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UK photographers: the law and your rights: discussion

More photography laws?


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Ah, i just started a thread about that. I couldnt find much information, so went on what was said on the register.....

its looking like they've misunderstood it.
 
Good piece in PC Pro:
Fears that incoming government legislation could deprive photographers and social media users rights to the images they post online are "not justified", according to one legal expert.

The government’s Enterprise and Regulatory Reform Act deals with licensing work where the owner can’t be identified, known as orphan works.

For example, the Imperial War Museum holds more than two million archived photos where the owners can't be identified. That means it doesn't have the licenses to put those collections online, but must still plough resources into physically preserving the documents.

The act proposes placing such works under "extended collective licensing", allowing UK institutions like the Imperial War Museum or the BFI to catalogue their archives online.

But the phrasing of the proposals also prompted fears among creators and social media users that they would lose the right to license any work they had uploaded to sites such as Twitter, Facebook or Flickr.

I do not think that concerns expressed over online anarchy and the legislation effectively removing a photographer's right to generate wealth from content is justified

Since photos are often stripped of their identifying metadata once hosted on the web, they could fall into the orphan works category. Creators specifically worry that unscrupulous firms could copy such photos, use them for commercial benefit and claim they were unable to identify the rights holder.

But Manches LLP’s IP and IT specialist, James Howarth, said the scheme didn't actually remove copyright, or owners' right to make money from their work.

He pointed out that any company trying to use any unidentifiable work would have to conduct a "diligent search" to try and find the owner, and would have to pay fees to an independent body overseeing the licensing of orphan works. At this stage, it isn't clear what exactly a diligent search entails.

"This is not a charter to strip meta-data and make free with content. It is, in fact, arguably likely to discourage such conduct given the requirements lawfully to use such works that will be imposed," said Howarth.
More: http://www.pcpro.co.uk/news/enterpr...-alarm-over-social-media-photos-not-justified
 
Diligent search = "I dumped the image in Google Image search and nothing came up so I thought it was OK to use it."

Without qualification it's meaningless.
 
It is going to be qualified. It will be based on this: http://ec.europa.eu/information_society/activities/digital_libraries/doc/hleg/orphan/mou.pdf

Sorry, no time to summarise right now.
It says:
In the framework of the European Digital Libraries Initiative, which aims to provide a common multi lingual access point to Europe’s cultural heritage,

The Undersigned
- Appreciating the importance of the European Digital Libraries (“EDL”) initiative and of
preservation of and access to European cultural heritage;
- Recognising that in particular older material may include works whose rightholders are not identifiable or, if they are identifiable, can no longer be located;
- Emphasising respect for copyright and related rights, economic and moral rights, regarding the use of orphan works;
- Emphasising the need for adequate certainty when cultural institutions deal with orphan works, with respect to their digitisation and online accessibility within the framework of the EDL;
- Considering that standards of due diligence can best be established in collaboration between stakeholders, i.e. representatives of rightholders and cultural institutions;
- Having actively engaged on a voluntary basis in defining generic due diligence guidelines as one practicable and flexible tool to facilitate the identification and location of rightholders for the lawful use of orphan works,

Have agreed on the following:

1. That the due diligence guidelines (Joint Report and relevant Sector Report(s)) should be
observed, to the extent applicable, when searching for rightholders and that a work can only be considered orphan if the relevant criteria, including the documentation of the process, have been followed without finding the rightholders.
2. To promote the guidelines as acceptable standards for due diligence in dealing with orphan works across the European Union, and to encourage their national member organisations or entities to relate the generic information resources provided in the Joint Report and the Sector Reports to national resources, when and where applicable.
3. To encourage and support the further development of tools to identify and mechanisms to facilitate the lawful use of orphan works, and to advocate for measures suitable to prevent future orphan works.
4. To invite the Commission to call upon the signatories to review the implementation of the guidelines after an appropriate period of time, such as one year.
And then goes on to list the signatories.

It doesn't say what due diligence actually entails.
 
If it's not followed, you'll be in a better position than if a photo is stolen at present.

That is to say, if a body fraudulently issues a licence to use a work as orphan, you'll be able to sue that body, instead of the user.

And it'll be a body with (often) more to lose than the end-user; and certainly one more worried about reputation.

And if someone uses your photo and they have neither a licence from you nor an orphan work licence, then you have a strong case for aggravated damages for flagrant breach of your copyright. No-one will any longer be able to depend on a lie that they "tried" to find you.
 
I still can't see why this is necessary and why now?

The "orphan works" bit is just the crack in the edifice of the law where the lobbyists who want to weaken your rights put the lever.

The more interesting bit is the "extended collective licensing" - and the scary bit is yet to come, with details of proposals to extend the circumstances in which people and companies can use your work (photos) without asking.

A Famous Web Search Engine continues to push hard to have the law changed to allow it to do what it damn well pleases.
 
The "orphan works" bit is just the crack in the edifice of the law where the lobbyists who want to weaken your rights put the lever.
Indeed, interesting ... but there are image search facilities which give the impression of free to use images, although they are not .. and although they are not I and many others use these works on forums like U75 like confetti. We should not really do this.
The more interesting bit is the "extended collective licensing" - and the scary bit is yet to come, with details of proposals to extend the circumstances in which people and companies can use your work (photos) without asking.
Hmm.....
A Famous Web Search Engine continues to push hard to have the law changed to allow it to do what it damn well pleases.
Oh, that famous web search engine. Indeed, that wants to catalogue everything and make everything available, even when it is not theirs.
 
The UK Intellectual Property Office has issued a 'myth-busting' document about the effect on photographers of the new copyright law, Section 77 on page 68 (the bottom of page 76 in the PDF).

This is how it claims that the scheme will work:
So how will the Orphan Works scheme work?

Any person wishing to use an orphan work will need to apply for a licence to do so and payment for the licence payable up-front at the going rate.

As part of that process they must undertake a diligent search for the rights-holder which will then be verified by the Government appointed independent authorising body.

Only then will a licence to use the orphan work be issued. Licences will be for specified purposes and subject to a licence fee which is payable up-front at a rate appropriate to the type of work and type of use.

The licence fee will then be held for the missing rights-holder to claim.
 
Saw this http://www.theregister.co.uk/2013/04/29/err_act_landgrab/

Looks bad. Long article but

"Quite what happens next is not clear, because the Act is merely enabling legislation - the nitty gritty will come in the form of statutory instruments, to be tabled later in the year. Parliament has not voted down a statutory instrument since 1979, so the political process is probably now a formality.

In practice, you'll have two stark choices to prevent being ripped off: remove your work from the internet entirely, or opt-out by registering it. And registration will be on a work-by-work basis.

"People can now use stuff without your permission," explained photo rights campaigner Paul Ellis. "To stop that you have to register your work in a registry - but registering stuff is an activity that costs you time and money. So what was your property by default will only remain yours if you take active steps, and absorb the costs, if it is formally registered to you as the owner."

And right now, Ellis says, there's only one registry, PLUS. Photographers, including David Bailey, condemned the government for rushing through the legislation before other registries - such as the Copyright Hub - could sort themselves out.

"The mass of the public will never realise they've been robbed," thinks Ellis. The radical free-our-information bureaucrats at the Intellectual Property Office had already attempted to smuggle orphan works rules through via the Digital Economy Act in 2010, but were rebuffed. Thanks to a Google-friendly Conservative-led administration, they've now triumphed.

"
 
"Oh you! You can't take that picture...."

So, I'm walking along Avemaria Lane (near St Pauls) minding my own business. It's quiet and there's barely anyone around.

Passing a car park, I take a snap from the pavement and am about to walk on when I hear a loud shouting:

"Oy! Oy! You! You with the camera!"

me: "'Scuse me?"

"Yes you - you can't take pictures"

me: "Err, yes, I can actually"

"Don't give me attitude. If I say you can't take pictures you can't"

me: "You're wrong, actually. I'm on a public highway and I am perfectly entitled to take pictures of anything I like thanks. That's UK law."

"Go on then, Take try and take another picture"

me: "I've already got the picture thanks"

(aggressively pointing his walkie talkie in my face) "Go on. Take another picture"

me: "are you threatening me?"

(louder and more aggressively) "Go on. Try and take a picture again. Go on"

me: "OK, if you insist." (takes another picture).
<pause>

(security man puts walkie talkie to mouth)
"Get me the flying squad"

*editor bursts into laughter and leaves.

I just dont get the overzealous desire to restrict people filming or photographing public areas.
 
My utmost apologies! I never realised this was so long ago, and my inbox hasn't updated, just sat there, ignoring relevant emails and generally just attempting to annoy me.
However, further to this farce, I made a formal complaint to the IPCC and my MP, who in turn informed the Professional Standards Department, a few other MP's in Parliament, and the chief constable for Hants.
Ended up having a face to face conversation with Chief Inspector Alison Heydari at a neutral location.
I had a third party with me to assist, A Mark Singleton the founding editor of "Scene that".
Anyhow, everything was going great until I recited the events of that night and how her two officers acted, when it got to me informing her that I had requested on more than one occasion to them both "what Law are you going to search me under?" and the reply being "under s.44 of the anti terror act" this was then blatantly denied ignored and dismissed.
The CI covered their backs by regurgitating the lies she had been fed by two of her officers and informed me that they had persistently informed me that the search was being carried out under s.43 of the Anti terror act, at this point, the meeting was brought to a close as she was informed that if she couldn't tell the truth then there was little point on carrying out the alternative dispute resolution, no defence or retort was made to this accusation, therefore confirming what she knew all along, in that she had been lied too, and had then been forced to lie to me, perfect proof, for me anyway, of how corrupt they really are.
 
The "orphan works" bit is just the crack in the edifice of the law where the lobbyists who want to weaken your rights put the lever.

The more interesting bit is the "extended collective licensing" - and the scary bit is yet to come, with details of proposals to extend the circumstances in which people and companies can use your work (photos) without asking..

...like the mushrooming of images/video that will come with the widespread use of Google Glass
 
Hi all, new here.

Actually, I'm not much of a photographer but had occasion to use a camera recently and the police were very heavy handed about the whole thing. I took *three* photos of boys who had been harassing my young daughter and who I've had numerous problems with in regard to anti social behaviour. I wanted to record who was causing the problems (as evidence, in case further hassle arose). This was in November, in the street, and the boys were wearing not just clothes but the full winter wear get up of hats and gloves etc.

The boys told their parents and the police visited me that evening. There was just myself and my daughter in the house when they came. They spent around half an hour asking and re-asking me to delete the photos and failing to clarify whether I'd broken the law. I counted at least 8 'requests' along the lines of "Will you delete the photos. I am disappointed in you not deleting them. Yes, you have your concerns and now I'm asking you to delete the photos... and on and on...) I thought my behaviour was legal so I stood my ground despite their threatening behavior. The officers suggested, among other things, I might be seen as a paedophile. I am a 49 year old full time mother, wielding an old Canon Powershot, photographing a bunch of boys in broad daylight, in a public street, and they suggest I could be seen as a paedophile (my 7 year old daughter was there the whole time this happened).

Earlier this year I had someone shoot out my front door and a window with an air gun (whilst my daughter and I were in the house) and the police didn't even step over my doorway when I reported it. One officer turned up, made some noises and was gone within ten minutes. This time, two of them were in my house for around half an hour, and they used just about every verbal manipulation trick they could to try and 'make' me delete the photos. When they left I sat down and cried for an hour - the experience was horrendous and has changed entirely how I see police officers. They were bullies, plain and simple.

I now have a complaint in to the local police. Of course, they say the officers did nothing wrong despite them also (weeks later) admitting I had not broken any laws. I just wanted to alert you all to there being people like me (with very limited photography skills and no long range lense) who are being bullied by the police about public photography taken in defence. Furthermore, as the police investigate themselves (and my experience suggests the investigators aren't bias free) redress is unlikely unless the infringing of our rights involves witnesses on our part.

The defence I was given for their behaviour was "They *believed* they were doing the right thing" and the investigating officer concurred with them. So, it seems as long as police officers hold a belief they're in the right we're supposed to just take whatever unfairness they dish out to us. Be warned, never deal with them alone and pass this info on to anyone you want.

Oh yes, I will never let another police officer over my threshhold. They aren't to be trusted.
 


If by accident he had photos of the actual incident as it occured the Police attitude would have been "thank you sir":hmm: or the feeble minded Police officer would have arrested him :facepalm: Anyway a similar thing happened to me when I photographed a minor traffic accident. Everybody was using mobiles to film the scene and I had my proper camera. PC plod came over and gave me a right bollocking except in my case told the twat to get lost. I then continued taking photos but concentrated on him, albeit I did not take any actual pictures of the twat.

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