Simon Reynolds' latest, Bring The Noise
unlike the last couple, it's a mixed bag because it's a collection (albeit one with some hindsight).
it's a great read but also quite frustrating. Partly because you remember how much better the level of music writing was in years gone by, but also because Reynolds' style can be so overly analytical and po-faced (the two sound like contradictions but they're not). He's included 'directors cut' versions of some of the works - the originals submitted rather than the published pieces, and he's not above a bit of self-aggrandisement from time to time. But there's some fascinating stuff, especially an article called Roots & Future, about white attitudes to reggae (especially the privileging of the producer over the singer or player).
unlike the last couple, it's a mixed bag because it's a collection (albeit one with some hindsight).
it's a great read but also quite frustrating. Partly because you remember how much better the level of music writing was in years gone by, but also because Reynolds' style can be so overly analytical and po-faced (the two sound like contradictions but they're not). He's included 'directors cut' versions of some of the works - the originals submitted rather than the published pieces, and he's not above a bit of self-aggrandisement from time to time. But there's some fascinating stuff, especially an article called Roots & Future, about white attitudes to reggae (especially the privileging of the producer over the singer or player).