a steady diet of pistols/sham/uksubs, plus a lotta forgettable other no-talent shit & wasn't at all inspired. Then got that disc and found music that spoke directly to me, that had everything I _wanted_ in music in it...power, passion, mystery, an incomparable singular sound....started playing my guitar more, & gradually directed me towards actually writing/recording, then getting a band, then touring, then putting out records, then writing music crit shit for pubs....all of this instead of following a nice career track into a corporation like I was supposed to. Now, 20+ years on, I'm back recording again, back in a bnad again, gonna put out a disc again....and still listening to "unknown pleasures" and drawing inspiration and strength from it. yeah. it changed things.

second entry: a million miles further away stylistically, but it's been the soundtrack to some of the best moments in my life...."LC" by durutti column. listened to it on the beach in lake forest, illinois.....listened to it in my shit apartment in kalamazoo, michigan....listened to it in my car going to texas...it played in the background during drunken all night conversations with friends, while fucking/sleeping/waking/eating...played it while writing, drawing, painting...played it in a million solitary hours, when I just wanted to tune into something simple and quiet and beautiful and have space for my mind to work. Still love it. and occasionally, usually at about 2 in the morning, and often while sitting in front of this horrid electronic box I'll put it on, and everything smooths out sooooo nicely. Thank you, Vini.

last sweepstakes entry: "The Last Stiff Compilation Album". Bought it cheap at a store in DC, adn it became fodder for a million comp tapes. Not so many great or standout songs (though some great artists), but tracks by John Coper Clarke, Motorhead, Damned, Madness, even Lori & the Chameleons became permanently etched into my mental jukebox, with the repeat button pressed...now at 20 years plus as well.

That said: What I really can't get enough of right now is the latest Killing Joke album, "mezzanine" by massive attack, tricky's "pre-millennium tension," and steve earle's "transcendental blues". with a bit of time they'll probably rank right along the others.
 
Blur - leisure

It’s just everything a guitar indie band should sound like; it’s the bench mark… like the price of a barrel of North Sea Brent oil or the metric meter in Paris, it’s the pure standard (but) which is by no means average...
 
Get yer Ya Ya's out !!

Circa 1973/4: Me & a mate had strolled into the record shop in Lewis's department store. It was managed by two twin set and pearl dear's typical of the 70's dept.store in those days {Mrs Slocombe out of Are you being Served} I was full of intent and in posession of two quid with which to buy an album. We browsed a while until I finally pulled out the album I was looking for. I took it to 'Mrs.Slocombe' and asked if she would play me a track.
"Is everybody ready ? We hope you all have a fantastic time, the greatest rock n roll band in the World ..... The Rolling Stones !!! The Rolling Stones !" .. upon which the Ass kickin-est riff known to man blared out causing Mrs.Slocombe' to reach for the volume control as she and her colleague looked on aghast at two scruffy loon panted acne cases making like Mick Jagger up & down the easy listening aisle !!
'Get yer Ya Ya's out' is my 'crutch' album, the one I reach for when I'm sad, angry or just when I feel like plain old gettin' down !! I know it like an old friend and it never fails me. It captures the ambience of what a 70's concert was really like, and that I guess is why it is so precious to me. "We're gonna do one more then we gonna go" ....... cue "Street Fightin' man" and bedlam !! Gotta love it !
 
The Pixies; surfa rosa & come on pilgrim

when i first watched fight club my favourite part was the credits, just because of the song that was playing; where is my mind. for ages afterwards i would play the credits over and over agin until the tape almost disintegrated. jus when my craving for more from the pixies was at its worst i happened to bring up the subject with one of my best mates who instantly said 'yeah, the pixies are one of my fav bands' one copied cd later i was hooked. ever since i've had the album in my possession ive never looked back. i must of played that album everyday for as long as i can remember and even now it sends shivers down my spine. for ages i felt like the member of an exclusive track as my other mates would be oblivious to the references stef and i made to the album. i found myself judging people on whether they knew of the pixies or not. i feel its my duty to tell the world about the album that changed my opinion of music forever. recently the pixies have rejoined and i strongly urge eveyrne to go and see them live as you have been fortunate enough to be given a second chance. the whole album is summed up for me in the line 'come on pilgrim you know he loves you, levitate me' and the album has certainly levitated me.
 
The Smiths - The Smiths

this is definitely one of my favourite records and The Smiths are up there with the Pixies, Nirvana and The Cure as my all time essential life changing bands. i found the smiths self titled debut record amongst my dads old Lps just over a year ago and it became the soundtrack to my life and to my infatuation with a pretty creature called catharine. ironically i managed to get the girl but morrisseys lyrics of miserable rejection and lonliness still fuel my teenage angst.

"Then, on the sand
Another man, he takes her hand
A smile lights up her stupid face
(and well, it would)

I lost my faith in Womanhood"
- Pretty Girls Make Graves

i suppose because its always reassuring to know that when your feeling shitty morrissey is always there to remind you that he felt shittier. If your interested pretty girls dont always make graves and im still with catharine and were going to see morissey at leeds festival this year.
 
Mezanine by massive attack (if I've misspelt it, it's because i'm a wee bit rat-arsed)

Just a really beautiful album which helped me through a load of shit I was going through when it was released.
 
The Eagles - Hotel California

1705hotel.jpg




I first heard this album when i was probably around 8 or 9 years old, which didn't mean much THEN , but later into my teens when i invaded my parent's record collection i came across it and put it on- i was blown away .There isn't one single song on the whole album that i can't relate to a certain time in my life. The lyrics , the music , the whole thing has a way to move me to tears, make me feel really good, make me nostalgic about important times that are long gone , but never forgotten. I can remember riding around with all my friends in the middle of summer belting out Hotel California ( we thought we were SO cool back then !) , i can remember crying my eyes out to Try and Love Again after a failed love from my youth, i can remember my best friend making me MENTAL because she never would sing the CORRECT lyrics to Life in the Fast Lane, i can remember hearing Wasted Time and thinking , god life is so much like that at times . I've heard SO many albums during my life, but this is the one that's always been a constant for me, i've went through numerous cassettes and cd's of this particular album, but i'm proud to say , i've got the origional to this day , the one i took SO many years ago from my folks. With all the digital technology that we have now , and how much enhancement they can do to music these days, i'll admit it DOES sound good that way , but nothing can beat that tha-dum-tha-dum of the needle on the record right before i hear- on a dark desert highway......
 
Steve Blake - Get A Rush (K 90 Mix)

It reminds me of driving to see the woman i love so very much, and always will.... :(

Make tears come in my eyes, but still ove to play it a lot...
 
Joni Mitchell - Blue

I love it when I'm happy and I love it when I'm sad. I've been listening to it for over 15 yrs. God help anyone within a mile radius.
 
My favorite record has to be Radiohead's "The Bends." To me, that is the greatest guitar album that I've ever heard. What's so amazing about the band is that they changed their sound so much, with much less guitars, and are still badass.
 
it's a tough call this one... my favourite LP is probably "Unknown pleasures" or "substance" by Joy Division...

outstanding songs that deserve a mention:
The Smiths - Half A person, This night has opened my eyes, there is a light that never goes out
Billy Bragg - A New England
 
My all-time favourite song for purely self-grindulgent reasons has to be Peggy Lee's Fever. I will NEVER tire of hearing that song.

Close second is The Cult's Edie (Ciao Baby), ditto.

As for songs which have meaning for me and my beloved, then it has to be the following:

  • Ripples by Genesis
  • Critical Mass by Threshold
  • Wind at my Back by Spock's Beard

Ever

Progpriestess Xanxtuary Hogweed
 
It has to be The Pixies, Surfer Rosa.

My love for the Pixies began when my friend who lived next-door-but-one had taped some tracks off the John Peel show and said "you've GOT to come round and listen to this band I've discovered". We sat on his bedroom floor, heads pressed to his tape recorder as "Debaser" ripped out. I couldn't wait for "Doolittle" to be released.

As soon as I got it, there was our soundtrack to a fantastic summer, cycling like maniacs all over the New Forest, shouting out the Pixies at the tops of our voices and debating about just what those bizarre lyrics really were.

Then, my friend bought the earlier "Surfer Rosa", and that was it! The combination of Black Francis' profane roar, Kim Deal's luscious feminine but tough voice, angry drums and wild, hot Spanish sounding guitars still sends shivers down my spine.

The EP "Come on Pilgrim" sounds even more raw. I just love "Nimrod's Son", the way everything cuts out except Black Francis singing "You are the son of a motherf***er!" The self-censorship is a little joke to myself because I used to try to remember to quickly turn the sound down when my mum was around so as not to offend her (not a very rebellious teenager!)
 
Strapping Young Lad - City.

Bit strange for a favourite album I'll admit, but it's the only album that will make me walk through town with a smile on my face, a feeling of power overcoming everything else & pulsing through my veins. Gave me the push through anger energy to say fuck off to bad thoughts & feelings & all that. Still makes me want to scream.
 
Someone said they found a Smiths record amongst their fathers LP collection; damn do I feel old right now.

Por moi:

Cocteaux Twins - Victorialand: Takes me away to that magical place every time.
Dylan - Blood on the Tracks: HIS greatest effort.
Bowie - Low, Hunky Dory: Indefatigable.
Mahler's 4th: Surprisingly uplifting.
Belle and Sebastian - All of it. Huzzah.
Delgados - Hate: Brrrrrrr, the tingle factor.
The Smiths - The Queen is Dead: nuff said.
The Pogues - for when oim drunk.
Sinead o' Connor - The Lion and the Cobra: Ahhhh Sinead so.....
Wagner - Gotterdammerung: one could build a nation on the romantisism of it.

#1 - Tallis Fantasia by R.V.Williams: the most majestical thing I will ever hear.
 
RenegadeDog said:
Hey Herman, do you remember the Specials' second album, More Specials?

A sadly overlooked album IMO, it had some great songs on that weren't on any of the "Best Of" albums, like "Man At C&A". Shame its a not very well known album, and is quite hard to get hold of.

I just bought this album in Sainsburys, as part of very small box set with The Specials. It's obviously been re-released. The videos to Ghost Town and Rat Race are on it too.

And you're right - despite everyone I hear saying the first album was the best, I've always prefered this one myself.
 
At the moment its Just like Honey by The Jesus and Mary Chain.

I first heard it in Lost in Translation, a good film, but more importantly the scene it was played in was amazing. And the song itself is just so lovely (makes me go ahhh)

Heard it last night for the first time in ages when very pissed and I nearly cried :oops: :D
 
This isn't (and can't be) a one-record deal ...

First, my enduring all-time favourite The Lamb lies down on Broadway by Genesis ... first heard in mid-teens and I will always love it ... recently taken on new meaning listening to it with my beloved Grinspector Hogweed, who has similarly loved it for most of his life.

Second, one of our specials Critical Mass by Threshold ... the music we fell in love listening to ... the whole concept of reincarnation and the thirteenth lifetime ... awesome.

Third, the album I bought Hogweed for his birthday Dark Matter by IQ ... a long-awaited new studio release ... it was a really special moment seeing him open the parcel ... and then later on hearing it for the first time ... everytime I hear it now (either alone or with him) it recaptures that special moment in time.

Hopelessly romantic and nostalgic

Ever

PXH
 
Xanxtuary said:
The Lamb lies down on Broadway by Genesis ...

I'm not taking the piss or anything, but yesterday I realised that the 'Transylvania' pre-set ring tone on my Nokia phone reminds me of something off that album! :eek: :D
 
At the moment I'm loving:

Max Tundra - Lysine
Jamelia - See it in a boy's eyes
The Mountain Firework Company - The Exit's Out The Back
Cinematic Orchestra feat. Roots Manuva - All Things To All Men
Adem - These Are Your Friends

and for laugh factor A Scholar and A Physician (Midnight Pizazz) - McLearning
 
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1965-1980 Basement 5

Nineteen eighty was a very special year for many lucky enough to have seen it through. For me it had many highlights one of which was being able to stop going to the place called school. The other was the wide range of music that available at the time, once you discarded disco pap. In this year I saw the Fall for the very first time, and every band on the 2-tone label. You might remember me, I wore a red tartan suit and looked incredibly happy. Music has been a continual bad influence on my education, something I'll remain thankful for the rest of my days.
There was an incredible amount of sparkling vinyl around too, generally courtesy of Rough Trade and tons of hand-me-downs, for me most often old Trojan releases which had been worn smooth by the stylus of an Uncle long before I ever got to play them.
Being a lad of meagre earnings of ten to fifteen quid a week at the time with schoolboy jobs I spent the lot on either clothes, shoes or vinyl, mainly everything that Joy Division or the Fall happened to release. One of the few albums to penetrate the cash barrier was 1965-1980 by Basement Five. The moment I heard this I knew it was special and if I were to play it now I'd still think it were unique, with the added benefit of singing along to each and everysong as if it were imprinted within my DNA.
I'm no fan of writing about music, much easier to have folk listen to it and make their own minds up, but I have to describe it you because the chances are you have never heard of this band nor this album. Well, more shame you, or more precisely more shame the music business.
Basement Five are a singularity like wot Stephen Hawkings talks about. They are the ultimate hybrid of punk and reggae in a surly and absolutely bored way. They typically picked urban delights for the contents and titles of their jolly songs ranging from "Riot", "No ball games" and "Immigration". The best of these is "Last White Christmas" which is incredibly sinister despite sounding as if it could be a Bing Crosby tribute.
The most impressive part of this album in 1980 was it's the ultimate punk and reggae combination ever, and at the time if you liked one you liked the other. Might not make sense, it's a working class thing.
Bear in mind I'd just been spreading RAR, SKAN and ANL leaflets at school. combine this with Basement Five which I confidently predicted would be the next big thing, and we'd have that fascist nonsense gone forever. Nearly quarter of a decade later we're no closer, but Basement Five remain one of the best bands you never heard of. If you want to pretend you know them they're the "thinking man's UB40" or if your ears aren't painted on go buy the CD it's a cheapo and even has another album on it at a price that makes me worry about how much the bugger cost me in real terms way back then.

This album plus the follow up "In Dub" are available on the Island Masters label IMCD145.
 
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