Saul Goodman
It's all good, man
I do. In a seriously shit kinda way, but only marginally worse than those of crannadict.No one takes your posts seriously
I do. In a seriously shit kinda way, but only marginally worse than those of crannadict.No one takes your posts seriously
Dolores was so nice to the band that liked Noel and Mike, but she recognised a los oficiales times that the only pop band usually listen on the radio was Duran Duran."What are your top 3 albums of all time?
There's a lot of them that I love, but there are certain ones that really take me back. The Smiths album, Depeche Mode - Violator, and Soundtrack for the Mission film."
The Cranberries' Dolores O'Riordan: The extended interview | City Pages
This Saturday, The Cranberries find their way back to First Avenue after many years off the radar as a group. Frontwoman Dolores O'Riordan released a…web.archive.org
On Urban, we call it acting like a cunt.Yes, now I am being a bit foolish because many were disrespectful to the band that I love. In Spanish we call it "salseo", and I think it's innocuous but a lot of fun
Other than Electronic his post-smiths stuff has been pretty bland IMOAny pointers for Johnny Marr's solo stuff? A couple of tracks would do it
I think I'd buy an album by the daleks.And at least he doesn't sing like a dalek.
Eliza and Ezra rolled together into the one giggling snowball of full-figured copulation, screaming and shouting as they playfully bit and pulled at each other in a dangerous and clamorous rollercoaster coil of sexually violent rotation with Eliza’s breasts barrel-rolled across Ezra’s howling mouth and the pained frenzy of his bulbous salutation extenuating his excitement as it smacked its way into every muscle of Eliza’s body except for the otherwise central zone.
What has happened to Peter Serafinowicz, anyone know? Off social media for 4 years now.
Oh yeah didn't he insist his book was first released by Penguin Classics - that was pretty typical of late-era Morrissey ego. The irony of him being wrapping himself tighter into the folds of British Nationalism and yet living in LA with a massive Mexican fanbase also quite hilarious.
I think his solo stuff is ace. Particularly his last album Call the Comet. Here's a variety of songs.Any pointers for Johnny Marr's solo stuff? A couple of tracks would do it
Whoops!There is no way you took my post seriously.
fuck me. "the pained frenzy of his bulbous salutation" straight up vogan love poetry. Vogon poetryMorrissey's novel I recall was universally panned, and won the Bad Sex award for this excrescence:
I say that, because I wonder what it means for his earlier lyrical ability. Tbh I just haven't listened to enough of him/The Smiths (just never particularly liked either) to think that through. But we're certainly a bit prone to over-interpret the stuff that we love/let it off the hook. I mean did people really think a man telling another man that marriage is shit was this profound, innovative thing? Doesn't it just hint at him being a misogynist prick with a decent band?
the joke being that he insisted it be published by Penguin Classics (usually reserved for books from the canon)fuck me. "the pained frenzy of his bulbous salutation" straight up vogan love poetry. Vogon poetry
Fancy you not knowing that Dolo loved The Smiths. Call yourself a fan?! The Cranberries would be ashamed of you.Dolores was so nice to the band that liked Noel and Mike, but she recognised a los oficiales times that the only pop band usually listen on the radio was Duran Duran.
The Smiths or DM never.
That's shite, of course, but getting chin-scratchy, David Sylvian insists on making a distinction between lyrics and poetry. Lyrics first and foremost serve a certain function, that being to sit in a tune. A very simple sentiment can be made to sound profound by the music - example from The Smiths might be That Joke Isn't Funny Any More. The music and the repetition add profundity and feeling to the line 'I've seen this happen in other people's lives and now it's happening in mine'.Morrissey's novel I recall was universally panned, and won the Bad Sex award for this excrescence:
I say that, because I wonder what it means for his earlier lyrical ability. Tbh I just haven't listened to enough of him/The Smiths (just never particularly liked either) to think that through. But we're certainly a bit prone to over-interpret the stuff that we love/let it off the hook. I mean did people really think a man telling another man that marriage is shit was this profound, innovative thing? Doesn't it just hint at him being a misogynist prick with a decent band?
And there's even more of a difference between writing song lyrics and writing a novel.That's shite, of course, but getting chin-scratchy, David Sylvian insists on making a distinction between lyrics and poetry. Lyrics first and foremost serve a certain function, that being to sit in a tune. A very simple sentiment can be made to sound profound by the music - example from The Smiths might be That Joke Isn't Funny Any More. The music and the repetition add profundity and feeling to the line 'I've seen this happen in other people's lives and now it's happening in mine'.
Sylvian doesn't think it even makes sense to isolate song lyrics on a page. Imo, whether he intellectualised it like that or not, Morrissey understood this point very well with his lyrics. And his prose sucks. Ah well.
I certainly was, and I certainly did.I assumed all urbanites were alienated youth in the 80s.
Why wouldn't we like the Smiths?